It seems simple enough. You wait in line, pay $15, put on the dorky 3D glasses, and watch the 3D movie. Popcorn costs extra. What you might not realize is the titanic struggle going on around you. And I’m not talking about the action on the screen. I’m talking about the theater owner who’s mad as hell at the movie studio.
In 1959, a UFO crash-landed on the moon and it was the true catalyst for space race between the US and Russia as they hurried to investigate the incident. In present day, the Autobots become aware of the crash and race to the moon to do their own investigation. Onboard the spacecraft they discover a deactivated Sentinel Prime who can only be reactivated by Optimus Prime, who is curious what happened so many years ago.
I wasn't a big fan of the original Transformers movie and skipped the critically panned sequel, but had heard good things about this one and was willing to give it a chance. The premise actually had some promise, but everything I disliked about the first movie is repeated hereshallow plot, poor acting, senseless characters, and a never-ending third act that repeats many of the action scenes witnessed in the first two acts. Granted, Michael Bay doesn't make these films to win Academy Awards for Best Picture, but he'll certainly never win a Best Editor award because the bloated run time clocks in at 154 fatiguing minutes.
Forty years have hardly put a dent in Straw Dogs, the controversial 1971 film by director Sam Peckinpah (which spawned the faithful remake now showing in theaters). With its graphic depiction of violence, the movie remains as disturbing as ever.
There’s one reason to see Ingmar Bergman’s 1976 drama, but it’s a compelling one: Liv Ullmann’s performance, which is among the greatest in any movie. (She was nominated for Best Actress but lost to Network’s Faye Dunaway.)
Price: $229 At A Glance: Low cost • 3D passthrough • Supports all current audio codecs • No onscreen display, networking, auto calibration, video upconversion • Spring-loaded speaker terminals
The audio and video performance of the Sony STR-DH520 is more than acceptable, especially given it's price and ability to pass 3D content, decode all current audio codecs, and deliver a full seven channels of amplification. However, setup and operation are limited by the features it lacks. If you can live with only five channels, there are other choices that offer similar performance, 3D compatibility, an on-screen display, and auto calibration. Step into the $400 price range and you will find increased value compared with the STR-DH520.
You know the story: an unscrupulous robe maker tells the king how wonderful his new, expensive, invisible robe is, king believes it, and king shows his butt to the world. A timeless tale that gets repeated over and over. And maybe a new version has just surfaced.
A few months ago, Netflix separated the subscription plansand feesfor its disc-by-mail and streaming services, essentially doubling the cost for those who want both. This caused the company to lose as many as a million customers, and its stock price plummeted. So how did Netflix try to salvage the situation? It renamed the disc-rental business, which is now called Qwikster. If you subscribe to both streaming and disc-by-mail, you'll have to go to two different websites, and you'll pay two different bills.
This move has most folks scratching their head, and it further fuels the anger of those who objected to the original rate hike, which could certainly lead to more customer defections. What was Netflix thinking?
According to the painstaking research I performed before writing this review (i.e., looking at Wikipedia for all of five minutes), Charlotte Brontë’s proto-feminist novel (I cribbed that phrase right from the wiki, FYI) had been adapted at least 15 times for the silver screen and an additional 10 for television before this year’s revival. That’s to say nothing of the other numerous attempts to sequelize, prequelize, or retell the story in literary form. What is it about this book that inspires so many people to tell the story until someone finally gets it right?
The latest Jane Eyre comes from director Cary Fukunaga, an American filmmaker of Swedish and Japanese descent whose only previous feature was the Mexican gangster film Sin Nombre. In other words, he’s exactly the first person you’d think of to make a British period romance starring an Australian actress and German-Irish leading man. The mind reels.