Projector Reviews

Broaden Your Horizons

If you’ve investigated the subject of constant-height projection, you know that it can be a complicated, slightly intimidating business. We covered the ground rather thoroughly in “Beating the Black Bars” (HT, October 2008). Constant-height display generally involves placing a so-called anamorphic lens in front of a projector’s native lens when viewing true widescreen films—that is, films with an aspect ratio of around 2.35:1 (often called scope films). Such a setup also employs a 2.35:1 screen. For material with an aspect ratio of 1.85:1 or less, the lens is normally moved out of the way and the image is projected onto the 2.35:1 screen with black bars on each side. This is sometimes called windowboxing.

My wife always wanted twins. I got her the next best thing: DWINs. Hanging on the ceiling is my DWIN HDP-500 CRT projector (wow, has it really been seven years already?), while on a table below and slightly behind it is the new DWIN TransVision 4 DLP projector. Actually, the new DWIN, like the old DWIN, is not just a projector, but a full projection <i>system</i> that manages all your critical video switching and processing needs. Seven years. I feel the itch.

Well, it looks like another major manufacturer has followed Optoma's lead in bringing the cost of 3D projection down to a reasonable figure.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Very good contrast and light output
Low input lag
Generous lens shift range
Fully backlit remote
Minus
Limited DCI-P3 color space coverage

THE VERDICT
Epson's latest 3LCD projector goes easy on the wallet while delivering performance and features typically found in more expensive models.

Epson's Home Cinema LCD projector lineup ranges from basic, inexpensive beamers designed for portable use to high-end models meant for serious home theater installations. Of these, we typically devote space to the company's premium UB (Ultra Black) offerings such as the 5050UB 4K PRO-UHD (reviewed in the August/September issue and also on soundandvision.com), along with mid-range models like the 3800 under evaluation here. A big plus of the Epson projector family is that the costs usually top out at $3,000, with mid-range offerings priced about one-third to one-half that amount while providing many of the same features found in the high-end offerings.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Extended color
Good brightness and contrast
Great value
Minus
Blacks could be better
High fan noise with picture optimized for HDR

THE VERDICT
he Epson 4010’s near-perfect color, good contrast, and wide array of setup features make it a strong under-$2,000 projector option.

Affordable, 4K-capable projectors are very much a reality — Sound & Vision has reviewed several such models plucked from the DLP, LCD, and LCOS camps. And in some cases, “affordable” can equate to $2,000 or less. One drawback you have to contend with when considering such projectors is their dependence on pixel-shifting technology to display a full Ultra HD image onscreen. But given the crisp pictures we’ve seen when viewing with pixel-shifting models from JVC, Optoma, Epson, and others, the lack of true 4K-resolution imaging chips ultimately isn’t much of a drawback at all.

Epson Home Cinema LS100
Performance
Features
Ergonomics
Value

Elite Screens Aeon CLR
Performance
Setup
Value

AT A GLANCE
Plus
Bright picture
Compact form factor
Can be used in average room-lighting conditions
Minus
Below-average picture contrast
Some center-to-edge brightness dropoff
Mediocre remote control

THE VERDICT
This combination of Epson projector and Elite screen represents a great value for those seeking a daylight-friendly, ultra-large-screen viewing option.

Ultra-short-throw (UST) projectors are becoming an increasingly popular alternative to regular front-projection systems. The reason is that, unlike regular projectors, which require careful lighting control to perform their best, UST models can operate in well-lit environments. They beam light upwards and are designed to be mounted only a few inches away from the screen, an arrangement permitting clean installations that not only are free of ceiling mounts or long wiring runs but also avoid the problem of onscreen shadows when someone traverses a projector’s beam.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Bright, living room-friendly image
Packaged with easy to assemble screen
Plentiful picture adjustment options
Minus
Limited contrast and color space coverage
High fan noise in Normal Light Output mode
Basic remote control

THE VERDICT
With its powerful brightness and impressive overall picture, Epson's LS500 offers a compelling alternative to pricey oversize flat-panel TVs.

Remember the rear-projection TV (RPTV)? RPTVs were big, boxy contraptions housing a projector that beamed an image at the rear of a screen mounted on the set's front surface. While necessarily inelegant compared with the sleek flat-panel TVs that eventually replaced them, the RPTV in its heyday solved the problem of getting a big image—screen sizes topped out around 80-inches—without having to resort to a room-dominating two-piece system with a ceiling-mounted projector and separate screen.