LATEST ADDITIONS

Al Griffin  |  Sep 20, 2011

While Panasonic plasmas traditionally excel on the picture-quality front, they’ve lagged a bit behind other flat-panel TVs when it comes to style. Take last year’s VT25 series. The picture on those sets was hard to fault (the 50-incher we reviewed won our 2010 Video Product of the Year award), but when positioned alongside new, ultra-slim plasmas from companies like Samsung, the Panasonic’s 3-inch panel depth and thick gloss-black bezel rendered it caveman-like by comparison.

Daniel Kumin  |  Sep 20, 2011

RSL Speaker Systems is the current manifestation of Rogersound Labs, a SoCal company that goes back a few years — 30 or so, in fact. Like many speaker makers, RSL got its start through garage tinkering, in this case by Howard Rodgers, owner of a well-known retail chain of the same name. (How the “d” got dropped from the company name is a story for another day.)

Despite a long, successful run, the original RSL, again like many other speaker companies, eventually faded away. But after regaining rights to the company name just last year, the firm was reincarnated after a long hiatus by its founder and his family.

John Sciacca  |  Sep 19, 2011

Prices for flat-panel TVs have been reduced to a level where they’ve literally become throwaway commodities. Just yesterday, a customer informed me that he was going to put a TV outside on his deck and “leave it there until it breaks, then buy another one.”

Gary Dell'Abate  |  Sep 19, 2011

My 13-year-old son is an avid skier, skateboarder, and longboarder. From time to time, he’ll document his activities with a Flip camera.

There are two issues with the Flip, however. First, you have to hold it in your hand. Second (and more important), Flip is out of business.

Ken C. Pohlmann  |  Sep 19, 2011

Row, row, row your boat,
Gently down the stream.
Merrily, merrily, merrily, merrily,
Life is but a dream.

Thomas J. Norton  |  Sep 19, 2011
Blu is a companion to Linda, and the two are inseparable. But when Brazilian ornithologist Tulio shows up, Linda learns that Blu is the only male blue macaw in existence and must mate to save the species. Linda reluctantly agrees, and she, Blu, and Tulio set off to Rio de Janeiro. This leads to events Linda never dreamed of back home in Moose Lake, Minnesocold. And when birdnappers, together with a particularly nasty jailbird, enter Blu’s world, his adventures parallel hers.

Produced by Blue Sky Studios, the computer animation house behind the successful Ice Age franchise, Rio’s story line doesn’t feel all that promising at first. But it grows on you. While 2011 hasn’t yet equaled 2010 for potential entries in the animation hall of fame, a chameleon, a panda, and now a macaw are more than enough to keep the current golden age of computer animation firing on all cylinders.

Scott Wilkinson  |  Sep 19, 2011
I recently bought a Sony KDL-60NX810 TV, and I used the Spears and Munsil High-Definition Benchmark Blu-ray setup disc to optimize the picture controls. A friend has Digital Video Essentials: HD Basics from Joe Kane. Should I try it too, or have I gotten it as good as it will be?

Dennis O'Neill

Michael J. Nelson  |  Sep 19, 2011
In 1943, when Supreme Allied Commander General Dwight D. Eisenhower received the plans for Operation Overlord from Lieutenant-General Frederick E. Morgan, one thing about this massive, audacious, and immensely complicated scheme must have needled him more than any other. “Damn it, Fred, this thing’s not cordless?!” Alas, no. The invading army of D-Day depended upon tremendous quantities of fuel, and with German U-boats patrolling the Channel, they couldn’t risk shipping it over. Knowing this, the Allies concocted a brilliant solution: an 81-mile cord, or rather a pipeline under the ocean (it was code-named Pluto).
Brent Butterworth  |  Sep 18, 2011

Maybe back in the 1920s, when Sound + Vision was called Superheterodyne Journal, we might have reviewed some giant tube amplifier that put out 2 watts at full blast. But other than perhaps some forgotten device from audio's days of yore, this storied publication has never tested an amplifier so small, so weak, so limited in utility as the Qinpu Q-2.

Brent Butterworth  |  Sep 18, 2011

Maybe back in the 1920s, when Sound + Vision was called Superheterodyne Journal, we might have reviewed some giant tube amplifier that put out 2 watts at full blast. But other than perhaps some forgotten device from audio’s days of yore, this storied publication has never tested an amplifier so small, so weak, so limited in utility as the Qinpu Q-2.

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