The introduction and demonstration of Epson’s new(ish) Pro Cinema LS10500 Laser Diode illuminated 4Ke projector was one of the highlights of the show. It differs from the previous LS10500 mainly in the inclusion of HDR-capability.
The “e” in the 4Ke designation indicates that this projector, like all of the relatively affordable projectors available from Epson and JVC, uses pixel shift to display a 4K input...
Alcons is a company new to me, but they went all out in a Pro-for-Home, home theater setup. The speakers were a complex assemblage, with pro mid and high frequency drivers, the latter claimed to be an extremely rugged ribbon...
In an earlier blog I suggested that SIM2 with its new Nero4 projector was the first to use TI’s new pseudo 4K chip, meaning that it uses pixel shifting on its digital micromirrors to put the full resolution of a 4K source on screen, but not all at once. Half of the resolution is presented first, then microseconds later the mirrors shift by a fraction of a pixel and the rest of the image is displayed. Sounds fishy if you haven’t seen it, but it works...
Denon came to CEDIA 2016 to unveil a slim-line Heos audio/video receiver that it thinks will appeal to consumers who are interested in sound bar-like convenience but who want better performance.
BLUEscent. That’s the moniker for JVC Kenwood’s newest LCOS projector, the DLA-RS4500. Larger than it looks in the photo above, and available with or without carrying handles (I’d recommend the handles!), it’s designed around three of JVC’s true 4K LCOS imaging chips.
Yes, that image above is of a projection screen in dark room—a common sight here at CEDIA. What you’re actually looking at is a Kaleidescape server menu displayed on the TAM-1T, a new variable aspect ratio projection screen from Seymour-Screen Excellence.
Speaker maker Atlantic Technology will complement its lineup of speakers and soundbars with its first wireless multiroom-audio speaker, which will feature Google Cast, Wi-Fi and Bluetooth.
Traditionally movie servers have not been affordable, let alone cheap. However the idea of converting all of your DVDs and Blu-ray discs to digital data that you can easily browse and access instantly and stream around the home is so compelling, that anytime I run across a new company in the movie server category, I have to stop and take a look.
When I saw the onscreen cover art in Zappiti’s booth I was intrigued. The company had four components lined up that certainly looked like they meant business. A large NAS drive with eight bays and an internal DVD/Blu-ray drive, along with three separate movie players. When I heard the prices, I was shocked!
Auto tracking satellite antennas certainly aren’t anything new, but they have always come at a rather premium price. And, sure, if you want to roll down the highway in you Winnebago and have a dish continuously track satellites soaring overhead in geosynchronous orbit, well, that’s still gonna cost you.
But if you just want to pull up to a camp site, or parking lot for your pre-game tailgate, whip out a simple antenna and not have to futz around with aiming and azimuth and angle so you can enjoy a little TV before the big game, DISH is making that a whole lot simpler and cheaper for you to enjoy!
Likely no audio company exhibiting at CEDIA is as well known for digital audio as Meridian. The company pioneered and was built-on the idea of maintaining an digital signal path; keeping the signal in the digital domain from source to speaker and at every step in between. And while this is terrific in an all Meridian system, it doesn’t work so well when trying to integrate with other products.
Now Meridian is releasing the new 258 eight-channel power amplifier that will allow people to enjoy Meridian’s terrific sound quality with any speaker of their choice. The new high-performance, cool-running Class D amplifier comes in a svelte 1U rack mountable chassis and is rated to deliver 100-watts per channel into 4 ohms or 70-watts per channel into 8 ohms.
Long known for affordable and custom install-friendly music servers, Fusion Research has a new model on display at CEDIA that combines two of its Solo servers in a single 1U chassis. The Duet ($799) provides two analog outputs using 192kHz/24-bit-capable Burr Brown DACs for installations where dual independent sources are required.
At last year’s CEDIA we reported on a new DLP imagining chip from Texas Instruments that offered one-half the pixels required for full 4K resolution. To produce 4K, the digital micromirrors first display half the pixels in the image, then microseconds later shift by a fraction of a pixel to show the others. While this is similar to the pixel shifting (a.k.a. wobulation) now used by JVC in most of its projectors (the new BLUEscent excepted), and by Epson in its laser model, TI argues that its micromirrors can shift far more rapidly.
Screen Innovations (SI) showed their Transformer screen last year, but it’s only now being readied for full production. It can service films of varying aspect ratios, primarily 2.40:1 and 16:9.
Bluesound, the hi-res compliant multiroom audio platform from Lenbrook, the makers of NAD audio electronics and PSB speakers, has added a critical new product at CEDIA in its first soundbar. Priced at $999 and available later this month, the Pulse Soundbar is designed for screens 42-inches or larger, and offers up a number of features that should please audiophiles who want to start building a Bluesound system or extend an existing system into the TV room.
The booths at CEDIA are invariably more modest in scale than what you’ll see at CES. But in LG’s case, that’s not for lack of trying. Outside the entrance, visible on the left side of the photo here, fifteen 55-inch OLED displays were clustered closely together, their thin bezels rendering the seams between them barely visible.