Soundbar Reviews

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
HDMI, lossless surround decoding
UHD-capable video passthrough
Minus
High-end pricing
No HDCP 2.2 DRM for UHD

THE VERDICT
If you close your eyes, the Arcam Solo Bar and Solo Sub sound more like a decent component system than a soundbar.

Soundbars take three forms. The main distinction among them is what serves as the heart of your system. With a passive soundbar, the A/V receiver—with all its features, joys, and woes—is the clearinghouse, and all signal sources go through it. With a less expensive active soundbar, the TV often replaces the receiver, and all signals go through the TV into the bar. But the Arcam Solo Bar is the type of active soundbar that replaces both the receiver and the TV as the heart of your system.

Seven Channels Plus

When you hear that we can now add a seven-channel soundbar to the list of the many technological wonders in the world today, your first inclination might be to ask, “Dude, it’s a flippin’ soundbar. What’s the point?” And I might respond, “Uh, marketing?” So you can imagine that when the new Atlantic Technology FS-7.0—the world’s first seven-channel soundbar—arrived, I wasn’t terribly enthusiastic to set it up. After all, I would need to remove my current in-wall center-channel speaker, replace it with a blank panel on which to mount the new all-in-one system, and then run seven speaker wires across the floor. I don’t know whether it was the titillation that comes with undressing a new piece of gear or the surreptitious sniffing of Styrofoam packaging, but for some reason, I began to warm up to the idea of a seven-channel soundbar. After all, I’ve never known Atlantic Technology to be the kind of company that would do something simply because it would make good copy in an ad, so the thing just might sound good. If nothing else, it certainly would have plenty of cool drivers scattered all over the cabinet and lots of settings to fiddle with.

LCR3 Speaker
Performance
Build Quality
Value

SB-900 Subwoofer
Performance
Features
Build Quality
Value

FS3 Soundbar
Performance
Build Quality
Value

AT A GLANCE
Plus
Slim-profile passive soundbar, or...
Compact LCRs in front, with...
One sub or two
Minus
AVR required for passive bar
Inherent limits of 8-inch sub

THE VERDICT
Whether configured with a three-channel soundbar up front or compact LCRs all around, this system delivers deeply satisfying performance for the price, with plenty of listening comfort.

How should your 5.1-channel system handle the three channels in front? You might use the traditional approach of three separate speakers. Then again, you might simply use a passive soundbar with left, center, and right drivers. We’ve reviewed both kinds of systems—but until now, we haven’t reviewed both options at once. In this Test Report, that’s just what we’re going to do. We’ll start with Atlantic Technology’s new FS3 soundbar in the front and two voice-matched LCR3 satellites in the surround positions. Then we’ll swap out the soundbar for three more satellites to see what that brings to the table. To make it even more interesting, we’ll start with a single 8-inch SB-900 subwoofer, then contemplate the advantages of adding a second one.

AudioSource might not be a household name, but anyone who has been involved in the world of custom A/V installation for any length of time will be familiar with the Oregon-based manufacturer's extensive line of in-wall speakers and multi-room audio-distribution electronics. Given AudioSource's expertise with compact speakers and amplifiers, combining the two in the form of a soundbar seems like a smart move for the company.

The S3D60 under review here is a single-piece, 2-channel soundbar, which means it must rely on virtual surround technology to impart a surround-sound experience. In this case, AudioSource is using a third-party solution called Sonic Emotion Absolute 3D. Given the S3D60's relatively hefty 5-inch cabinet depth (6 inches if wall mounted) and width of 38 inches, this soundbar is scaled to match TVs measuring roughly 46 inches and up.

5.1 Channels in One

Why shouldn’t respectability and innovation be on speaking terms? In loudspeakers, that’s not as easy as it sounds. Much of the recent audio innovation in home theater has come in products that are designed to complement flat-panel TVs. These products are morphing before our eyes—into soundbars, on-walls, and ever-smaller satellites. They are also moving beyond the standard five-speakers-and-sub configuration in their deployment of surround’s 5.1-channel array. This makes for a striking contrast when you look at the high-end speakers that grace audiophile short lists. These include a staid group of medium-density fiber-board boxes whose fundamentals, in many cases, haven’t changed in decades. Traditional speakers can sound great, but that’s not often enough to make people buy them.

AT A GLANCE
Plus
Open, detailed sound
Excellent dialogue intelligibility
Flex can be configured as wireless surround speaker
Minus
Some ergonomics issues
Inconsistent system stability

THE VERDICT
The B&W Formation system performs admirably in a number of respects. But unreliable stability, limited processing features, and no HDMI input make it a less-than-ideal option for 5.1 surround sound.

Blame it on Sonos. In the early 2000s, at what was then the Los Angeles headquarters of the Stereophile Guide to Home Theater, we were visited by a gentleman from that then largely unknown company who had a product he was eager to promote: a wireless speaker in a single, relatively compact box. I politely declined. It wasn't a good fit for our publication at the time, but I should have at least asked him about stock options!

When Definitive Technology originally introduced its Mythos line of speakers, the slender, curved, aluminum-cabinet tower models were matched by equally svelte, under-5-inch-deep on-wall and center-channel models using the same form and style turned horizontally. A while ago, the company literally expanded the Mythos center-channel speakers by packing the front LCR speakers