Surround Sound System Reviews

Price: $3,499 At A Glance: Automatic speaker discovery and channel assignment • Uncompressed 24-bit wireless digital audio • No AVR needed

Not long ago, FedEx deposited a 7.1channel HTIB from Aperion Audio outside my door. It’s not really fair to call it a home theater in a box because the system actually comes in seven boxes and sells for $3,499. But since it includes source switching and amplification, it technically qualifies as an HTIB, albeit a rather unusual one. Aperion Audio prefers the term preconfigured home theater system. Normally, setting up this sort of home theater package would entail speaker wires crisscrossing the floor accompanied by the requisite grumbling, stripping of wires, and fumbling with speaker terminals. In this case, though, the Aperion speakers—a pair of towers, a center channel, a subwoofer, and two pair of satellite speakers—come out of their boxes, get placed in their appropriate spots in the room, have each one’s power cord plugged into the nearest AC outlet…and that’s it.

Price: $1,786 (updated 1/28/15)
At A Glance: Distinctive cabinet shapes • Revealing voicing • Sold factory direct

Merriam-Webster.com defines a cabal as “the artifices and intrigues of a group of persons secretly united in a plot (as to overturn a government),” or “a group engaged in such artifices and intrigues.” For the past 30 years, Axiom Audio has been part of a Canadian cabal of loudspeaker manufacturers secretly united in a plot to overturn bad sound—ironically, with government support. The Ontario-based company is one of several brands that sprouted from Ottawa’s National Research Council facilities where Axiom founder and president Ian Colquhoun learned the art and science of speaker design under the legendary Dr. Floyd Toole.

Why do we say “secretly united”? Axiom is one of those well-kept secrets of the audio world, and that’s partly our fault. The company has been designing and manufacturing its products in Canada, right under our North American noses, yet this is the first review we’ve done on an Axiom product in about 20 years, despite the accolades the brand has attracted in the interim. So we’re playing catch-up with this review of Axiom’s Epic Midi 125 5.1-channel speaker package, which includes two monitors and a center in the front, dedicated diffuse surrounds, and a subwoofer. Let’s just say the secret is out.

Price: $3,345 At A Glance: Leather-like enclosure finish • Beefy subwoofer • Easy-listening, aggression-free treble

The question “what speakers should I buy?” is increasingly giving way to the more provocative “why should I buy stand-alone speakers at all?” Loudspeakers have to argue for their very existence in a world where consumers are logging fewer listening hours with component systems. Instead, stylish music sources such as tablets and smartphones are driving listeners toward equally stylish all-in-one wireless/docking systems and headphones. Today, the poor old loudspeaker has to work harder to attract attention. It has to convince you to buy it—oh, and one of those pesky audio/video receivers to power it.

PRICE Price: $5,850 (CM6 S2, $1,000 each; CM Centre 2 S2, $1,250 each; CM1 S2, $550 each; ASW10 CM S2, $1,500)

AT A GLANCE
Plus
Exceptional tonal balance
Superb sub/sat integration
Impressive bass extension from compact sub
Lovely design and finish

Minus
Expensive
No dipole/bipole surround option

THE VERDICT
Highly neutral and free of obvious coloration, invitingly listenable, and beautiful, the B&W CM S2s wear their substantial prices fairly.

B&W should need little introduction in these pages. The British loudspeaker-maker has been a force in serious audio repro practically since Noah’s flood (1965, actually), and here in the States have for two decades and more occupied an enviable market position straddling the highest of high-end to the almost-popularly-priced. So when a new generation of B&Ws take the stage, the audio world tends to pay attention, as we are doing here with the firm’s latest iteration of its next-most-affordable CM range. Named with typical British phlegm the CM S2, the new designs highlight a dozen or so interesting engineering refinements in driver, crossover, and cabinet designs (in particular a new “dual-dome” aluminum tweeter diaphragm claimed to push its resonance a half-octave or so higher, and thus extending its smooth reproducing range), but in typical B&W fashion show comparatively little in the way of visible changes.

PRICE $4,300 (as reviewed)

AT A GLANCE
Plus
Soundstaging
Presence and immediacy
Tight bass (with subwoofer)
Minus
Top end a bit restrained
Limited subwoofer output
Pedestrian styling

THE VERDICT
It took some effort to get their best in my room, but these relatively affordable B&Ws ultimately came through with a big, immediate, and generous sound.

Bowers & Wilkins, aka B&W, has been in the loudspeaker game since the mid-1960s. I reviewed the company’s original 600 series for Stereophile Guide to Home Theater over six years ago, and I was impressed—even though I was listening to those speakers immediately after evaluating Revel’s high-end Ultima2 system. At less than 15 percent of the Revels’ price, the B&Ws couldn’t, of course, equal them. But they weren’t anywhere near embarrassed by the comparison. Now we have the 600 S2 models in house, ready to do battle. The Revels are no longer here, of course, so the 600 S2s will have to speak for themselves. We’re ready to see if they can.

PRICE $8,881 (as tested)

AT A GLANCE
Plus
Outstanding sonics and dynamic ability
Impressive bass extension from Mini-T alone
Made in Canada, not overseas
Minus
Requires substantial
amplifier power for best performance
Classic boxy designs won’t thrill everyone

THE VERDICT
They’re big, boxy, and expensive, but these speakers are world-class performers, top to bottom.

Bryston’s new Mini T loudspeakers spoke to me early, even before I’d fully wrestled them out of their imposing, oversized packaging. And what they said was, “We were designed by guys who don’t give a hamster’s hindquarters for new-age cosmetics, ‘breakthrough’ transducers, or 21st-century styling: We’re old school!”

For the record, Bryston Ltd.—based in the small Canadian city of Peterborough, an hour or so east of Toronto—has for decades produced some of the world’s preeminent power amplifiers (also preamps, surround processors, and even the odd integrated amp), impeccable performers built to a standard of brick-house quality seldom bettered, and warrantied accordingly. If you wanted vast reserves of current, bulletproof design, road-ready ruggedness, and genuine craftsmanship, Bryston fit the bill.

Price: $1,449 At A Glance: Second-gen high-end compact satellites • Mix of flat and cone drivers • Incredible dispersion

Compact cube speakers are an intriguing subset of the satellite/subwoofer speaker genre. Though not invariably high performers, cubes have achieved iconic status, and some manufacturers have made a fortune marketing them to folks whose significant others look at the diminutive geometric forms and say, “Bingo. That’s what I want your speakers to look like. Now get those big tombstones out of our den.”

Cambridge Audio has tapped into the cube mystique with its Minx sat/sub sets. In fact, the Minx has done so well that it is now a separate division of the company. Part of the Minx suc- cess story is, believe it or not, performance. The first-generation Min 10 (single cube) and Min 20 (double cube) earned rave reviews all over the place, and the single- cube version found a coveted perch on our Top Picks list.