Soundbar Reviews

Sonos Playbar Soundbar
Performance
Features
Ergonomics
Value

Sonos SUB Subwoofer
Performance
Features
Ergonomics
Value

Since its launch in 2005, the Sonos wireless music system has won accolades and an extensive fan base thanks to an early focus on tapping into the digital music libraries that consumers built after the iPod’s launch in 2001, and an evolving graphic interface that, in today’s version, brings the benefits of room, source, and track selection to intuitive touchscreen apps that run on smartphones and tablets.

For those unfamiliar, you start by plugging one Sonos component into your network router to create a bridge to the Internet and to your home PC or hard drive where your personal music is stored. It can be any component the company sells. Sonos offers several powered speaker systems (Play:5, Play:3, the SUB subwoofer) and two player modules that feed music into either an existing hi-fi system (the Connect) or into a pair of speakers (Connect: Amp). If none of these devices can be placed near a live Ethernet jack, you can plop the aptly named Bridge wireless adapter next to your router.

The valley between most televisions' woeful onboard audio and the glory of a full-on 5.1-, 6.1-, or 7.1-channel audio system is a broad one indeed, and wending its way through the middle like some bittersweet creek is the much-maligned soundbar. Once dismissed by the techno-elite as home theater for the lazy, the soundbar has since evolved into a viable compromise bet ween…well, something great and nothing at all.

Soundbar System
Performance
Build Quality
Value
 
ForceField 3 Subwoofer
Performance
Features
Build Quality
Value

Women. They’re the problem. They’re the ones who have ruined home theater for all the manly men out there whose only vice was reclining in front of a set of towering speakers that dominated the room like a pair of long-faced Easter Island monoliths—speakers so masculine, they used testosterone instead of ferrofluid to cool the voice coils and were topped with skeleton-ugly horn tweeters so efficient Joshua could have used them to bring down the walls of Jericho the first day (before lunch!). For additional aural excitement, in a front corner of the room, openly begging for attention and not girlishly hiding behind a couch or doing double duty as a plant stand, would be a massive subwoofer with a magnet assembly so powerful that localized rooftop occurrences of the aurora borealis would happen from time to time. Techs from the local hospital would often bring patients to the house and use the subwoofer for testing when the lab’s MRI machine needed repair. But no more. The man cave has been emasculated and replaced by the female grotto, complete with bowls of potpourri and seating geometries that would make Euclid weep with grief. The coup de grâce, however, the fatal blow to any home theater’s manhood, is the now near-obligatory soundbar. Long and falsely phallic, it mocks the real men in the room as it preens itself under the flat-panel HDTV.

AudioSource might not be a household name, but anyone who has been involved in the world of custom A/V installation for any length of time will be familiar with the Oregon-based manufacturer's extensive line of in-wall speakers and multi-room audio-distribution electronics. Given AudioSource's expertise with compact speakers and amplifiers, combining the two in the form of a soundbar seems like a smart move for the company.

The S3D60 under review here is a single-piece, 2-channel soundbar, which means it must rely on virtual surround technology to impart a surround-sound experience. In this case, AudioSource is using a third-party solution called Sonic Emotion Absolute 3D. Given the S3D60's relatively hefty 5-inch cabinet depth (6 inches if wall mounted) and width of 38 inches, this soundbar is scaled to match TVs measuring roughly 46 inches and up.

Performance
Features
Ergonomics
Value

One of the great things about the audio business is that it's still possible for new companies to appear seemingly out of nowhere and—thanks to a rare combination of creativity, skill, and luck—manage to carve out a comfortable niche for themselves. The rise of Zvox Audio is a case in point.

Mellow Bar

As I’ve noted so many times in the recent past, soundbars are a viable step up from horrific built-in HDTV speakers, which have only gotten worse as flatpanel HDTVs have gotten flatter. Soundbars are especially suitable for people who don’t like component audio systems, with their speaker-placement requirements, cabling, and—perhaps the ultimate deal breaker for the flat-panel-owning Luddite—the need to be mated with one of those scary man-eating A/V receivers. But what if there’s a second deal breaker lurking in the bushes?

A Base With Good Bass

Despite the predictable claims that manufacturers make—and the breathless, indefensible hyperbolic shrieks made by computer geeks posing as audio reviewers—no one-box-solution soundbar can really replace a discrete 5.1-channel surround sound system. ZVOX founder and former Cambridge SoundWorks marketing executive Tom Hannaher knows that, and the ZVOX Website says it. Bravo.