Media Server Reviews

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Internal storage for up to 100 BDs, 600 DVDs, or 6,000 CDs
Bit-for-bit downloads of BDs and DVDs from Kaleidescape Store
System interface and operation unmatched by any other movie server
Minus
BD must be inserted to authorize playback, even if movie has been imported
Limited options for adding zones and storage

THE VERDICT
The Cinema One provides almost everything you’d want in a movie server. “Almost” not good enough? Pair it with the DV700 Disc Vault.

Sometimes I’d rather take a jackhammer to my brainstem than dig through piles of disc cases and endure the mind-numbing delays of spinning icons, non-skippable trailers, loading menus, FBI warnings, and whatever else stands in the way of watching a movie at home.

If it seems like I’m exaggerating, it’s only because you haven’t experienced the tidal wave of dopamine that comes with using a movie server in your home theater. For the uninitiated, a movie server is an A/V component that provides near-instant access to movies stored digitally on an internal or external hard drive (or drives). Some servers, such as Kaleidescape’s new Cinema One, include a built-in Blu-ray/DVD player that makes it easy to import movies or music.

Performance
Features
Ergonomics
Value

Testing the Sony SMP-N200 made me consider how far network media players have come in the past few years. Sony’s base model, an upgraded version of its first player, the SMP-N100, handles most of the basic media streaming options with ease. It plays nicely with others, easily finding connections to DLNA servers, computers, tablet media controllers, and smartphone apps. It plays a wide variety of file formats. And it does it all for $100.

One of the many questions that keeps me up at night is why dedicated A/V media servers—the kind that sit cozily on a shelf above your AVR and pretend to be just another A/V source in your system—have traditionally been and continue to be so darn expensive. At the gleaming pinnacle of all that is good and glorious (and most expensive) in the media server world is the Kaleidescape movie system. Once you pull your head out of the “I could buy a new car with that kind of money” cloud and look down on the mountain of mere mortal media servers, you’ll see a small variety of makes and models with varying sphincter-constricting price points from companies such as Meridian, Olive, NuVo, and VidaBox. I reviewed Autonomic’s Mirage MMS-2 two-zone media server (Home Theater, October 2011), and I found lots to like about it—the iOS control apps, the integration of Internet streaming and cloud services, the two-zone outputs, and the all-around spiffy and ultra-easy way it provided access to my 300-plus-gigabyte library of digital media files—although none of that makes it any easier for most of us to sneak its $2,000 cost onto an already overburdened credit card.

Performance
Features
Ergonomics
Value

At A Glance: Single-box solution • Easy setup and operation • Perfect for smaller rooms, garage, and outdoors • Integrates with existing Sonos systems • Product now called Play:5

Sonos, a leader in low-cost, wholehouse audio, has made it possible to inexpensively stream audio from a computer to multiple A/V systems using one or more of its ZonePlayers. The $399 Sonos S5, the newest ZonePlayer, is completely self-contained. It incorporates its own power supply, amplification, and internal speakers, which allows audio streaming from a wide variety of sources without a dedicated sound system. It can serve as your main (or only) ZonePlayer or as an extension of an existing Sonos system.

Performance
Features
Ergonomics
Value

Escape Physical Media

Going back several years, I remember my first reaction to learning of the Kaleidescape paradigm. Then, media servers didn’t exist, and a Kaleidescape starter system cost a startling $30,000. On paper, it looked like its principal novelty was ripping and playing back DVD movies without having to load a disc into a player. My first thought was something like, “Wow, life is really expensive for people who don’t want to get up and walk a few feet to grab a disc and put it into a DVD player.” Of course, this was exceptionally ignorant and shortsighted. My cynicism lasted roughly two and a half to three seconds into actually using a Kaleidescape system. Much like the Apple products that are so near and dear to my heart, Kaleidescape’s power is in the interface. The library management and organization is a metadata-enriched, best-in-class experience. It’s about changing the way you browse and experience your content at least as much as it’s about storing your digital content on a server. What’s better still, it’s dead simple to use. You could hand the remote to your mom, and she’d be watching a movie in seconds. But power users can dig deeper and find movies by their favorite actors, directors, genres, and more.

Single-Source Access

ReQuest is one of the first companies to bring proprietary music and media servers to the home entertainment environment. The company offers various systems that simplify how you store and retrieve your music, movies, photos, and more. ReQuest’s F2 Media Server is primarily designed for integration into existing A/V systems, and its IMC Intelligent Media Client adds video functionality to the F2.