Surround Sound System Reviews

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Mark Fleischmann  |  Apr 18, 2013  |  2 comments

Aon 2 Speaker System
Performance
Build Quality
Value

ForceField 5 Subwoofer
Performance
Features
Build Quality
Value
Price: $3,000 At A Glance: Broad dispersion • Good power handling • Powerful subwoofer

A review is more interesting when it tells a story. How should the story of the GoldenEar Aon 2 begin? There’s the technology angle: The Aon 2 is among the few speakers on the market with an unusual pleated tweeter design that uses a squeezing motion (as opposed to a piston motion) to generate the changes in air pressure that we hear as sound waves. Because the benefits—wide horizontal dispersion and vivid imaging—are easy to describe, that would be a good way to begin. And then there’s the human interest angle: GoldenEar is the third brand to be cofounded by Baltimore-based loudspeaker impresario Sandy Gross, whose genuine love for audio is balanced by his love for gourmet food, Expressionist canvases, and ancient statuary. The only thing wrong with these angles is that reviewers hither and yon have used them so often in the past. That leaves the musical angle. Here I believe I have a variant that might qualify as an exclusive.

Darryl Wilkinson  |  Oct 24, 2013  |  3 comments

Triton Seven Speaker System
Performance
Build Quality
Value

ForceField 5 Subwoofer
Performance
Features
Ergonomics
Value
PRICE 3,594

AT A GLANCE
Plus
Deep bass extension from dual passive radiators Remarkably full midrange Rearward rake with non-parallel front and rear baffles
Minus
You’ll need to find a new home for your current speakers

THE VERDICT
The Triton Sevens provide rock-solid high-end performance for a mid-fi price.

It begins with a fairy tale (of sorts). Once upon a time (say, around 2013), a little company named GoldenEar made three bears—no, sorry, three tower speakers. The first speaker was tall and big with a deep, deep voice. But it was too big and too expensive for a hungry little girl roaming the forest—no, I mean, for some of the people shopping through a forest of tower speakers at the A/V store. The second tower was shorter and a bit smaller. Its voice was deep, too, but not quite as much as the papa tower’s voice. Sadly, it was also too big to fit comfortably in some people’s rooms, and still too big for some of their budgets. Then GoldenEar made a third tower speaker, even shorter and less expensive, and this speaker was… Well, that’s what we’re here to find out, isn’t it?

Darryl Wilkinson  |  Feb 10, 2016  |  0 comments

Performance
Build Quality
Value
PRICE $7,750 as reviewed

AT A GLANCE
Plus
New DSP for low-frequency tuning
Totally redesigned midrange drivers
Balanced crossover with polypropylene capacitors
Minus
Bright blue power LED on back of tower

THE VERDICT
With the hindsight of four years of product development, GoldenEar reboots their very first speaker with updated drivers, crossover, and low-frequency DSP—to quite stellar results.

Unfortunately, the first GoldenEar Technology Triton Two loudspeaker I ever saw didn’t work. It wasn’t the result of shoddy workmanship, chintzy materials, or some brutal, shipping-induced internal hemorrhage of crossovers and cables. Truth be told, the speaker wasn’t technically a Triton Two because, at the time (in early January during CES 2010), GoldenEar Technology didn’t officially exist. The tall, dark tower standing silently in front of me was a cosmetic mock-up of what would become the Triton Two— GoldenEar’s first speaker. In other words, this mute monolith, wrapped in black fabric, was merely a hollow shell of its future towerful self.

Darryl Wilkinson  |  Jan 27, 2012  |  0 comments

Performance
Build Quality
Value
Price: $3,195 (updated 3/10/15)
At A Glance: Little brother to the Triton Two • Built-in, powered subwoofer • Folded-diaphragm tweeters

Those of us who are “the baby of the family” know the ever-living hell of growing up surrounded by older siblings. In addition to the incessant abuse—both mental (teasing, taunting, terrorizing) and physical (wedgies, wet willies, purple nurples)—there’s the oxygen-depleting cloud of expectation that swirls around your every step, especially if you’ve had a particularly zealous overachiever blazing the familial trail ahead of you. By the way, for those parents who aren’t aware of it, “Why can’t you be like your brother?” isn’t, in most cases, a terribly motivating exhortation. Unless, of course, said brother happens to be a ne’er-do-well who lives off the proceeds of an obscenely large trust fund, drinks absinthe with impunity, and eats fresh beignets heaped high with powdered sugar for breakfast (at noon) every day. (That’s my kind of role model! Bring it on, sibling rival…) Unfortunately, few of us are blessed with the kind of bottom-feeding low-life for an older brother or sister who makes you look like a shining star just for getting out of bed and watching cartoons in the morning. Instead, we’re doomed to a life of waking up knowing that the rest of the day is likely to be nothing but another disappointment to our parents, grandparents, and every ancestor who ever walked (even remotely) upright.

