Surround Sound System Reviews

PRICE $4,700 (as tested)

AT A GLANCE
Plus
Crisp detail
Big, powerful sound
Minus
Tower unstable on thick carpet
Poorly designed grilles

THE VERDICT
The Premier range is far from the most expensive in Paradigm's speaker lineup, but the performance and build quality that it offers lets it compete with speakers twice the price.

The other day a friend who's neither a videophile nor an audiophile dropped by my home to watch a movie. A pair of loudspeakers I had just finished reviewing for Stereophile, our sister publication, were sitting in a corner, waiting to be packed up. When I told him their price—$6,000/pair—he appeared shocked. Even Paradigm's affordable new 700F speakers, then as now serving as the left/right channels in my system, are pricier than he would like were he to invest in a system of his own (unlikely!).

PRICE $48,000 as reviewed

AT A GLANCE
Plus
Audyssey MultEQ XT Pro room equalization
Variable-axis soft-dome tweeters on surrounds
All speakers are biamped or triamped
Minus
Expensive
Status LEDs on amplifier are bright and can’t be dimmed
Requires professional installation

THE VERDICT
When it comes to the evolution of loudspeakers, Phase Technology has an enviable pedigree filled with innovation. The company’s newest dARTS speaker/amp package is a spectacular achievement that mitigates the effects of room acoustics and creates a highly theatrical, intensely musical experience that’s extremely rare.

One day last summer, I found myself grumbling more than usual as I stood staring at 550 pounds of speakers and amps that Phase Technology had shipped to my house. (Actually, because the gravel road I live on is very unfriendly to tractor-trailers, I had to drive to the depot, load a couple of pallets of heavy boxes into two vehicles, drive home, and then unload it all.) The gear makes up the top-of-the-line version of the company’s new, second-generation dARTS system.

PRICE $3,996

AT A GLANCE
Plus
Sweet dedicated midrange
Solidly musical bass
Multilayer lacquer finish
Minus
Sub is merely average

THE VERDICT
The Pinnacle Black Diamonds are stellar performers with a winning personality, delivering consistently pleasing sound.

Even in our industrial twilight, the USA still has a cornucopia of great loudspeaker brands, and Pinnacle Speakers is one of them. Since the company’s founding in 1976, it has always been a family-owned business—and if there’s one kind of outfit you don’t want to mess with, it’s a family outfit. I haven’t reviewed a Pinnacle product in eight years, but just when I thought I was out, they pull me back in.

A limousine screeched to a halt outside my building, and two bulky guys in Men’s Wearhouse suits got out. They didn’t leave me much choice: I was blindfolded and driven around for hours and hours until I had no idea where I was. At one point, I thought I smelled Secaucus, New Jersey. Another time, the blindfold slipped, and out of the corner of my eye I saw Satriale’s Pork Store.

Price: $450 At A Glance: Affordable designer speakers • Second gen with improved parts • Clearer, meatier sound

Looking for a great sounding set of home theater speakers but on a tight budget? Read on and find out why Pioneer's newest speakers might be just what the doctor ordered and learn how gifted designer Andrew Jones met the challenge of building a high-performance speaker ensemble that can be had for only $500. Even he can't believe it.

PRICE $690 as reviewed

AT A GLANCE
Plus
Big sound, small price
Efficient and easy to drive
Proper surround sound at a soundbar price
Minus
Black vinyl is the only finish

THE VERDICT
Polk’s T50 system is all about value with a capital V— delivering a real 5.1 experience including a powered subwoofer and floorstanding tower speakers at a soundbar price.

“What this country needs is a really good five-cent cigar.”—Thomas R. Marshall

American vice presidents aren’t usually remembered for much, but Woodrow Wilson’s VP Thomas R. Marshall will always be remembered for saying that America needed good cheap cigars. If you figure in a hundred years of inflation, Marshall’s five-cent cigar would still be well under a buck today, so clearly he was a man who wanted real value for the money. With that in mind, I reckon that if Marshall were alive today, he would be a huge fan of the Polk T Series speaker system.

PRICE $1,600 as reviewed

AT A GLANCE
Plus
Excellent range and tonal balance
Dramatic looks
Good blend from unusually low-profile center
Minus
Sub doesn’t add much to the towers alone

THE VERDICT
With the Signature Series, Polk successfully practices its long-held ethos of delivering high performance at affordable cost in a new, smartly designed lineup.

Of the three or four speaker brands that pumped the vast majority of air throughout the hi-fi boom of the 1970s, only one—Polk Audio—is still doing what they’ve always done (design and make loudspeakers), where they’ve always done it (more or less), and with very much the same ethos (value/performance, with value in italics). OK, so Polks, like virtually all other mass-market speakers sold in the U.S. are now actually manufactured overseas. But they’re still conceived here according to the old Polk standards—industrially designed in San Diego out of the corporate headquarters and engineered in Polk’s original hometown in greater Baltimore.

Price: $7,140 (updated 3/10/15)
At A Glance: Independent ported chambers for each woofer • Dual five-way gold-plated binding posts for biwiring or biamping • Five-way transitional design

Paul Barton is a nutcase. Oh, sure, he’s soft-spoken, ultra-smart, and intensely passionate about sound. (In the late 1960s, 11-year-old Barton started building speakers with his dad in their workshop because other speakers “didn’t sound natural.”) But that’s just a cover. I don’t know how else to explain the fact that Mr. Barton (the “P” and “B” of PSB Speakers—with his wife, Sue, providing the “S”) has spent so much of his life locked away in the anechoic chamber and testing/listening labs of Canada’s federally funded National Research Council (NRC) in Ottawa, Ontario. In fact, according to PSB, although folks from other speaker companies (such as Paradigm, Energy, Mirage, Snell, and Aperion, to name a few) have traipsed through the NRC’s Acoustics and Signal Processing Department’s doors, since the late 1970s, Barton “has spent far longer in the chamber and lab than any other speaker designer.” So rather than skiing, hunting, fishing, playing hockey, and/or drinking beer all day like real Canadians do, Barton chose to play in an anechoic chamber. As I said, he’s a nutcase.