LATEST ADDITIONS

Thomas J. Norton  |  Sep 21, 2011
2D Performance
3D Performance
Features
Ergonomics
Value
Price: $5,500 At A Glance: Bright, punchy images • Good (though not highly accurate) color • Middling black level and contrast

Many of us here at Home Theater are big on 3D, but a lot of front-projection fans have been holding off. Until recently, their only options in the $5,000 3D projector market were two identical JVC models (sold either through that company’s pro or consumer distribution channels).

Corey Gunnestad  |  Sep 21, 2011
It’s a long-held myth that the average human being can access only about 10 percent of their brain capacity at any given time. For me, it happens to be true, and that’s on a good day, but I digress. Now imagine if you could take a pill that would give you complete and total brain function. The possibilities would be, well, limitless.

This is a drug that’s so new it doesn’t even have a street name yet. This is life on fast forward, it’s David Fincher on acid, and it’s one hell of a ride. When the effect wears off, though, it’s straight back to Stupidville, and you’re royally screwed if your supply runs out. Bradley Cooper is the washed-up writer who happens upon the drug in a chance meeting, and his life takes some very drastic turns—for better and worse.

Geoffrey Morrison  |  Sep 20, 2011

Netflix announced this week that they were splitting their business, DVD/BD rentals on one side, streaming on the other. 

By all accounts, this seems like a perfectly crafted way to auger the company into the ground. Everyone hates it, customers are fleeing, there's no way it can work.

But. . . what if that's the point?

Scott Wilkinson  |  Sep 20, 2011
Laurie Fincham, senior vice president of audio research and development at THX, talks about the difference between live and reproduced music, the importance of exposing consumers to high-quality audio, THX's new analog power amp design that rivals switching amps in efficiency and small size, the theory and application of speaker line arrays, answers to chat-room questions, and more.

Run Time: 1:05:09

Mark Fleischmann  |  Sep 20, 2011

Performance
Value
Build Quality
Price: $3,350 At A Glance: 90-by-60-degree Tractrix horn • Extremely focused imaging • More decibels for your watts

The story of Klipsch is often told, but the storytellers, myself included, typically fail to mention two of the three key principals. Every audiophile has heard of Paul W. Klipsch. He founded the loudspeaker company that bears his name in 1946 and spent several decades patiently perfecting his use of horn-loaded drivers to provide—and here I’ll just quote the Klipsch mantras—high efficiency, low distortion, controlled directivity, and flat frequency response. Paul was also known to take notes during sermons so that he could grill the minister afterward on the fine points of theology.

Mark Fleischmann  |  Sep 20, 2011

Performance
Value
Build Quality
Price: $1,750 At A Glance: HVFR folded diaphragm tweeter • Dual woofers in slim enclosure • High sensitivity

There are no second acts in American lives,” F. Scott Fitzgerald gloomily mused. Don’t tell that to Sandy Gross. Having cofounded Polk Audio and Definitive Technology, he has recently formed a third Baltimore-based loudspeaker company called GoldenEar Technology. I’ve asked Gross more than once why he’s launched a third speaker brand when the first two have left him at a pinnacle of material success. He always starts his reply with a broad smile that says it all.

David Vaughn  |  Sep 20, 2011
Philip K. Dick struggled to make a living as a science fiction writer through the majority of his life. It wasn’t until shortly before his death that Do Androids Dream of Electric Sheep? was adapted to the screen and became the classic Blade Runner. After his death in 1982, nine additional Dick stories have turned into feature films, including box-office successes Total Recall and Minority Report. His latest adaptation is from his short story The Adjustment Team, in which humanoid creatures can influence people’s lives without them knowing in order to ensure that they comply with a mysterious Plan orchestrated by the Chairman.

Matt Damon stars as David Norris, a popular New York congressman who’s a shoo-in to win a U.S. Senate seat in 2006 until a political scandal derails his campaign. Before he gives his concession speech, he ventures into a hotel bathroom and is interrupted when Elise (Emily Blunt) emerges from a stall and encourages him to be more honest. Her advice inspires David to drop the political speech and instead ad-lib from the heart. Thanks to this honesty, he becomes the front runner for the 2010 election. According to the Plan, David and Elise are never to meet again, but when a worker at the Adjustment Bureau screws up, the two run into each other on a city bus, and the Bureau will do whatever it takes to ensure that the Plan gets back on track.

Daniel Kumin  |  Sep 20, 2011

Once, all you needed to enter the receiver business was audio-engineering chops, competence in packaging efficiency, and a sharp pencil over the bottom line. That was then before the digital audio/video revolution and the birth of the A/V receiver as we know it. Today, you need at least as much smartsin the computer, DSP, and software/firmware fieldsas you do in plain ol’ audio, a fact that has thinned,and continues to thin, the herd of receiver makers noticeably.

Brent Butterworth  |  Sep 20, 2011

The speaker world is anything but conservative. Think of the different types you can buy: good ol' cones 'n' domes, electrostatics, planar magnetics, ribbons, horns, pulsating spheres, and more, mounted in all sorts of enclosures or in no enclosures at all.

The world of custom home theater is less daring. Installers want speaker systems that sound great, play loud as hell for hours on end, place reasonable demands on amplifiers, and install easily. This is why you rarely see anything but cone 'n' dome speakers used in custom home theaters.

Of the companies catering to the custom market, BG Radia is one of the few that does things differently.

Geoffrey Morrison  |  Sep 20, 2011

For a time, there was Kuro, and Kuro was king. Kuro made other TVs envious of its awesomeness. Then. . . there was no Kuro. TV reviewers wept; everyone else bought LCDs. Under-intelligenced “pundits” foretold the end of plasma TVs — but Panasonic, Samsung, and LG quietly coughed and politely said, “Umm, we still make plasmas.”

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