LATEST ADDITIONS

Michael Fremer  |  Mar 13, 2014

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $6,500

AT A GLANCE
Plus
Superb sonics High build quality No widgets, gimmicks, or extraneous features
Minus
No widgets, gimmicks, or extraneous features Klunky OS, incomplete instructions, non-backlit remote

THE VERDICT
Krell’s aptly named, sonically sophisticated Foundation counters a foolish industry trend toward sacrificing sound quality for useless and/or redundant features.

We live in a bizarre world where automobile commercials tout peripheral accessories while omitting mention of engines, transmissions, and brakes. What’s more important: Stopping distance or voice-activated Bluetooth?

So it’s not surprising that in much of today’s home theater electronics, sound quality takes a backseat to features and widgets. Backseat? In some, sound quality doesn’t even go along for the ride.

Steve Guttenberg  |  Mar 13, 2014

Performance
Features
Ergonomics
Value
PRICE $699

AT A GLANCE
Plus
Hand-crafted in Austria
Ear coddling comfort
User-replaceable cable
Minus
Expensive
Lacks mike or inline remote

THE VERDICT
The AKG K712 Pro’s winning combination of comfort, build quality, and superlative sound puts it in the top tier of headphones in its price class.

Headphone shoppers should never forget that sound quality should always be balanced with comfort. Sure, sound is the thing, but you’d be unwise to assume all headphones are equally comfy. I wish. The majority of full-size headphones on the market—including a lot of very expensive ones—can be a chore to wear for more than an hour or so. AKGs have no such problem; the company nailed big headphone comfort with their K701 that debuted in the U.S. in 2006, and this new model, the K712 Pro, looks and feels much the same (the less expensive K701 remains in the line). Both models feature similar drivers, but the K712 Pro’s two-layer Varimotion driver has been redesigned to increase bass output.

Bob Ankosko  |  Mar 13, 2014
They call Woojer the “first ever matchbox sized augmented reality haptic audio device,” but it’s really just a wearable woofer. Plug your phone/music player/game system and headphones into the tiny transducer, clip it to your shirt or belt, and literally “feel the sound.” Best part, Woojer transforms any audio signal into a silent tactile sensation felt throughout your body, confirming for family and friends that you have, indeed, lost your mind as you move and groove in your invisible disco.
Al Griffin  |  Mar 13, 2014
Q I'm looking for a way to play two-channel music via iTunes AirPlay streaming through my Pioneer SC-57 receiver while watching muted sports on my plasma TV, which doesn’t have ARC. All my HDMI sources currently go into the receiver, with a single HDMI output to the TV. Is there a way to set up a second zone on the SC-57? Some other simple solution that I'm missing? —Jason Karley / via email
Kim Wilson  |  Mar 12, 2014
Photos Simon Berlyb

When he set out to build his own home theater, it was this homeowner’s goal to achieve LEED Platinum certification (green home). Due to the sheer size of the residence—14,000 square feet—it was exceptionally difficult to achieve this status.

Corey Gunnestad  |  Mar 12, 2014
Picture
Sound
Extras
Interactivity
In the opening scene, Apple Computer Company founder and CEO Steve Jobs enters a room filled with devoted employees like a rock star to thunderous applause. He is the undisputed master of the universe, and everyone knows it. But how did he get here? In the mid 1970s, the notion of a personal home computer was as realistic and practical as flying to the moon on a vacuum cleaner.
Thomas J. Norton  |  Mar 12, 2014
Picture
3D-ness
Sound
Extras
When we last saw Gru, our slightly dorky but lovable and (in his own mind) super-villain, he had softened up thanks to the trio of meet-cute orphans. Gru is now happily domesticated, has renounced his bad-guy role, and has converted his villain’s lair into a production facility for a range of delicious jams and jellies.
Rob Sabin  |  Mar 12, 2014
It’s been said that the sound associated with watching video is “half” of the experience. But is it really? Or is it actually more than half? Or less?

Answering this question was the goal of a clever study recently commissioned by DTS, with an eye toward promoting its new DTS Headphone:X technology. For those unfamiliar, Headphone:X has been at the heart of one of the more impressive CES show demos for the last two years running.

Mike Mettler  |  Mar 12, 2014
“I didn’t have the courage to go back to any of the masters and try to recreate those beautiful, real echoes,” says Justin Hayward of The Moody Blues about the surround-sound mixes he supervised for six of The Moodies’ “Classic Seven” albums: Days of Future Passed, On the Threshold of a Dream, To Our Children’s Children’s Children, A Question of Balance, Every Good Boy Deserves Favour, and Seventh Sojourn. (In case you were wondering, there weren’t any multitrack masters available for In Search of the Lost Chord.) All six of those 5.1 mixes — done by Paschal Byrne and Mark Powell and built on the original quad mixes supervised by producer Tony Clarke and constructed by engineer Derek Varnals — appear in Timeless Flight (Threshold/UMC), the band’s mighty, 50-year-career-spanning 17-disc box set. Yes, there is a more economical 4-disc version available, but the mondo box is the only way to fly in 5.1 — if you can find one, that is. “I think Universal needs to press a few more copies,” chuckles Hayward.
Ken C. Pohlmann  |  Mar 11, 2014
Ouch! Thank goodness for the Affordable Care Act, because now I’ve got a pre-existing condition called Bruised Ego. Man, oh, man&mdashdid I get a beat down. Even after all the stitches and bandages are removed, I’ll probably always walk a little wobbly.

I made the cardinal error of dismissing two high-rez audio formats. You can tell a man that his wife is hot, you can tell him his horse is ugly, you can even tell him his car is slow. But you should never, ever, tell him his audio format is obsolete...

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