Projector Reviews

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Thomas J. Norton  |  Mar 08, 2010  |  0 comments
Price: $2,295 At A Glance: Excellent video processing • Stunning resolution • Poor shadow detail

While Mitsubishi might have a larger footprint in your memory with its big-screen TVs and flat panels, the company is focused on front projection. In fact, its Website shows 26 projector models, including four home theater designs.

Mitsubishi projectors are not your father’s Mitsubishi, and by that I mean video displays, not cars. Its projectors are marketed by the company’s Presentation Products division, which is separate from the division that sells flat-panel and rear-projection TVs.

Kris Deering  |  Mar 09, 2009  |  0 comments
Price: $3,995 At A Glance: Outstanding video processing, including full-time anamorphic lens support • Razor-sharp images • Color accuracy needs work

Mitsubishi Delivers a Diamond

The HC7000 is Mitsubishi’s flagship video projector and one of only two Diamond Series projectors. This three-chip design uses the latest C2 Fine inorganic LCD panels. It has a native resolution of 1,920 by 1,080 and features a proprietary polarizing filter designed to squeeze a bit more contrast and better uniformity out of the panels. At $3,995, the HC7000 is the most expensive projector in our roundup, and it has some great features. It includes a dynamic iris, Silicon Optix HQV video processing, and a great warranty program for the projector and lamp. It also has full anamorphic lens support, including the ability to permanently mount the lens to the projector. Combined with the great build quality and performance, these features made the Mitsubishi my favorite projector of the group.

Thomas J. Norton  |  Sep 13, 2012  |  0 comments

2D Performance
3D Performance
Features
Ergonomics
Value
Price: $2,995 At A Glance: Excellent detail • Good black level • Full calibration control • Limited physical setup options

I remember my first exposure to a DLP front projector. It was at a trade show in the late 1990s and was not a warm and fuzzy experience. Blessedly, I don’t recall the manufacturer. But compared to CRT front projection, in which even a bargain-basement model commanded $10,000 or more, the simpler, smaller DLP, a technology developed at Texas Instruments, held out the promise of form factors and prices that would appeal to a wider range of buyers.

Thomas J. Norton  |  Dec 06, 2013  |  1 comments
2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $3,999

AT A GLANCE
Plus
Excellent color
Crisp detail
Punchy image
Minus
Dim 3D
So-so blacks and contrast

THE VERDICT
You won’t find the deepest blacks in this price class, but the HC8000D’s bright, sharp, pleasing 2D picture is worth a look.

It seems like only yesterday that Mitsubishi ended its solitary status as the last holdout in the rear-projection DLP business. Oh, wait, it was only yesterday—at least in geologic HDTV time. But this was by no means the twilight of Mitsubishi Electric’s DLP video ambitions. These live on in a wide range of projectors, including the HC8000D single-chip DLP—a key player in the company’s consumer lineup.

Edward Meredith  |  Mar 18, 2005  |  0 comments
Not quite HD, but it throws up a great picture.

While plasma and LCD flat-panel TVs get all of the media attention these days as "must-have" products, they're still rather high on the dollars-per-square-foot scale. Mitsubishi's HC900 blows the glass guys out of the water in terms of visual area capability per dollar spent and shows that the transition from the boardroom-presentation-projector market to the home theater venue can have significant benefits for the savvy home-cinema shopper.

Thomas J. Norton  |  Jul 12, 2003  |  0 comments

To a videophile who cut his or her teeth on CRT units, a 7-pound video projector that is no larger than a fat dictionary and can be mounted inconspicuously on a ceiling or table is hard to believe. It can even be stored out of sight and set up again, when needed, in minutes. How good can it be?

Thomas J. Norton  |  Aug 08, 2004  |  0 comments

NEC's HT1100 DLP projector is the follow-up model to the company's well-received HT1000, reviewed in the July/August 2003 SGHT (review available at www.UltimateAVmag.com). Based on an NEC business design but refitted for home-theater use and remarkably compact for the performance it provided, the HT1000 went on to become our Editor's Choice Gold Award winner for 2004 (SGHT, January 2004).

Adrienne Maxwell  |  Oct 15, 2005  |  First Published: Oct 30, 2005  |  0 comments
Value, and then some.

Let's talk value. Super-sizing may no longer be en vogue in the fast-food realm, but it's alive and well in the world of home theater. If you're trying to put together a dedicated theater on a budget, remember this simple formula: More screen size for less money means greater value.

Geoffrey Morrison  |  Sep 18, 2004  |  First Published: Sep 01, 2004  |  0 comments
Quite simply, our winner.

This unassuming little projector surprised me. It's not as attractive as the Epson, it's not as compact as the BenQ, and its price is between them both. Without a doubt, though, this was our winner. Why? Well, in a word: black level. OK, so that's two words.

Peter Putman  |  Oct 13, 2003  |  0 comments

Reviewing Optoma's H56 DLP front projector has been an issue of karma for me. The H56 has crossed my path several times in the past two months, the first time at the 2003 Consumer Electronics Show, where news of its debut was lost in a sea of PR from other companies. At the time, I paid it little attention.

Steven Stone  |  Aug 28, 2005  |  0 comments

Technology, like time, never stands still. Take DLP projectors, for example. Since their inception, Texas Instrument's DLP display chips have continued to evolve at a dizzying pace. For both reviewers and home theater enthusiasts, opinions based on one generation of DLP projectors are quickly overturned by the next generation.

Ultimate AV Staff  |  May 24, 2006  |  0 comments

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Shane Buettner  |  Sep 12, 2006  |  First Published: Sep 13, 2006  |  0 comments
  • $6K
  • 1920x1080 single-chip DarkChip3 DLP
  • Key Connections: TBD
Features We Like: 1080p on the cheap!, other features TBD
Al Griffin  |  Dec 13, 2016  |  0 comments

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $579

AT A GLANCE
Plus
Great value
Good overall performance
Backlit remote control
Minus
Limited installation features
So-so contrast

THE VERDICT
Good overall performance, ample adjustments, and a low price make Optoma’s HD142X a great entry-level projector.

You might not be aware of it, but there’s a new war going on. No, it’s not between countries, ideologies, or individuals; it’s between DLP projector manufacturers. A handful of companies are battling to provide a single-chip model that delivers the best-looking, brightest picture at the lowest price. Over the past few months, I’ve reported on two such projectors, the ViewSonic LightStream Pro7827HD ($890, Sound & Vision, September) and the InFocus ScreenPlay SP1080 ($549, see review at soundandvision.com). Next up: Optoma’s HD142X ($579), another affordable model aimed at the casual home theater fan and gamer.

Scott Wilkinson  |  Jul 29, 2011  |  0 comments
Performance
Features
Ergonomics
Value
Price: $999 At A Glance: Excellent detail & color via HDMI • Poor blacks & shadow detail • No lens shift • Excellent user interface

In some respects, the Optoma HD20 is an exceptional value, providing a razor-sharp 1080p image for just about as little money as any projector I know of. It's overall detail and color are excellent via HDMI, and it offers extensive controls, surprisingly advanced features, and a well-organized user interface. However, the lack of lens shift makes placement difficult without invoking the keystone control that can degrade the detail a lot. And even if you solve that problem, the shadow detail is poor, which causes dark scenes have large areas of solid darkness rather than subtle low-level details. Finally, at the largest image size I could manage in our studio given the lack of lens shift, the black level was quite high, which means the black of space was dark gray and letterbox bars were obvious. For better performance in this critical area, a larger image is a must.

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