Projector Reviews

Sort By: Post DateTitle Publish Date
Kris Deering  |  Sep 15, 2020  | 
At the last CEDIA Expo in September 2019, JVC announced a firmware update for its native 4K D-ILA projectors that delivered true frame adaptive HDR tone mapping to the lineup. For CEDIA Expo Virtual 2020, the company’s key announcement is an improved version of that Frame Adapt HDR feature called Theater Optimizer. The firmware also includes a few other tweaks and new features and will be available as a free firmware update in November 2020 for the following models: DLA-NX5, DLA-NX7, DLA-NX9, DLA-RS1000, DLA-RS2000, and DLA-RS3000.
Geoffrey Morrison  |  Jul 01, 2004  | 
Light is good. Light and mirrors are better.

Digital Light Processing is finally getting the recognition it deserves. It's not as hot a technology as plasma, but people are beginning to realize that it's an appetizing alternative—especially since it offers many of the strengths and few of the weaknesses of other digital display technologies. Texas Instruments is the creator and sole manufacturer of DLP chips, and their latest offering is the HD2+ (or Mustang) chip. But it all started long before the arrival of HD2+.

Michael Hamilton  |  Apr 24, 2024  | 

Performance
Features
Ergonomics
Value
PRICE $1,799

AT A GLANCE
Plus
Wide color gamut
Superb lens with state-of-the-art autofocus
Auto keystone correction
Comprehensive suite of non-global calibration controls
Stylish, conversation-starting design
Minus
Physical placement determines image size
Input lag is tolerable only for casual gaming
Lacks codecs like VVC likely to be used with future 8K content
No carrying handle

THE VERDICT
A quality 300" image from a grab-n-go projector? You’ll have fun, fun, fun until daddy takes the C1 away! (Humblest apologies to Brian Wilson and Mike Love).

Always up for a projector review, I quickly responded, “Send it my way!” when asked about the Hisense C1, though admittedly, at the time, I was unfamiliar with this new model. Having previously reviewed the UST Hisense PX1-Pro and been impressed by its triple-laser light engine—giving it an S&V Top Pick—I was keen to explore any advances made by the self-proclaimed pioneer in Laser TV in the dynamically evolving projector technology category.

Al Griffin  |  Apr 03, 2018  | 

Performance
Features
Ergonomics
Value
PRICE $10,000

AT A GLANCE
Plus
Bright picture with excellent uniformity
Crisp detail with 4K sources
Powerful built-in audio system
Minus
So-so contrast ratio
Occasional banding artifacts
No extended color gamut coverage

THE VERDICT
Hisense’s Laser TV strikes a good balance between performance and price for a 4K-res ultra-short-throw projector-and-screen package.

Hisense has been slowly making headway in the U.S. TV market over the past few years, mostly through its lineup of affordable big-screen LCD sets. Another product that the company has teased at trade shows, and is now actively selling, is Laser TV, a flat-screen alternative that consists of an ultra-short-throw (UST) laser-driven DLP projector paired with a 100-inch screen. While other companies including Sony and Epson offer their own UST solutions, Hisense seems especially bullish on the category: At last CES, the company announced a second Laser TV offering that incorporates a dual-laser DLP light engine and comes with a 150-inch screen, and there’s also an 88-inch version in the works.

Michael Hamilton  |  Sep 22, 2022  | 

Performance
Features
Ergonomics
Value
PRICE $3,500

AT A GLANCE
Plus
Ultra-wide color gamut
Terrific lens for impressive focus
Built-in (ATSC 1.0) tuner
Minus
No dynamic tone mapping
Netflix not part of the Android bundle
Tuner doesn’t support ATSC 3.0

THE VERDICT
With its onboard streaming capability and TV tuner, the Hisense PX1-Pro comes about as close as you can to the proverbial “Home Theater in a Box” concept—one that that lets you savor big-screen fun without leaving home.

Hisense is known by Sound & Vision cognoscenti as a brand taking ambitious steps to spotlight itself as an innovator in leading-edge television technologies with pricing it terms affordable. For those who do not peruse our pages, the Hisense name may be more closely identified with refrigerators and other home appliances. But as a manufacturer in the consumer electronics space, especially one in the business of making flat-panel televisions and projectors, you can legitimately claim to "have arrived" when your products occupy rack space in Costco alongside the best-known brands in TV.

Steven Stone  |  May 29, 2006  | 

When I think of home theater video projectors Hitachi isn't the first brand that comes to mind. Hitachi is probably better known for microwaves, compact music systems, and other mass-market consumer electronics. When Tom Norton offered me the HDPJ52 LCD projector for review I wasn't expecting very much. Simply put, every LCD projector I've reviewed in the past has been fatally flawed by poor color, inadequate black levels, and less than optimal resolution. Why should Hitachi do any better with LCD projectors than other manufacturers? What I neglected to consider is that Hitachi not only makes its own LCD panels and most other major components, they have been manufacturing business and presentation projectors for years. I packed my preconceptions into a large box and put it in the garage. With a newly open mind I unpacked the Hitachi HDPJ52. Welcome to the bright new world of 21st century LCD projectors.

