Chris Chiarella

Regular readers of Home Theater might know that I also write the “Top 100 DVDs of All Time” article each year, which means that I have at least 8.3-dozen discs at home. And those discs tend to pile up. But how else is a cinephile supposed to build an impressive video library? Kaleidescape is too rich for my blood, DVD jukeboxes are too difficult to manage, and downloading movies to my computer isn’t really a living-room experience. So there’s the Apple TV, which recently began high-def movie rentals, not purchases, from major studios directly to the box. The Xbox 360 also allows paid download-to-own TV shows, some in high def, although all movies are rental only. And then there’s VUDU. The VUDU box is essentially a movie machine, a library on a hard disk drive inside a box. It’s an entertainment portal that sits quietly next to the TV until called into action.

You’ve seen me write in these pages about the allure of the Microsoft Windows Vista operating system for PC, with its integrated Media Center application for serious next-generation living rooms. And you probably have one or more techy friends who extol the virtues of their multimedia PC, with its countless hours of stored music and video, TV recording, and the benefits of Internet access. But beyond custom-building your own rig or buying a traditional tower to stand next to your stylish A/V rack, how can you introduce a home-theater-friendly computer to your HDTV? Several manufacturers offer PCs with a form factor in the realm of traditional consumer electronics, namely a horizontal box with a remote control and a front-panel readout. The release of Alienware’s first such machine, the DHS-321, kicked off an evolution from that “digital home system” to their new high-definition entertainment center, code-named Hangar18.

During a time when movies were made entirely by hand, Ray Harryhausen knew better than anyone how to make the most spectacular cinematic creatures come to life. Inspired, like so many, by the original King Kong, Harryhausen honed his filmmaking skills on a variety of short subjects before he tackled his first feature film, Mighty Joe Young, working alongside Kong's stop-motion maestro Willis O'Brien. For you kids reading at home, stop-motion animation is the painstaking process of moving one or more specially designed models a precise fraction of an inch for each frame of film. Do it perfectly 24 times in a row (which can take a full day or more), and you've created one second of a movie. Along the way, Harryhausen even invented the Dynamation technique to more realistically combine his creations with live-action backgrounds, and his work became the gold standard that continues to stoke Hollywood's collective imagination. His 1957 black-and-white, monster-attacks-Rome opus 20 Million Miles to Earth was colorized and released on Blu-ray disc, the first Harryhausen title in high def, along with a new DVD boxed set that adds colorized special editions of Earth vs. The Flying Saucers and It Came From Beneath the Sea, all from Sony Pictures Home Entertainment.

The most popular movie of the year and breaker of just about every box-office record, Spider-Man 3 owes much of its success to its seamless, high-impact visual storytelling. Vast portions of this were rendered in the computers at Sony Pictures Imageworks, the digital production studio that helped bring life to all three arachno-adventures. On the occasion of the release of this latest chapter on DVD—and the entire trilogy in a magnificent Blu-ray set—Sony invited HT to speak with three of the very dedicated men of Imageworks. Digital effects supervisor Peter Nofz, special projects computer graphics supervisor Jonathan Cohen, and animation supervisor Spencer Cook are all gifted artists and masters of their individual technologies. Each has different responsibilities, yet is proud of his role within the elaborate team. And their work speaks for itself—even when you don't notice it.