Mike Mettler

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Mike Mettler  |  Apr 05, 2011

“It’s a timeless record with so much detail,” says surround-sound remix guru Richard Chycki about Rush’s 1981 masterpiece, Moving Pictures. “I’m glad you’ve clued into all of the nuances.” Chycki is referring to what I said to him last week about the PCM 5.1 and DTS-HD Master Audio 5.1 mixes he did for MP’s 30th anniversary reissue. Today marks the release of the CD+DVD version, something certainly worth getting if you’re not equipped for Blu-ray — but the much preferred Holy Grail CD+BD version won’t be out until May 3.

Mike Mettler  |  Nov 28, 2022

Tom Petty always, always knew how to ensure the music he made over the course of his long and storied career would sound the absolute best it could during playback in any format. Petty’s longtime engineer and production partner Ryan Ulyate continues to both carry that torch and up the ante, as evidenced by his stellar mixing of all 18 tracks found on Tom Petty and The Heartbreakers’ November 1993 Greatest Hits collection in Dolby Atmos. Recently, Ulyate and I got on Zoom together to discuss how he created the stems for these Atmos mixes by accessing the original masters, which songs on Greatest Hits are the most immersive and why, and what Tom himself would have said upon hearing his music in Atmos—perfect topics all for deep-dive coverage in this month’s Spatial Audio File, methinks, so read on. . .

Mike Mettler  |  Oct 16, 2020
"See? I told ya!"

It was April 2010, and I was sitting across from Tom Petty in the living room of his home in Malibu, California, where we had just spent a few hours talking about his journey west from Gainesville, Florida in the mid-1970s to the recording of June 2010's Mojo for a Sound & Vision cover feature that would appear later that summer.

Mike Mettler  |  Jan 26, 2024

With apologies to the late, great Tom Petty, we do know how it feels to be Ryan Ulyate, thanks to the open book approach the acclaimed producer/engineer has taken with the songwriting and subject matter that dominates his very first solo album, Act 3, which has also been nominated for a Best Immersive Audio Album Grammy. During a recent Zoom interview, music editor Mike Mettler and Ulyate discussed how he learned about his Grammy nomination, why the immersive Atmos palette gives him the additional space needed to take more of an orchestral approach with his mixes, and why the cover image for Act 3 is the perfect full-circle choice to best reflect his life’s work. . .

Mike Mettler  |  Aug 06, 2014
Sagacity, definition: Exhibiting acute perception, foresight, wisdom, and sound judgment. Tenacity, definition: Holding together tough and firm, with a tendency to stick or adhere. Two words could not better describe Saga, the longstanding Canadian progressive collective that continues to up its game with every release. To wit: Sagacity (earMusic/Eagle Rock), which crackles with confident energy, from the heavy propulsion of “Go With the Flow” to the anthemic uplift of “I’ll Be.” As an added bonus, Sagacity includes a second disc, Saga Hits, where the band muscles through nine of its best-known songs during a set recorded at the SWR1 Rockarena in Ludwigshafen am Rhein, Germany on June 22, 2013 that includes the perennial powerhouses “On the Loose,” “Humble Stance,” and “Wind Him Up.” Lead vocalist Michael Sadler (with arms folded in the above band photo) and I recently got together to discuss modern-day recording logistics, the fine art of mixing, and some surround-sound wishes. As you’ll soon see, when it comes to having Sadler talk about harnessing great sound, once you wind him up, he can’t stop.
Mike Mettler  |  Aug 02, 2017
The very idea of an Isley Brothers–Santana mashup appears to be quite the sonic dream team on paper, and I’m more than pleased to report the proof is abundantly clear in the grooves of Power of Peace’s baker’s dozen of tasty tunes. I sat down exclusively at the fabled Electric Lady Studios in the heart of Greenwich Village in New York City with both families — i.e., the Santanas (Carlos and Cindy) and the Isleys (Ernie and Ronald) — to discuss the best way to listen to Power of Peace, the DNA behind the album’s sonic template, and what each family plans on doing next.
Mike Mettler  |  Sep 15, 2017
Picture
Sound
Extras
Much as 1955’s Rebel Without a Cause and 1969’s Easy Rider defined the youth-culture zeitgeist of their respective decades, 1977’s Saturday Night Fever deftly captured the me-decade essence of the 1970s, instantly catapulting John Travolta to the A-list in the process.
Mike Mettler  |  Dec 12, 2024

Saweetie ain’t known as “Icy Grl” for nothing. But now, the Bay Area rapper has set her hot-but-chill sights on reveling in the holidays with a new double-stockinged single under the Dear Big Santa mantle. Read Mike Mettler’s review to find out if the Dolby Atmos mixes of “I Want You This Christmas” and “Big Santa,” the pair of festive, fresh new tracks on Dear Big Santa, are worth adding to your holiday playlist. . .

Mike Mettler  |  Dec 12, 2018
Scott Kirkland of The Crystal Method got on the line with us to discuss getting back to his core electronic music values on The Trip Home after parting ways with his longtime collaborative partner Ken Jordan, his thoughts about remixing new and catalog material in Dolby Atmos, and refocusing his goals following brain surgery.
Mike Mettler  |  Oct 03, 2006

One of the very first things we saw in Season 2 of Lost was a needle dropping on the title track of Mama Cass's 1969 album, Make Your Own Kind of Music, inside "The Hatch" (a.k.a. "The Swan"), the underground locale that drove much of that season's action.

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