Blu-ray Movie Reviews

I was thrilled with Punch-Drunk Love when it came out: such loopy energy, zigzag surprises, so preposterous but insouciantly so oddly appealing—a mess but a dazzling mess, like most of P.T. Anderson’s movies. A decade-and-a-half later, it’s lost a lot of its punch. I don’t know if I’ve changed, if imitations have sucked out its novelty, or what, but its shortcomings now shine too clearly. Adam Sandler plays a plumbing-parts salesman who’s out on the spectrum (a bit of Benjamin Braddock crossed with Rain Man), who’s never traveled or had a girlfriend, who’s always been tormented by seven playful sisters who don’t know the madness they’re inflicting.

<IMG SRC="/images/archivesart/quantum.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Picking up shortly after the end of <i>Casino Royale</i>, Bond (Daniel Craig) pursues those responsible for killing the woman he loved. The quest leads him to a mysterious criminal organization known as Quantum and one of its members, Dominic Greene (Mathieu Amalric), an environmentalist who brokers the overthrow of a South American country in exchange for the world's most valuable resource. Along the way, he partners with hottie Camille (Olga Kurylenko), who's in search of her own vengeance.

Becca (Nicole Kidman) and Howie (Aaron Eckhart) are returning to their everyday existence in the wake of a shocking, sudden loss. Just eight months ago, they were a happy suburban family with everything they wanted. Now, they are only posing as normal, blindly looking for footing in a sea of new emotions after the loss of their young child.

Adapted from David Lindsay Abaire's Pulitzer Prize-winning play, Rabbit Hole is one of the more disturbing films I've watched in a long time. It hit home with my wife and I since one of our friends lost a child last year and we've seen firsthand how difficult it can be for a young couple to put their lives back together after such a devastating loss. Kidman certainly deserved her Oscar nomination for her gripping performance as the emotionally strapped mother, but this certainly isn't a pick-me-up by any stretch.

Wreck It Ralph and his new BFF Vanellope have settled into a familiar routine—starring in their arcade games by day, playing other games after work, and hanging out later at Tapper's (root) beer joint. But Vanellope's Sugar Rush game breaks, and to find the part needed to fix it they sneak into a new WIFI portal at Game Central Station. It takes them to the totally unfamiliar world of the Internet, where chaos is inevitable given Ralph's natural talent for wrecking things.

A remarkable story about one of America's great entertainers, Ray Charles (Jamie Foxx). From his humble beginnings in the South through his meteoric rise to the top of the American music charts, Charles overcame many obstacles to become a music icon.

I'd always had been a fan of Charles' music throughout the years, but it wasn't until I saw this biopic in 2004 that I realized how high a mountain he had climbed to become a success. He never wanted any special treatment because of his blindness, but his stubbornness led him to drug addiction like so many other entertainers.

Robots have been all the rage in Hollywood over the past few years with Michael Bay's popular Transformers trilogy. I haven't been a big fan of any of those films, but I have to say that each has been an audio and visual treat on Blu-ray. Well, here comes another robot movie, but unlike the aforementioned garbage, there's actually a plot (though hardly original), good acting, and a lot a heart. What it does have in common with the Bay films is a reference-quality presentation with exquisite detail in the video encode and some of the most intense bass you'll ever experience in your home theater.

In Rebel Without a Cause, James Dean captured the nation’s attention with a performance that still electrifies the screen decades after his untimely death. Its archetypal coming-of-age drama involves three high school students whose seemingly idyllic suburban lives crack under the weight of teenage angst and rebellion in post-war America.