Blu-ray Movie Reviews

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Fred Kaplan  |  Sep 23, 2011  | 
Stanley Kubrick’s The Killing is a nifty film noir with brisk dialogue (by noir novelist Jim Thompson) and brushstroke characters. It features a taut narrative within a daringly fitful structure (the plot starts over and over, charting the events from different points of view, leading up to the climax) and an ending straight out of O. Henry. The story line is fairly conventional—a racetrack heist, the mastermind who devises it, and the gang of misfits who try to pull it off. But the theme—human foibles trumping the best-laid plans—anticipates many Kubrick films to come, notably Paths of Glory, Dr. Strangelove, and 2001: A Space Odyssey. This is also the first film where Kubrick, just 28 years old, displays a master director’s touch: a keen visual sense, both for the composition of the frame and for the fluid camera motion (it seems to be moving almost constantly). The acting is a bit outsized, but so it is in most Kubricks, and as with most, it fits the movie’s mood. This one marks his first association with Sterling Hayden, who’s very fine as the methodical planner: mordantly witty, slow-burning with desire to break through life’s trappings, and in the end stoic about his prospects.
David Vaughn  |  Sep 23, 2011  | 
The Pritchett clan has Jay (Ed O'Neill) as the patriarch who's married to his much younger Columbian wife Gloria (Sofia Vergara). Along for the ride is her old soul 11-year-old son, Manny (Rico Rodriguez), who is wise beyond his years but doesn't exactly mesh with his stepfather. Jay has two grown children from his first marriage, Claire (Julie Bowen) and Mitchell (Jesse Tyler Ferguson), who have families of their own. Each family has their unique traits and when they all get together they form a very interesting and hilarious modern family.

I generally don't watch much TV, but Modern Family is a show that hooked me last year on Blu-ray and I couldn't wait to revisit the show on Blu-ray. This is by far the funniest show I've seen in years and the interactions between the characters are priceless. Whether it's Gloria's accent, Manny's phobias, or Jay's frustration with modern society, I'm laughing my rear-end off every episode. In fact, my wife and I laugh so much our kids have requested we don't watch the show if they are trying to sleep because we keep waking them up with our laughter!

Corey Gunnestad  |  Sep 21, 2011  | 
It’s a long-held myth that the average human being can access only about 10 percent of their brain capacity at any given time. For me, it happens to be true, and that’s on a good day, but I digress. Now imagine if you could take a pill that would give you complete and total brain function. The possibilities would be, well, limitless.

This is a drug that’s so new it doesn’t even have a street name yet. This is life on fast forward, it’s David Fincher on acid, and it’s one hell of a ride. When the effect wears off, though, it’s straight back to Stupidville, and you’re royally screwed if your supply runs out. Bradley Cooper is the washed-up writer who happens upon the drug in a chance meeting, and his life takes some very drastic turns—for better and worse.

David Vaughn  |  Sep 20, 2011  | 
Philip K. Dick struggled to make a living as a science fiction writer through the majority of his life. It wasn’t until shortly before his death that Do Androids Dream of Electric Sheep? was adapted to the screen and became the classic Blade Runner. After his death in 1982, nine additional Dick stories have turned into feature films, including box-office successes Total Recall and Minority Report. His latest adaptation is from his short story The Adjustment Team, in which humanoid creatures can influence people’s lives without them knowing in order to ensure that they comply with a mysterious Plan orchestrated by the Chairman.

Matt Damon stars as David Norris, a popular New York congressman who’s a shoo-in to win a U.S. Senate seat in 2006 until a political scandal derails his campaign. Before he gives his concession speech, he ventures into a hotel bathroom and is interrupted when Elise (Emily Blunt) emerges from a stall and encourages him to be more honest. Her advice inspires David to drop the political speech and instead ad-lib from the heart. Thanks to this honesty, he becomes the front runner for the 2010 election. According to the Plan, David and Elise are never to meet again, but when a worker at the Adjustment Bureau screws up, the two run into each other on a city bus, and the Bureau will do whatever it takes to ensure that the Plan gets back on track.

David Vaughn  |  Sep 18, 2011  | 
Yoda takes a group of Jedi younglings on a field trip to the Galactic Senate chambers when he suddenly feels a disturbance in the force and must leave the children. C-3PO and R2-D2 take over and find themselves in over their heads with the rambunctious force-sensitive group. As the Sith prepare to wreak havoc, it's up to Yoda and a young stowaway to save the day before the children are torn to bricks.

LEGO and Lucasfilm have collaborated on multiple projects including other mini-films, over 200 LEGO models, 275 minifigures, and Saga-inspired video games (which are extremely well done). Featuring situations, characters, and locations from throughout the entire Star Wars Saga, writer Michael Price captures the spirit of the franchise with a story is filled humor, adventure, and a surprise guest or two.

Brett Milano  |  Sep 13, 2011  | 

This Week in Blu-rays

Gene Newman checks out the latest in high-definition releases: Orson Welles' Citizen Kane gets a deluxe 70th-anniversary edition, Thor and X-Men: First Class bring big superhero action to the small screen, Hesher tries to teach you a lesson (and just

Rad Bennett  |  Sep 09, 2011  | 

People usually remember where they were and what they were doing at the time of an earthshaking event. It’s likely you remember for September 11, 2001. I know I do.

David Vaughn  |  Sep 08, 2011  | 
A rogue CIA agent (Eric Bana) lives in a desolate area of Finland training his 16-year-old daughter (Saoirse Ronan) to become the perfect assassin. Every moment of the girl's upbringing has been spent building up her strength, stamina, and survival instincts she needs to prepare for the day when she becomes the target of a revenge seeking intelligence operative (Cate Blanchett).

