Chris Chiarella

If your crystal ball predicted that someday the writer/director of There's Something About Mary would take home an Academy Award for Best Picture, let's hope you bet big and didn't smash the thing. Peter Farrelly's Green Book is an emotional smorgasbord, one that would no doubt be appreciated by its ever-famished "hero," Tony Lip (Viggo Mortensen). He's a gleefully ignorant yet strangely lovable tough guy (what my people would call a cavone), albeit one who needs to learn a thing or two about race relations. Tony gets his chance when, on a hiatus from his job as a bouncer at The Copacabana, he's hired to chauffeur piano virtuoso Dr. Don Shirley (two-time Oscar-winner Mahershala Ali)—a black man—on a concert tour of the Deep South in 1962.

Set mostly after the events in 2017's Justice League, Aquaman takes us back to the origin of reluctant amphibian hero Arthur Curry (Jason Momoa), and then to the present for a grand new adventure. We are introduced to men who would be king (including an angry challenger to the throne) and a hidden realm far beyond our own evolution. To keep things interesting, there's a high-tech pirate on our hero's tail, and a fellow Atlantean (Amber Heard) at his side who sports a shock of crimson hair worthy of The Little Mermaid.

A Star Is Born manages to rise above the nigh-unavoidable clichés of the music drama genre through the sheer, undeniable force of Bradley Cooper's love of his craft. Were this not already the third remake of the 1937 film, the potential cinematic pitfalls of this tale of frustrated singer/songwriter Ally (Lady Gaga), who struggles amid the boozy, druggy stumblings of entrenched headliner Jack (Cooper) would still be many.

In a story so jaw-dropping it has to be true, rookie African-American cop Ron Stallworth (John David Washington), the only officer of color on the Colorado Springs police force, initiates an undercover investigation into the Ku Klux Klan amid tense race relations in the 1970s. His part is played over the telephone, and to perpetuate his ruse he is partnered with white officer Flip Zimmerman (Adam Driver). Flip attends meetings in the guise of “Ron,” requiring the two men to coordinate their words and actions in order to present a unified front as they pretend to be a single hardcore bigot.