Mark Fleischmann  |  Jan 13, 2015  |  0 comments

Infinity Reference R162 Speaker System
Performance
Build Quality
Value

Infinity Reference SUB R12 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,100

AT A GLANCE
Plus
Detailed high frequencies
Proprietary drivers
Curved enclosure
Minus
Can be too revealing
More finishes needed

THE VERDICT
The new Infinity Reference series has superb top-end transient detail and a commendably subtle sub, turning even familiar material into a fresh experience.

“Attention to detail.” That was my mantra when I hired and trained people to write product descriptions for an e-commerce site. It’s a pretty good rule to live by in general, and I try my imperfect best to practice it myself, both personally and professionally. It came back to me when I pulled the grille off the Infinity R162, part of the big brand’s new Reference series. When I saw a tweeter waveguide unlike any I’d previously seen, I knew I was communing with a kindred spirit, a lover of detail—though one with access to far greater resources than I command as a mere reviewer. Infinity’s parent corporation, Harman International Industries, has the kind of facilities and personnel that many speaker companies can only dream of. Harman pays a whole lot of talented people to attend to detail.

Daniel Kumin  |  Aug 16, 2018  |  4 comments

S 809 HCS Speaker System
Performance
Build Quality
Value

S 810 Subwoofer
Performance
Features
Ergonomics
Value
PRICE $1,497 as reviewed

AT A GLANCE
Plus
Top-grade Atmos imaging and ambience reproduction
Connector-less elevation speaker hookup
Unusually good center-speaker tonal match
Minus
Minor upper-mid constriction
Minimal contribution from subwoofer

THE VERDICT
This Jamo Atmos-ready system provides impressive immersion and solid value, though bass-heads will want to investigate the company’s more capable subwoofer offerings.

Jamo, the Danish speaker firm whose name rhymes with—well, not “ham-oh,” and not “Hey Moe!,” and certainly not orange—but with, more or less, “ma-mo,” has been quietly busy upon our shores for several decades now. That quiet became a bit noisier after the firm's acquisition by Klipsch in 2005 (both now part of the VOXX corporate group founded by car-fi stalwart Audiovox).

Mark Fleischmann  |  Nov 14, 2014  |  3 comments

Studio 230 Speaker System
Performance
Build Quality
Value
Studio SUB 250P Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,630

AT A GLANCE
Plus
Efficient, high output
Vocal clarity and defined soundfield
Affordable price
Minus
Thin, accentuated top end
Best at low-to-moderate volumes

THE VERDICT
Although their bright voicing may not be for everyone, the JBL Studio 2 speakers combine high efficiency with excellent detail retrieval.

What if the solution to room-interaction problems resided in your loudspeakers? Wouldn’t that be a great alternative to the ills of receiver-based room correction systems? Those are some potentially interesting questions posed by JBL’s Studio 2 series.

For starters, who needs room correction anyway? Well, when it’s hard to catch the dialogue, and imaging smears all over the place, the room correction program in your A/V receiver can mitigate those problems (depending on the receiver and the room). But quite often, it also introduces new artifacts and errors. For my own part, in my own room, I find that many room correction systems thin out the overall tonal balance and induce fatigue. That’s why some audiophiles shun room correction and choose to live with the acoustic character of their room, for better or worse—usually both.

Daniel Kumin  |  Apr 07, 2021  |  1 comments
Performance
Features
Ergonomics
Value
PRICE $999

AT A GLANCE
Plus
Solid headphone-surround
Impressive Dolby Atmos, DTS:X effects
Long battery life
Minus
Substantial vocal tonality shifts
Uneven bass presentation

THE VERDICT
JVC’s Exofield XP-EXT1 delivers an impressive rendering of effects in immersive soundtracks, but it comes up short as an all- around wireless home theater headphones solution.

True surround sound from headphones has been an audio holy grail for decades, but with the ever-increasing power and value of digital signal processing, we're now getting closer to drinking from that particular chalice. JVC's latest effort is the XP-EXT1 Personal Home Theater System, a set of wireless over-the-ear cans with a slim processor/transmitter that uses the company's Exofield DSP processing to digitally rejigger surround-encoded soundtracks, including Dolby Atmos and DTS:X, for your in-head listening pleasure.

Mark Fleischmann  |  May 30, 2018  |  2 comments

Q Series Q350 Speaker System
Performance
Build Quality
Value

The Kube 12b Subwoofer
Performance
Features
Build Quality
Value
PRICE $3,150 as reviewed

AT A GLANCE
Plus
Atmos add-ons
Coincident Uni-Q drivers
Sub has three placement EQ modes
Minus
Grilles not included
Not as dressy as other KEF products

THE VERDICT
KEF’s Q series combined with its new Kube subwoofer line brings the trademark Uni-Q driver array and a potent bottom end to a lower price point, with reliable performance and an Atmos add-on option.

One of the headlines I considered for this review was “What Becomes a Legend Most.” It’s a poignant song from Lou Reed’s New Sensations. Before that, it was an advertising slogan that sold mink coats in ads featuring Judy Garland, Lauren Bacall, and Marlene Dietrich, among others. Somehow, it fits KEF, the British speaker manufacturer responsible for numerous driver-related innovations, including the Uni-Q coincident array. KEF’s Muon and Blade towers have the fragrance of luxury about them.

