LATEST ADDITIONS

Members of the cord-cutter's club are glad to save $100 or more each month by weaning themselves off cable TV or not signing up at all. Still, some cutters suffer remorse. They miss the convenience of a set-top DVR with its sleek onscreen guides, search facility, ability to amass recordings of their favorite series and navigational shortcuts. Suddenly, they're looking at apps across devices to fill the gaps.

Some long-gestating sonic missions are simply worth the wait. Case in point: Styx’s June 2017 studio concept album The Mission (Alpha Dog 2T/UMe), which recently entered into the 5.1 stratosphere via the 24-bit/96kHz surround sound mix found on the just-released two-disc CD + Blu-ray Edition of the album. As good and enveloping as The Mission sounds in stereo, it sounds even better in its hi-res 5.1 mix — and that’s due in no small part to the creative synergy between the record’s three chief sonic architects: Styx guitarist/vocalist Tommy Shaw, producer/guitarist/vocalist Will Evankovich (Shaw-Blades, The Guess Who), and producer/engineer Jim Scott (Tom Petty, Wilco, Dixie Chicks). I spoke with Shaw and Evankovich to delve into the making of the surround sound mix of The Mission.

Rolex, Tiffany, Ferrari. And now, Sony.

Depending on your point of view, Sony is doing something wonderful, or deplorable. Either way, I'm sure the Internet will be outraged.

You might think so. But Elite Screens’ Dave Rodgers says not so fast. It wouldn’t be wise to automatically assume that any ambient-light rejecting (ALR) screen is the best choice for ultra-show-throw (UST) projectors like the Hisense Laser TV system Al Griffin reviewed earlier this year or Sony’s extravagant VPL-VZ1000ES.