German products are usually associated with precision performance and high quality. When you think of brands such as Porsche and Mercedes-Benz cars or Rolleiflex cameras, meticulous attention to detail and quality construction are probably the first impressions that come to mind. A budget price not so much.
Nowadays, it seems like I can't write a review without acknowledging the impact of flat-screen TVs on speaker design. Today's speakers have a tough assignment—they better be super-model thin and still have what it takes to belt out heavyweight home-theater sound.
I've reviewed hundreds of speakers, and back when I was selling high-end audio, I auditioned many hundreds more. Summing up those experiences, here's what I've learned: They all sound different, but some sound more "right" than others.
The world is full of loudspeakers and their manufacturers. Try as I might, I can’t review them all, and normally I have no problem with my limitations. But where Mordaunt-Short is concerned, a feeling of having missed the boat haunts me. Given the quality of the Alumni sat/sub set I reviewed in March (my first review of a Mordaunt-Short product), how could I have missed out on such a stellar company, especially one with a 40-year pedigree?
Every audio reviewer thinks back on specific products and sometimes wishes that he or she bought them following the review. For me, one such product was the Polk RT3000p. The two-piece speaker featured a powered subwoofer, with the mid-tweeter section perched on top in a separate cabinet. The system had a gutsy, meaty quality to it that beautifully suited movie soundtracks.
Not long ago, large floorstanding speakers were preferred—practically required—to get the sonic performance demanded by audiophiles and home-theater fans. Smaller speakers simply couldn't adequately reproduce the wide dynamic range and clarity of today's high-resolution digital sources.
The home-theater market's love affair with big displays and skinny speakers hasn't peaked just yet—screen girths are still expanding and speakers are on the verge of anorexia. The folks at EMP (Engineered Music Products) were hip to that fact when they cooked up the seriously svelte HTP-551T speaker package.
Speakers come and go in my listening room—as I persist in calling it, although it also includes a front-projection system, an LCD HDTV, and my home office. But there’s one review I relive every day. And that’s my rave review of era’s Design 4 speaker system, which appeared in our April 2006 issue. Why? Because I have only to look at my desk, where of course I’m typing this now, and there they are, the Eras, on either side of my recently and joyously installed 24-inch NEC monitor. When I do YouTube, this trusty pair of the Design 4 does the honors, along with an Onix OA21S integrated amp and a Pinnacle Baby Boomer sub.
Judging by my inbox before and after CES last January, the hot new trends in A/V speakers are slim and wall-mounted. Somehow, speaker manufacturers have learned of the trend in TVs—that is, slim and wall-mounted. Imagine that!
Audiophiles first came to know Paradigm as a manufacturer of speakers in the affordable/cheap 'n' cheerful/bang-for-the-buck category—speakers you might buy when you're in college, until you can afford the speakers you really want. However, Paradigm's products now cover a wide range (five distinct series, plus in-walls and outdoor/marine), topped by the Reference Signature line. This year marks Paradigm's 26th in business, so it must be doing something right.
Apart from the occasional foray into cutting-edge technology that doesn't always pan out (ionic tweeters, anyone?), speaker technology is relatively stable—glacial, even, compared to other consumer-electronics products like flat-panel displays. The manageable pace of speaker development has allowed small- and medium-sized speaker companies to thrive. Most of them make nothing but speakers that remain in production for years, which is a plus for buyers. Unlike that flat-panel display you just got, when you buy a new set of speakers today, you can be reasonably sure they won't be yesterday's news tomorrow.
The Canton Chrono Series seems to have a split personality. With the grilles off, you can’t help noticing the gleaming diamond-etched aluminum trim rings that hold the almost equally flashy aluminum drivers. With the grilles on, the floorstanding models become impassive black totems, complemented by equally self-effacing centers, stand-mounts, and subs. The only hint of style is a glossy lacquered fiberboard baffle that twinkles slightly on close inspection under a bright light.