Daniel Kumin  |  Oct 16, 2012  |  1 comments

Like so many British (and, for that matter, American) ür-audio brands, KEF — originally Kent Engineering & Foundry — had its roots in the post- WWII technology boom. In KEF’s case, it grew inside a Quonset hut on the grounds of the aforementioned foundry. A half-century down the road the Kentish maker is still there (in Kent, not in the metal shed!), still focused on its core competency (loudspeakers), and still producing wholly excellent designs.

Mark Fleischmann  |  Aug 10, 2012  |  1 comments

Performance
Build Quality
Value
Price: $6,800 At A Glance: Three-way with coaxial midrange/tweeter • Sub with dual side-firing drivers • Laser-like focus and well rounded

Kent, in the south of England, was best known for hop farming when Raymond Cooke left Wharfedale and founded KEF in 1961. The company was named after the industrial site on which it was founded: Kent Engineering & Foundry. KEF’s numerous distinguished alumni include Laurie Fincham, who now develops next-generation audio technologies for THX, and Andrew Jones, who designs world-beating loudspeakers at a variety of price points for Pioneer and TAD. KEF has earned a reputation for making both great speaker systems and great speaker drivers, some of which were instrumental in the legendary BBC-designed LS3/5A, which KEF and other manufacturers have marketed in various forms. Roving through a New York cocktail party celebrating KEF’s 50th anniversary last year, hobnobbing with the audio elite, I found that the drive units inspired as much nostalgia as the speakers in which they were used. (To read about KEF’s history in more detail—and in a handsome coffee-table book, no less—see KEF: 50 Years of Innovation in Sound by Ken Kessler and Dr. Andrew Watson.)

Thomas J. Norton  |  Mar 13, 2019  |  2 comments

Speakers
Performance
Build Quality
Value

Subwoofer
Performance
Features
Build Quality
Value
PRICE $10,200 (as tested)

AT A GLANCE
Plus
Sweet, clean highs
Superb dialogue clarity
Detailed but not aggressive sound
Minus
Slightly limited treble diffusion
R3s make for pricey surrounds

THE VERDICT
With a sweet balance on music and potent, but not aggressive, manner with movies, KEF’s R-series system delivers all-around outstanding performance.

KEF'S R Series speakers have long occupied the middle range of the British manufacturer's offerings. While the previous R Series was starting to get a bit long in the tooth, I found the performance of those speakers to be superb, having reviewed the last generation R700 for Sound & Vision's sister publication Stereophile in 2014.

Tom Norton  |  Apr 23, 2013  |  0 comments

KEF R900 Speaker System
Performance
Build Quality
Value
KEF R400b Subwoofer
Performance
Features
Build Quality
Value
Price: $9,400 At A Glance: Sweet, clean highs • Big, generous soundstage • Flawless fit and finish

If you’ve been passionate about audio for more than a few years, or can name five loudspeaker companies with names that don’t rhyme with rose and begin with a B, you’ve certainly heard of KEF. In the late 1980s, KEF introduced a new concentric driver that placed the tweeter in the throat of the midrange cone. Dubbed Uni-Q, the design has been continually refined for over 20 years and remains the centerpiece of most KEF loudspeakers.

KEF today is part of a Hong Kong conglomerate...

Mark Fleischmann  |  Jul 05, 2013  |  8 comments

Quintet Speakers
Performance
Build Quality
Value
SW-100 Subwoofer
Performance
Features
Build Quality
Value
Price: $1,050 At A Glance: Molded reinforced polymer enclosure • Vertically expanded Tractrix horn • Conventional sub

Compact satellite/subwoofer sets are often affordable, mate well with budget receivers, allow more speaker-placement width than soundbars, lend themselves to wall mounting—and best of all, they don’t hog the room, even if you place them on stands (which would usually produce the best sonic results). What Justice Anthony Kennedy’s swing vote is to the Supreme Court, the spouse acceptance factor is to loudspeaker genres, and the elegant compactness of a sat/sub set just may be the tiebreaker, the factor that makes the difference between having or not having a surround system. Sat/sub sets continue to be the most underrated product category in home theater.

Michael Trei  |  Mar 20, 2019  |  0 comments

Speakers
Performance
Build Quality
Value
Subwoofer
Performance
Features
Build Quality
Value
PRICE $996 (as tested)

AT A GLANCE
Plus
Dynamic and lively sound
Good stereo and surround sound imaging
Minus
Requires careful setup for best performance
Basic black finish only

THE VERDICT
Klipsch’s R-41M speaker system amply demonstrates how a 5.1 surround package can outperform a same-priced soundbar. Enthusiastically recommended for both movies and music.

Putting together a home theater system on a limited budget can be a daunting task. That's why so many people instead take the easy route and buy a soundbar to handle audio. Sure, a one- or two-box (with subwoofer) solution is simple to shop for and a snap to hook up, but what about the sound quality? With soundbars, the amplifiers, speakers, and signal processing are all designed to work together in an integrated unit, so it's often possible to squeeze surprisingly big and powerful sound out of the bar's tiny drivers.

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