Over in Reference Tracks, Steven Wilson, the one true king of transformative surround-sound mixing (Porcupine Tree, King Crimson, Jethro Tull, XTC), and I discuss the building blocks of how he transformed Yes’ groundbreaking 1972 LP, Close to the Edge, into a benchmark 192/24 5.1 mix. It’s as pure and true as you’ll ever hear it on Panegyric’s Definitive Edition Blu-ray/CD combo package. “It’s a bona-fide A-level masterpiece,” Wilson says of CTTE. (The Preacher, The Teacher hath spoken!) Further good news: The venerable surround master has also confirmed more 5.1 Yes album mixes are on the way. All I can say about them at this point is at least one of them was originally released before CTTE, and at least one was released after it.
Has the once and forever Dolby Atmos mixing king Steven Wilson done it again with the 360-degree mix of his new, two-song album The Overview? Read music editor Mike Mettler’s in-depth review to see if Wilson has taken Atmos mixing to the next cosmic level. . .
Sound+Vision is honored to present an exclusive 10-minute interview clip with Storm Corrosion, the explosive new collaboration between Opeth's Mikael Åkerfeldt and Porcupine Tree's Steven Wilson. SC's self-titled debut comes out next Tuesday, May 8, in a variety of S+V-friendly formats.
Who wins in the streaming war between Apple Music and Spotify? You do, of course.
Last month, you and I made a pact, right here in this space. What, you don’t remember? (Apparently, even audiophiles have ADD.) Well, our agreement was essentially this: We the golden-ear people wholly accept streaming as another worthwhile delivery system for receiving and listening to our music, especially given the strides some of the services have been making in providing higher-quality, higher-resolution streams. (Coming back to you now?)
The longtime E Street Band guitarist and Sopranos heavy (hello, Silvio) meets ME in Las Vegas to discuss his Sirius satellite radio gig and why CDs are "the biggest fraud ever perpetrated on the public.
He’s a man who’s been everywhere and done it with everyone, and lived to tell the tales. He’s Dave Stewart, the production wizard best known for his indelible partnership with Annie Lennox in the uber-popular ’80s electronic duo Eurythmics. His new memoir, Sweet Dreams Are Made of This – A Life in Music (New American Library), was released on February 9, and it chronicles his wonderful life, and especially the fine sonic fruit born of collaborations with artists including Tom Petty, Mick Jagger, Bob Dylan, George Harrison, Joss Stone, and Stevie Nicks — the list could go on and on. One of the keys to Stewart’s success behind the board is how he’s able to tap into, as he puts it early in the book, “experience and experiment,” two important touchstones for him as a creative person. “I suppose it’s not being afraid to dive into the most wild and interesting situations, just to see what’s going to happen,” he admits. Stewart, 63, and I got on the horn to discuss how to capture great vocal performances, his benchmark albums for great sound, and his futuristic view of streaming. Who am I to disagree...
I had the privilege of interviewing the late Tom Petty for Sound & Vision on three separate occasions. In these previously unpublished back-and-forths culled from my sitdown with Tom in Malibu in 2010, Tom tells me how The Heartbreakers truly got their start, how the band worked together to create new material, and shares his hopeful thoughts toward the band’s future.
I find it interesting that you chose to start releasing The Smothers Brothers Comedy Houron DVD (Time Life) with a collection of the best episodes from Season 3 (1968-69). That's the season we got fired from CBS. I was very, very, very reluctant to put this show out on home video.