Victor Hugo’s epic novel Les Misérables has seen numerous film adaptations over the years, but this most recent version is the first fully dramatized film adaptation of the celebrated stage musical that has been the toast of London, Broadway, and the rest of the known universe for decades. In the Tony Award–winning stage musical, the plot’s diverse narrative skillfully weaves its way over many years and multitudinous character evolvement through beautiful orchestrations and powerfully emotional songs. In this new film version, however, the story bounces along frenetically from song to song in one hectic rush to get to the ending coda before audience members start fidgeting or exceed their three hours of complimentary theater parking with validation. Heaven forbid.
The buddy movie has been a staple in Hollywood going back to the days of Abbott and Costello. The 1980s revived it with films such as 48 Hours and Lethal Weapon, and there have been quite a few copycats over the years that have made their mark. Like most successful films, sequels are a surety, and this is where the Mel Gibson–fueled franchise proved its worth with nearly $500 million in box-office receipts for the four films.
Oscar-nominated for best picture, direction, and screenplay, Licorice Pizza is a story of first love between a 15-year-old kid and a woman of 25 who's working at his high school. From their first conversation, Gary (Cooper Hoffman) pushes for a date, which Alana (Alana Heim), resists aggressively, but having already become a minor TV and film star and successful entrepreneur, he's soon able to charm her.
Discovering life on Mars would be the crowning achievement in any scientist’s career, so when a team on the International Space Station receives a care package of samples from the red planet, they can’t wait to begin their experiments. To their surprise, they discover there was once life on Mars after all, and they unleash a creature that evolves at an accelerated pace that has its eyes on the planet below them.
<IMG SRC="/images/archivesart/life.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT><i>Planet Earth</i> is one of the best documentaries of the new millennium and The Discovery Channel and the BBC join forces to bring us closer to how life begins on our planet with a view from every continent and habitat. Witness 130 stories in fabulous high-definition.
Holly (Katherine Heigl) and Messer (Josh Duhamel) can't stand each other but share a love for their goddaughter Sophie. When tragedy strikes and takes the young girl's parents away, the pair is forced to raise the child under the same roof and must learn to set aside their differences. Well, it's easier said than done.
There's definitely a female slant to this story and my wife enjoyed this much more than I did, but watching nearly two hours of Heigl in high-definition certainly makes up for the far-fetched story. Even though I wasn't the target demographic, I did find myself laughing-out-loud a few times, especially when the novice new guardians had to change a diaper for the first time and had the joy of baby proofing the house!
Ang Lee’s adaptation of Yann Martel’s “unfilmable” book is a hypnotic rumination on the nature of religion as a source of strength and inspiration but also exploring faith’s common tendency toward allegory as the means to an end. We meet a very spiritual college professor named Pi whose past comes alive in a series of flashbacks as he tells his story to a novelist eager to write his next book. Pi was once shipwrecked and lost at sea for 227 days, already a sufficiently fascinating tale, but to make the ordeal even more extraordinary, he had to share his predicament with a fully grown Bengal tiger named Richard Parker. Their surprising relationship is masterfully dramatized in a series of indelible images, their odyssey recounted with an unending sense of wonder and a contagious love for the beauty of nature.
It’s a long-held myth that the average human being can access only about 10 percent of their brain capacity at any given time. For me, it happens to be true, and that’s on a good day, but I digress. Now imagine if you could take a pill that would give you complete and total brain function. The possibilities would be, well, limitless.
This is a drug that’s so new it doesn’t even have a street name yet. This is life on fast forward, it’s David Fincher on acid, and it’s one hell of a ride. When the effect wears off, though, it’s straight back to Stupidville, and you’re royally screwed if your supply runs out. Bradley Cooper is the washed-up writer who happens upon the drug in a chance meeting, and his life takes some very drastic turns—for better and worse.
To my mind, Lincoln was the best film of 2012. In any case, it’s a rare thing: an old-fashioned biopic, a 19th century costume drama, a “talky” set piece about a debate in Congress—and yet it’s riveting, stirring, transporting. This is a film about the struggle over the 13th Amendment, which abolished slavery; but it’s also about the nature of hard-boiled politics, the tension between compromise and principle, and the meaning of leadership—and, somehow, it doesn’t come off as preachy (except, a bit, at the very beginning and ending, though what comes in between almost earns it the right of a little sentimentality).
After his brother-in-law ruins his marriage with his philandering ways, Greg Focker (Ben Stiller) is his father-in-law's (Robert DeNiro) last hope to assume the role as the family patriarch (aka, "The Godfocker"). When a beautiful pharmaceutical rep (Jessica Alba) enters the scene, Greg must repel her sexual advances in order to keep his marriage sacred and not lose the new found admiration from the family patriarch.
After being skewered by critics in its theatrical run, I had extremely low expectations for the third installment of the trials and tribulations of Greg Focker. While it doesn't measure up to the first film (or the second), there are quite a few laughs, especially when Stiller and DeNiro share the screen together. Unfortunately the screenplay doesn't flow very well and I expected to see more of the kids given the title of the film, but their time on screen is very limited.
When Seymour Krelborn, a schlub working at Mushnik’s Skid Row Florists, finds a strange and exotic plant, his life suddenly takes a turn for the better. But when the plant begins to speak, it offers him a Faustian bargain, promising Seymour fame, fortune, and Audrey, Mushnik’s flower arranger and Seymour’s secret love. In exchange, Seymour must provide the plant, which he has named Audrey II, with the food it needs to grow—human blood.
Although he’s never seen combat, Major William Cage crosses the wrong general and finds himself on the front lines of a D-Day-like battle in France where he stands no chance of survival against an onslaught of ridiculously superior alien invaders. Within minutes of landing on the beach, he’s killed by one of those aliens, but instead of heading toward a white light, he instantly wakes up the day before the attack, and now he is destined to live that day over and over. In lieu of becoming alien fodder again, he hooks up with a heroic Special Forces warrior, and they hatch a plan to get Cage trained for battle and embark on a journey to rid the planet of the aliens for good.
No wonder people have fallen in love with DVD extras. Increasingly, releases have a little something for everybody, going beyond the usual deleted scenes, commentary tracks, and "behind the scenes" documentaries to include games, Web links, and elaborate featurettes on things like costume design and special effects.
There have certainly been terrific comic book movies, but Logan is a terrific movie that just so happens to be inspired by comic books. The proper balance of story, character, and juicy action set pieces is an elusive one. (Think back to the disappointing first two solo Wolverine flicks.) But in his ninth and reportedly final portrayal of Logan, charismatic star Hugh Jackman— in the role that will surely define his career—is at the center of a remarkably original, powerful film.