Mike Mettler

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Music Reviews
Remaster Class: Music From Big Pink
Mike Mettler  |  Dec 06, 2018
2018 50th Anniversary Capitol CD

Right in the swirling midst and mists of psychedelia, hard rock, and acid rock, The Band’s July 1968 debut, Music From Big Pink, was a literal breath of rustic fresh air. In fact, Big Pink was seemingly dropped onto the music scene from out of nowhere—even though it was mostly born and bred in the basement of a cozy little rosy-hued house in upstate New York (one that frequently entertained a certain motorcycle-injury-recovering songbard by the name of B. Dylan as a regular creative contributor to the proceedings).

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Music Reviews
Remaster Class: Queen: A Night at the Opera
Mike Mettler  |  May 01, 2019
Queen’s fourth studio effort, November 1975’s A Night at the Opera, was a masterstroke of mid-1970s multitrack recording. We dissect the ins and outs of the groundbreaking album's fair share of multiple-format releases over its 44-year lifespan (and counting).
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Music and Soundtrack Features
Remaster Class: Roxy Music: Avalon
Mike Mettler  |  Nov 12, 2021
Considering how much Roxy Music were deemed outliers in the 1970s as a band pioneering the blend of glam jams with progressive elegance, Avalon, their May 1982 masterpiece of rock chic, is truly a musical entity unto itself. Avalon lays bare the aural tenets of the très-cool Roxy aesthetic, taken to their most go-for-baroque extremes—all of it in the most ear-pleasing of ways.
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Music Reviews
Remaster Class: Steely Dan: Gaucho
Mike Mettler  |  Jan 14, 2022
By the time November 1980's Gaucho rolled around, Steely Dan were more than ready to close up shop and take a self-imposed two-decade hiatus. Indeed, Gaucho's sparkly veneer was a fitting then-final coating on the acclaimed jazz-leaning but genre-defying band's first decade, fully encapsulating the dark-humored observational worldview of its principal creators—bassist/ guitarist Walter Becker and keyboardist/vocalist Donald Fagen—to a literal T.
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Music Reviews
Remaster Class: Supertramp: Crime of the Century
Mike Mettler  |  Nov 06, 2020
The third time was truly the charm for Supertramp. After two middling misfires, the British quintet's third LP, September 1974's Crime of the Century, vaulted them into the big leagues where progressive-leaning tendencies met not-so-subversive pop sensibilities head-on. Over the course of eight songs, Supertramp took full advantage of the dynamic range of tracks like "School" (punctuated by multiple piano bursts and yelping schoolchildren), "Bloody Well Right" (its razor-sharp guitar line wafting from back- ground to foreground and back like a talkbox in a tsunami), and the ascendant, power-packed rage of the title track (with a final lyrical twist worthy of the last episode of The Prisoner).
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Music Reviews
Remaster Class: The Doors: Morrison Hotel
Mike Mettler  |  Jan 15, 2021
The Doors needed a win. Badly. After the, shall we say, appendage-related kerfuffle at a chaotic March 1969 show in Miami, the band was sidelined with legal troubles and limited performance options. Solace was found within the friendly studio confines of Elektra Sound Recorders in Los Angeles, with February 1970's Morrison Hotel the ensuing vibrant result.
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Music and Soundtrack Features
Remaster Class: The Kinks - Muswell Hillbillies & Everybody's In Show-Biz
Mike Mettler  |  Dec 20, 2022
The Kinks were at a crossroads. As they entered the 1970s, the British pop/rockers hadn't yet ascended to the next toppermost level, even after achieving new heights following the songwriting leap Ray Davies took with the still poignant 1967 track, "Waterloo Sunset." It took two critical back-to-back albums, November 1971's Muswell Hillbillies and August 1972's Everybody's in Show-Biz, to fully get them there—and then they never looked back.
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Music Reviews
Remaster Class: The Who: Quadrophenia
Mike Mettler  |  May 21, 2021
The Who had pioneered—and seemingly perfected—the art of the rock opera with May 1969's all-seeing Tommy, but the ever-provocative British quartet's chief visionary Pete Townshend wasn't done with his honing of the overarching story-arc concept just yet. October 1973's magnum opus Quadrophenia—the 81-minute, 17-song cycle chronicling angst-driven youth-culture clashes and a yearning to break free from a preordained societal rut—reinforced how guitarist/ vocalist Townshend was a musical architect of the highest order.
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Music Reviews
Remaster Class: Yes: Close to the Edge
Mike Mettler  |  Apr 24, 2020
Yes may have hit the roundabout motherlode with November 1971's Fragile, but their true zenith came with the following album, September 1972's Close to the Edge. Edge was the perfect intersection of envelope-pushing, multi-movement compositions and beyond-heady lyrical mysticism, permanently cementing Yes' status as top-tier progressive rock progenitors.
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The S&V Interview
Remembering Sir George Martin: Producer Way Beyond Compare
Mike Mettler  |  Mar 11, 2016
Sir George Martin passed away at the age of 90 in Wiltshire, England on March 8, 2016. Best known for his indelible, enduring, and daringly innovative studio work with The Beatles from 1962–70, Martin also produced a wide swath of artists including Peter Sellers, Gerry and The Pacemakers, Shirley Bassey, Ella Fitzgerald, The Bee Gees, The Mahavishnu Orchestra, America, Jeff Beck, and Cheap Trick. (The list could indeed go on and on and on...) Perhaps ELO mastermind Jeff Lynne (and onetime latter-day Beatles producer himself) said it best: “His productions were brilliant. He created his own sound.” I reached out to a number of musicians and producers to get their impressions of Sir George’s legacy from behind the board, as a trusted collaborator, and as someone who forever changed the way we listen to pop and rock music.
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