I love a good action move as much as the next guy and am willing to suspend a certain amount of belief, but director Joe Wright takes things a little too far. For starters, Ronan maybe weighs 105 pounds soaking wet yet has the strength to take down a plethora of Special Forces personnel and latch onto the bottom of a vehicle moving at over 30 mph. Furthermore, despite all of her training, she's like a fish out of water when she encounters electricity in the modern world.

David Vaughn  |  Sep 04, 2011  | 
Tony Montana (Al Pacino), a young Cuban immigrant, lands in Miami in search of the American dream. There he meets Frank Lopez (Robert Loggia), who mentors the young man on how to succeed in a life of crime, and Montana eventually becomes one of Miami's most feared drug kingpins. Staying at the top isn't easy, especially if you're mentally unstable, and when Montana neglects the two most important pieces of advice from Lopez, his empire begins to unravel and all that's left is his "little friend."

Written by Oliver Stone and directed by Brian De Palma, Scarface is a gritty tale filled with violence, foul language, and a fantastic performance by Pacino. That being said, this isn't one of my favorite gangster films. While I enjoy the mesmerizing cinematography, I find the screenplay to be a tad shallow, and at 170 minutes, it's much too long.

Ken Korman  |  Sep 01, 2011  | 

Clinical depression isn’t exactly the stuff of Hollywood dreams. And in 2011, neither is Mel Gibson. His real-life drunken tirades have cost him dearly — and they make him an unlikely candidate for the necessarily sympathetic movie role of a severely depressed man who takes to talking through a beaver hand-puppet just to survive.

Fred Kaplan  |  Aug 30, 2011  | 
John Huston’s The Man Who Would Be King is one of those great films the likes of which “they don’t make anymore” (and, in fact, they rarely did), a grand tale of adventure and greed set against the great outdoors and the judgment of Nature. It’s based on Rudyard Kipling’s novel, but in many ways, it’s a throwback to The Treasure of the Sierra Madre, which Huston also directed, nearly 30 years earlier. This movie’s prospectors are former soldiers in Britain’s colonial army, seeking power and fortune by conquering tribal warlords in the mountains of Afghanistan, rather than American ne’er-do-wells panning for gold in the foothills of Mexico. But the outcome is the same: Our (anti-) heroes win everything then lose it all through avarice and arrogance. In Treasure, they dig up more gold than they can carry (or their capacity for mutual trust can endure); in King, they stumble into a cavern of riches, but one of them starts believing he really is a god (as they’ve tricked the natives into thinking), until the act is exposed.
David Vaughn  |  Aug 25, 2011  | 
Born in Chicago, Illinois, in 1949, John Belushi was the offspring of Albanian immigrants. Both he and his younger brother Jim would find success in Hollywood, but on March 5, 1982, John was found dead in his hotel room in West Hollywood from a drug overdose.

Although his career was short-lived, he had a great foundation to become a comedic force in Hollywood. At the age of 22, Belushi hooked up with the Second City comedy troupe in Chicago and eventually found his way to New York as a cast member in the off-Broadway production of National Lampoon’s Lemmings. The show was originally slated to run six weeks, but it entertained packed houses for almost ten months. From there, the comedian worked as a writer for two years for The National Lampoon Radio Hour. His big break came in 1975 when he joined the original cast of Saturday Night Live, where he showcased the humor he’d honed while he was with Second City.

David Vaughn  |  Aug 24, 2011  | 
Mike McDermott (Matt Damon) is trying to leave his poker playing days behind him while he attempts to earn his law degree and prove to his girlfriend that he can hold a "real job." Bu when his best friend, "Worm" Murphy (Edward Norton), is released from prison, he coaxes Mike back to the tables. "Worm" gets himself into serious trouble with a local mobster/poker legend, Teddy KGB (John Malkovich), and Mike's rear-end ends up on the hook since he mistakenly vouched for his friend and he needs to come up with a boatload of cash in short order. Look out poker world, here he comes.

For the record, I love playing poker—specifically Texas Hold'em—so it's only natural that this is one of my favorite movies. While I limit my gaming to tournaments and avoid cash games like the plague, I've witness many people who constantly chase the big score and get in way over their head and lose their entire bankroll. One of the biggest thrills of my life was winning a seat to the 2010 World Series of Poker Main Event, but sadly my dream of winning the title went down in flames when my set of queens was beat when an ace hit on the river giving my competitor a higher set—that's poker!

Joshua Zyber  |  Aug 23, 2011  | 
Is it OK to sympathize with Nazis? That’s a thorny question, and not just for American viewers who’ve been raised on a diet of rah-rah patriotic war films about freedom-loving Yanks kicking the butts of dastardly Nazi scum. Germany itself has a very complicated and uncomfortable relationship with its past and rarely broaches the topic on film. Wolfgang Petersen’s superlative submarine thriller Das Boot takes us inside a World War II U-boat patrolling the Atlantic in 1941. Technically, its crew members are Nazis. Yet few are ideologues, and none are jackbooted villains. Mostly, they’re young boys who know nothing of politics but hunger for the adventure of war and believe themselves to be serving their country.

The film depicts the camaraderie of these men, their conflicts, their boredom, their excitement, their terror, and their growing disillusionment. In its most profound scene, the crew cheers at having destroyed a British cargo ship and then watches in horror as the sailors from that ship leap off its flaming deck and desperately try to swim to the submarine for help they will not get. It’s a sobering moment, both beautiful and haunting.

Josef Krebs  |  Aug 15, 2011  | 

You don’t watch Fast Times at Ridgemont High for any home theater glories. More likely, it’s a favorite movie to get stoned to — er, a series of memorable vignettes of high-school teenagers attempting to lose their virginity while surviving soul-destroying service-industry jobs.

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