Geoffrey Morrison  |  Oct 15, 2005  |  First Published: Oct 30, 2005  | 
My, what a big eye you have.

In 2001: A Space Odyssey, we were introduced to HAL 9000—a plucky computer that likes long walks at night, organization, and things not named Dave. In 2010, we found out that we were going to need a bigger boat and that HAL had a sibling: Bob. Or it may have been Phil. It certainly wasn't Knight Industries Two Thousand. It turns out that four years after and five years before, a middle sibling has been discovered: PJ. (Lame, I know. I'm sorry.)

Peter Putman  |  Oct 17, 2004  | 

Hitachi's PJTX100 UltraVision front LCD projector replaces the short-lived Home 1, a low-cost, 964x544-pixel design that made a brief appearance earlier this year. I liked many things about the Home 1, but it suffered from very low light output—too low to be practical for most home-theater applications.

Michael Hamilton  |  May 22, 2024  | 

Performance
Features
Ergonomics
Value
PRICE $1,700

AT A GLANCE
Plus
Accurate color out of the box
User-friendly auto-geometry set-up adjustments
Movie-friendly Dolby Vision and HDR
Another amazing autofocus application
Unique hybrid laser/LED light engine
Minus
Image size relies principally on physical placement
Sub-class-leading contrast
Ergonomic quirks that should long be resolved
Mediocre remote, lacks backlighting
In the room-to-room category, but handle-free

THE VERDICT
As Larry David often says in Curb Your Enthusiasm: “Pretty good…pretty, pretty, pretty, pretty good.” Balancing most aspects critical to me and fancying the Horizon Ultra, I would tend to echo Larry. You may like this projector for your intended use as well. Ultimately, though, after a solid month of steady use, just enough fell slightly outside the bullseye, particularly a less-than-ideal contrast ratio but also a few grating ergonomics that, for now, my AMEX will remain at its zero balance.

A self-described purveyor of “smart projectors and laser TVs,” Xgimi may not be the first brand name mentioned in answer to a man-on-the-street projector query. Though Internet forum gurus and YouTube influencers have done much to espouse Xgimi’s evolutionary stable of products, I am willing to wager that the name still escapes a majority of S&V readers.

Geoffrey Morrison  |  Jul 20, 2005  | 
Brighter, blacker, cheaper.

It has been interesting to follow the development of the 7200 Series from InFocus. Two years ago, I reviewed the 7200, the first high-end home theater projector from what was, up to that point, a company primarily known for business projectors. A year later came the 7205, which had some updates, including a new chip from Texas Instruments. It was brighter, had a better black level, and was cheaper. Now, a year after that, the 7210 follows this same progression.

Shane Buettner  |  Sep 12, 2006  |  First Published: Sep 13, 2006  | 
  • $2,999
  • 1280x720 single-chip DarkChip2 DLP
  • Key Connections: One HDMI input and one DVI-HDCP input, one component input
Features We Like: Dual digital video inputs in this price range rocks!, Pixelworks 10-bit video DNX video processing
John Higgins  |  Oct 15, 2006  | 
It's time to get a projector.

At the Home Entertainment Show this past June, the Home Theater staff put together the HTGamer Gaming Pavilion. The purpose was twofold. Not only did it give expo attendees a place to rest their weary feet for a spell, the pavilion allowed them time to relax and experience gaming on three different home theater systems. The first image these lucky attendees set their eyes on as they entered the room was a small rebel force attempting to break through the tyrannical Empire's lines of storm troopers in Star Wars: Battlefront II. An Alienware Aurora 7500 high-performance PC fed the image to the InFocus Play Big IN76 DLP projector and onto a Stewart GrayHawk screen. Even in a less-than-optimal convention environment, the IN76 produced an awe-inspiring image. But how would it perform in a theater?

Thomas J. Norton  |  Oct 08, 2007  | 

It's been a couple of years since we last tested an InFocus projector. When Fred Manteghian reviewed the $7,000, 720p <A HREF="http://ultimateavmag.com/videoprojectors/905infocus/">ScreenPlay 7210</A> back in September 2005 there was a lot less competition in the front projector market, and InFocus was a major player. It's still a respected name, with a long history in business and home projectors. But the playing field has not only become a lot more crowded, the name of the game has changed to 1080p. Not just 1080p, but 1080p at what would have been seen as impossibly low prices two years ago.

Thomas J. Norton  |  Jun 03, 2002  | 

Until recently, the beer-budget options available for equipping a home theater with a projection system were severely limited. You either bought used or you settled for a projector designed primarily to serve the business market. Both approaches saved money, but neither was ideal. You can luck out buying used gear&mdash;a car holds its value far longer than a video projector&mdash;but you can also get burned. A business projector can perform reasonably well at home, but it won't be optimized for home applications and often lacks important features, such as full control of aspect ratio.

Pages

X