Projector Reviews

I was mighty impressed by BenQ's PE8700 DLP projector, reviewed in the June 2004 UAV. Now its replacement, the PE8700+, has been launched, and it's no letdown. True, the price has gone up a couple of big ones over the PE8700's closeout price of $6000. But in compensation, the new model gives you the new Texas Instruments 16:9 DMD, the HD2+.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Ample brightness
Contrast-boosting HDR-Pro feature
Vivid color and detail
Living room-friendly design
Minus
Wide Color Gamut filter dramatically reduces light output
Relatively high fan noise in Normal Light mode
No integrated Netflix streaming

THE VERDICT
BenQ’s first ultra short throw projector is a winner on many fronts, offering compelling brightness, vivid color, and a dynamic presentation of 4K/HDR sources.

Is there a projector maker that hasn't yet come out with an ultra short throw (UST) model aimed at viewers who want a theater-size image in their living room, but without the usual ceiling-mount and dark room baggage that accompanies it? If you asked me that question one year ago, I would have replied "BenQ." But now, with its V7050i 4K DLP Laser TV, BenQ has joined the UST projector fold, adding its name to the ranks of Sony, Epson, Optoma, Vava, Hisense, LG, Samsung, and others.

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While our subject here is the W1070 home theater projector from BenQ, there’s more than a little business projector DNA in its genes. How else to explain a single-chip DLP design that’s a third the size and weight of most dedicated home theater models, has built-in audio with grim but usable mono sound, is equipped with a “digital zoom” that magnifies the image within the frame set by the standard zoom control (just the thing for a close examination of that quarterly profit and loss spreadsheet), still offers an S-video input, and has a relatively close-throw lens with a significant vertical offset?

2D Performance
3D Performance
Features
Ergonomics
Value

It seems like only yesterday that DLP was the belle of the ball for front projector technologies. Oh, how things have changed these last few years. Now we see a polarized market made up of budget entry-level offerings or cost-no-object three-chip designs with little in the way of middle ground. I don’t know how much this has to do with Texas Instruments almost abandoning development of consumer-based chips (we haven’t seen any developments in DMD design for quite some time) or consumers’ leaning toward the higher contrast numbers of LCOS and SXRD designs. Or maybe it’s the price/performance that LCD has brought to the table. One thing is for sure, though: DLP is still a very capable technology that, when properly implemented, can throw a mesmerizing image. And now with 3D being a key feature in the market, maybe it’s time DLP’s popularity got a significant boost.

Perhaps it was because I wasn't paying attention, but I didn't expect a lot of big projector news to come out of this show. Yeah, I was wrong.

Digital Projection International (DPI) might not be a familiar projector company to many home-theater enthusiasts—at least, not as familiar as Epson, JVC, Optoma, and Sony. But commercial users know the name well, because DPI has been supplying high-end, high-priced DLP projectors for broadcast, theatrical, simulation, medical, education, and corporate applications since 1997. In fact, DPI was Texas Instruments' first DLP partner and the original innovator of the 3-chip DLP projector.

Over the last few years, DPI has been directing more of its efforts toward home-theater applications and now offers seven series of products for that market. The most affordable home-theater model is the M-Vision Cine 230, a single-chip design that offers many of the same features found in the company's more expensive offerings for less than $7000.