Chris Chiarella

Chris Chiarella  |  May 04, 2012  |  0 comments
Check out Rebecca De Mornay in a guilty-pleasure remake of an off-the-wall classic, or saddle up for the entire first year of AMC's hot (and sweaty) new Western hit, or pop in all three movies in the beloved series about a lone sheriff facing impossible odds.
Chris Chiarella  |  Apr 20, 2012  |  0 comments
This year's Oscars no doubt hastened the Blu-ray release of the exceptional original Tinker, while ABC's centennial-timed Titanic approaches the familiar tale from a fresh perspective. And who doesn't love an inspired horror movie?
Chris Chiarella  |  Apr 06, 2012  |  0 comments
Hello, and welcome to my first Blu-ray blog for HomeTheater.com wherein we take a look at a few interesting discs that you might have missed among the weekly cascade of blockbusters and otherwise more heavily advertised releases. In this installment, we check out HBO's Cinema Verite, Anchor Bay's Corman's World, and BBC's Torchwood: Miracle Day.
Chris Chiarella  |  Jun 02, 2008  |  0 comments
Fill it up with movies, not pins.

Regular readers of Home Theater might know that I also write the “Top 100 DVDs of All Time” article each year, which means that I have at least 8.3-dozen discs at home. And those discs tend to pile up. But how else is a cinephile supposed to build an impressive video library? Kaleidescape is too rich for my blood, DVD jukeboxes are too difficult to manage, and downloading movies to my computer isn’t really a living-room experience. So there’s the Apple TV, which recently began high-def movie rentals, not purchases, from major studios directly to the box. The Xbox 360 also allows paid download-to-own TV shows, some in high def, although all movies are rental only. And then there’s VUDU. The VUDU box is essentially a movie machine, a library on a hard disk drive inside a box. It’s an entertainment portal that sits quietly next to the TV until called into action.

Chris Chiarella  |  May 04, 2008  |  0 comments
Move your TV programs from computer to home theater at the speed of walking.

One of my favorite (to make fun of) bits of business-speak is the phrase “leveraging our core competency.” Not content to say, “We’re doing what we do best,” guys in suits spout this lofty verbiage to inspire confidence as they draw upon their unique strength and experience. As the creators of flash memory cards, SanDisk’s core competency has long been those tiny, solid-state wafers in ever-expanding capacities, manufactured in form factors to fit just about every digital device imaginable. They pushed their products in interesting new directions, with dedicated living-room devices that read from and even record to various cards (the SanDisk V-Mate, May 2007 HT). That’s in addition to their broad and popular line of portable MP3 players, with and without video. But with Apple ruling the roost in video-software downloads, and consumers clamoring to watch their digital videos in the comfort of the home theater, what’s next?

Chris Chiarella  |  Mar 24, 2008  |  0 comments
It’s like a UFO landed between your sofa and TV.

You’ve seen me write in these pages about the allure of the Microsoft Windows Vista operating system for PC, with its integrated Media Center application for serious next-generation living rooms. And you probably have one or more techy friends who extol the virtues of their multimedia PC, with its countless hours of stored music and video, TV recording, and the benefits of Internet access. But beyond custom-building your own rig or buying a traditional tower to stand next to your stylish A/V rack, how can you introduce a home-theater-friendly computer to your HDTV? Several manufacturers offer PCs with a form factor in the realm of traditional consumer electronics, namely a horizontal box with a remote control and a front-panel readout. The release of Alienware’s first such machine, the DHS-321, kicked off an evolution from that “digital home system” to their new high-definition entertainment center, code-named Hangar18.

Chris Chiarella  |  Mar 24, 2008  |  0 comments
Miles away from the disquieting cyber-terrorism themes and violent action of director Len Wiseman’s Live Free or Die Hard (now available on Blu-ray, DVD, and Unrated DVD from Fox) are its real-life co-stars. The baby-faced Justin Long finds the humor in just about everything, while the hypnotically beautiful Maggie Q is as charming as her onscreen henchwoman is deadly. Veterans of both Hollywood blockbusters and more obscure indies, together they offer a unique exposé of an actor’s life.

How’s it going?

Chris Chiarella  |  Feb 11, 2008  |  Published: Jan 11, 2008  |  0 comments
The meticulous effects auteur looks back on a career spent creating movie magic.

During a time when movies were made entirely by hand, Ray Harryhausen knew better than anyone how to make the most spectacular cinematic creatures come to life. Inspired, like so many, by the original King Kong, Harryhausen honed his filmmaking skills on a variety of short subjects before he tackled his first feature film, Mighty Joe Young, working alongside Kong's stop-motion maestro Willis O'Brien. For you kids reading at home, stop-motion animation is the painstaking process of moving one or more specially designed models a precise fraction of an inch for each frame of film. Do it perfectly 24 times in a row (which can take a full day or more), and you've created one second of a movie. Along the way, Harryhausen even invented the Dynamation technique to more realistically combine his creations with live-action backgrounds, and his work became the gold standard that continues to stoke Hollywood's collective imagination. His 1957 black-and-white, monster-attacks-Rome opus 20 Million Miles to Earth was colorized and released on Blu-ray disc, the first Harryhausen title in high def, along with a new DVD boxed set that adds colorized special editions of Earth vs. The Flying Saucers and It Came From Beneath the Sea, all from Sony Pictures Home Entertainment.

Chris Chiarella  |  Feb 11, 2008  |  0 comments
It's all been leading up to this.

Airport crowds, metal detectors, ticket prices, and malodorous seat neighbors notwithstanding, now is a really good time to be a commuter.

Chris Chiarella  |  Jan 28, 2008  |  0 comments
These guys make the image work: peter nofz, jonathan cohen, and spencer cook.

The most popular movie of the year and breaker of just about every box-office record, Spider-Man 3 owes much of its success to its seamless, high-impact visual storytelling. Vast portions of this were rendered in the computers at Sony Pictures Imageworks, the digital production studio that helped bring life to all three arachno-adventures. On the occasion of the release of this latest chapter on DVD—and the entire trilogy in a magnificent Blu-ray set—Sony invited HT to speak with three of the very dedicated men of Imageworks. Digital effects supervisor Peter Nofz, special projects computer graphics supervisor Jonathan Cohen, and animation supervisor Spencer Cook are all gifted artists and masters of their individual technologies. Each has different responsibilities, yet is proud of his role within the elaborate team. And their work speaks for itself—even when you don't notice it.

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