VINTAGE GEAR

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Steve Guttenberg  |  Aug 02, 2012
I don’t think there’s ever been a more iconic audio ad than Maxell’s “Blown Away Guy” campaign that started in 1979. It’s the one with the hipster on the right side of the picture slouching in a massive recliner, with a table lamp and martini glass being blown away by the sound of a JBL L100 speaker on the left side of the frame. That ad sold a lot of tape over the years!
Bob Ankosko  |  Jun 04, 2020

Mainstream audio came into its own in the 1960s-70s. At the heart of every “stereo” was an indispensable predecessor to the modern day AVR — the receiver. Simple by today’s standards, the receiver of 40 years ago combined two channels of solid-state power, a preamp section with switching for a turntable and tape deck, and an AM/FM tuner in an impressive looking component with a gleaming faceplate featuring a prominent tuner display and a row of knobs, switches, and buttons.

Steve Guttenberg  |  Dec 04, 2012
McIntosh’s MC275 may be the most famous tube amplifier in the history of high fidelity. Designed and engineered by the company’s co-founder Sidney Corderman and the McIntosh engineering team, the MC275 (2 x 75 watts per channel) was the most powerful McIntosh stereo amplifier in its day. Some say it was the Harley-Davidson of American amps, and with the big chromed chassis and exposed Gold Lion KT88 power tubes, the MC275 certainly looked the part. The retail price was $444 when the amp was introduced in 1961, and the mono version, the MC75, debuted the same year.
Steve Guttenberg  |  Jul 03, 2012
In the beginning there was "lamp cord." Speaker cable was something you bought off a spool at the local hardware store, but Noel Lee had a better idea: audiophile speaker cables. He had a day job at the Lawrence Livermore National Laboratories, where he worked as a laser-fusion engineer. In his spare time he played drums in an all-Asian country-rock band called Asian Wood.
Steve Guttenberg  |  Nov 14, 2012
The Nagra I was the first portable reel-to-reel recorder. Before it arrived in 1952 tape machines were so big they were housed in large trucks and the microphones could never be more than a few hundred feet away from the recorder.

Steve Guttenberg  |  Apr 13, 2012
LPs and 45-rpm singles remained the unchallenged music formats throughout the 1950s, 1960s, and well into the 1970s when the Compact Cassette really took off. Cassettes were more portable and didn’t suffer from scratches and surface noise issues (but tape hiss could be a problem). The cassette was also the first recordable format to garner a bona-fide, mass-market foothold.
Steve Guttenberg  |  Nov 08, 2012
The Onkyo TX-SV7M is said to be the first Dolby Surround A/V receiver sold in the U.S. and Canada, way back in the all-analog days of 1987. Dolby Surround was the consumer version of the theatrical Dolby Stereo format that was used in movie theaters in the 1980s. Dolby Surround soundtracks were matrix-encoded into stereo formats such as VHS tapes, Laserdiscs, etc. The TX-SV7M was a four-channel receiver, with front left, right, and two surround channel amplifiers (the surrounds were monophonic).
Steve Guttenberg  |  Feb 14, 2013
The Pioneer Kuro plasma display broke new ground upon its introduction in 2007 and was quickly hailed by critics and buyers as The Greatest Television Ever Made. Incredibly, as many Home Theater readers know, the Kuro line that debuted in 2007 was phased out by 2010—which proves that just because you make the best, doesn’t mean people will buy it.
Steve Guttenberg  |  Jan 31, 2013
Magnavox brought the first Laserdisc player, the VH-8000, to market in late 1978, but Pioneer was the company that put the format on the map. Its first player, the VP-1000, debuted in the U.S. in 1980, and later in Japan. I doubt Pioneer ever thought Laserdisc would threaten VHS and Betamax’s dominance in the mass market; Laserdisc was targeted to high-end buyers.
Steve Guttenberg  |  Oct 01, 2012
The Acoustical Manufacturing Company’s Quad ESL-57 was the world’s first production full-range electrostatic speaker. It debuted in 1957 when hi-fi speakers were big boxes and used moving-coil drivers, so the ESL-57’s flat-panel, downright minimalist design not only looked like a radical advance, its thin-film diaphragm’s low-distortion and lightning-fast transient response sounded truly revelatory to 1950s audiophile ears. The speaker’s introduction came not so many years after the transition from 78-RPM records to higher-fidelity LPs took place. The market was primed for a more transparent transducer technology, and Quad had the best-sounding speaker of the age.
Bob Ankosko  |  Aug 13, 2020
The Quad Electrostatic Loudspeaker (a.k.a. ESL-57), revered by critics the world over as one of the most natural sounding speakers ever built, may well be the most beloved speaker of all time. Here's why.
SV Staff  |  Sep 19, 2019
The super-rare Nautilus Signature 800 Edition of B&W’s iconic 800 Series speaker is the star of the show in a “System of the Week” recently featured by New Jersey-based vintage audio specialist Skyfi Audio.
SV Staff  |  Aug 14, 2019
It’s not every day you come across speakers built around monstrous 15-inch coaxial drivers but New Jersey-based vintage audio specialist Skyfi Audio recently landed a pair of pristine Altec Lansing 604-18 speakers.
Steve Guttenberg  |  Aug 16, 2012
RCA's CT-100 may not have been the first consumer color TV in the U.S., Westinghouse's set beat it by a few weeks, but that model didn't sell in significant numbers. Both sets were on the market less than 100 days after the Federal Communications Commission finalized its standards for broadcasting color television.

SV Staff  |  Oct 28, 2019
If you like vintage audio gear, you’re going to love New Jersey-based Skyfi Audio’s latest acquisition: The third and best iteration of Luxman’s legendary CL35 MKIII tube preamp (circa 1978).

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