LATEST ADDITIONS

Corey Gunnestad  |  Oct 31, 2013
Picture
3D-ness
Sound
Extras
Interactivity
Good witches, bad witches, good witches who become bad witches; it’s all in a day’s work for the Wizard of Oz. The story of how the Wizard of Oz first arrived in Oz and became the great and powerful Wizard of Oz is chronicled in Oz the Great and Powerful. This prequel to The Wizard of Oz pays reverent homage to the original classic film in many ways but most noticeably by mimicking its famous prologue. Just like when Dorothy leaves Kansas and her monochromatic world magically morphs to glorious, exhilarating Technicolor, so it goes for the Wizard as well. After a 20-minute black-and-white prologue cropped in the 1.33:1 aspect ratio, Oz’s balloon arrives somewhere over the rainbow, the image bursts into vibrant color, and the aspect ratio expands to a full 2.40:1.
Rob Sabin  |  Oct 31, 2013
With the introduction this week of the BeoLab 17 compact speaker, BeoLab 18 column speaker, and the BeoLab 19 powered subwoofer, luxury A/V manufacturer Bang & Olufsen has begun marketing its first component-quality wireless music system and the first wireless system from anyone to offer WiSA certification.

Michael Antonoff  |  Oct 31, 2013
Seventeen years is an odd interval for measuring progress, but if you’d been sleeping under a pile of VHS cassettes and emerged as a flash mob of cicadas, you’d be impressed by how far home entertainment technology has come.
Al Griffin  |  Oct 31, 2013
Q My new TV has four HDMI inputs. Would I get better picture quality if I bypassed my receiver and hooked all the equipment up directly to the TV? I also plan to run a TosLink digital audio cable from the TV to the receiver for sound. Any issues there to consider? —Jose / Colorado Springs, CO

A Whether or not you’ll get better picture quality from your proposed setup depends on the video capabilities of the receiver you’ve been using to handle HDMI switching. A number of A/V receivers provide both high-quality video deinterlacing/scaling and an ability to pass-through 1080p signals with no degradation (this Marantz that Sound & Vision recently reviewed, for example). But some other models are known to reduce the chroma (color) resolution of signals passing through, or to clip above-white and below-black information at the extreme ends of the video brightness range.

John Sciacca  |  Oct 29, 2013
Perusing your favorite AV site (it’s this one, right?!), browsing real or virtual aisles of an electronics store, or surfing the Web, you’ve undoubtedly run across multiple companies offering to improve your audio by adding a soundbar. With models ranging from sub $100 to over $2,000, it’s a category that has exploded practically overnight.

In a way, soundbars can be likened to nuclear power; used correctly, they can improve your life, but misused can kill everyone in the world several times over. (I don’t have all the science needed to back that up, but I’m pretty sure it’s true.)

Ken Richardson  |  Oct 29, 2013
Also: Humble Pie expanded, Jethro Tull remixed in 5.1, and much more. Plus: the return of Dorothy Wiggin. (She used to be a Shagg.)

Leslie Shapiro  |  Oct 28, 2013
Iconic indie-rocker Lou Reed passed away at the age of 71 on Sunday, October 27th from complications after a recent liver transplant. Reed was married to experimental performance artist Laurie Anderson. Although Reed had only a single top-ten hit, he will be remembered for so much more.

SV Staff  |  Oct 25, 2013
In a move that Onkyo hopes will revolutionize how iOS users enjoy music on headphones and other compatible hi-fi systems, the company has introduced the HF Player app that enables playback of high-resolution audio files while giving listeners unprecedented control over how their music sounds.
Lauren Dragan  |  Oct 24, 2013
Dear Manufacturers of Headphones,
As a headphone tech reviewer and avid consumer for several years now, I’ve gotten a chance to witness great triumph and tragedy in headphone design and functionality. We’ve come such a long way from the giant forever-alone-in-my-room over-ears of the ‘70s or the foam-and-plastic-electro-shock-hazards from the walkman fueled ‘80s. But there is always room for improvement. I know it, my readers sure know it, and they let me know about it. So I wanted you, dear Headphone Companies, to know it too. Here are some features that seem really obvious, but are sorely lacking in the marketplace. If you could see it in your hearts to add them to products that also sound really great, well, we’ll all just throw our money at you. Promise.
Darryl Wilkinson  |  Oct 24, 2013

Triton Seven Speaker System
Performance
Build Quality
Value

ForceField 5 Subwoofer
Performance
Features
Ergonomics
Value
PRICE 3,594

AT A GLANCE
Plus
Deep bass extension from dual passive radiators Remarkably full midrange Rearward rake with non-parallel front and rear baffles
Minus
You’ll need to find a new home for your current speakers

THE VERDICT
The Triton Sevens provide rock-solid high-end performance for a mid-fi price.

It begins with a fairy tale (of sorts). Once upon a time (say, around 2013), a little company named GoldenEar made three bears—no, sorry, three tower speakers. The first speaker was tall and big with a deep, deep voice. But it was too big and too expensive for a hungry little girl roaming the forest—no, I mean, for some of the people shopping through a forest of tower speakers at the A/V store. The second tower was shorter and a bit smaller. Its voice was deep, too, but not quite as much as the papa tower’s voice. Sadly, it was also too big to fit comfortably in some people’s rooms, and still too big for some of their budgets. Then GoldenEar made a third tower speaker, even shorter and less expensive, and this speaker was… Well, that’s what we’re here to find out, isn’t it?

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