Tower Speaker Reviews

PRICE 3,594

AT A GLANCE
Plus
Deep bass extension from dual passive radiators Remarkably full midrange Rearward rake with non-parallel front and rear baffles
Minus
You’ll need to find a new home for your current speakers

THE VERDICT
The Triton Sevens provide rock-solid high-end performance for a mid-fi price.

It begins with a fairy tale (of sorts). Once upon a time (say, around 2013), a little company named GoldenEar made three bears—no, sorry, three tower speakers. The first speaker was tall and big with a deep, deep voice. But it was too big and too expensive for a hungry little girl roaming the forest—no, I mean, for some of the people shopping through a forest of tower speakers at the A/V store. The second tower was shorter and a bit smaller. Its voice was deep, too, but not quite as much as the papa tower’s voice. Sadly, it was also too big to fit comfortably in some people’s rooms, and still too big for some of their budgets. Then GoldenEar made a third tower speaker, even shorter and less expensive, and this speaker was… Well, that’s what we’re here to find out, isn’t it?

PRICE $800

AT A GLANCE
Plus
Crazy-affordable prices
Great cosmetics for the money
Minus
Sounds a little unrefined

THE VERDICT
It’s not without flaws, but the $500/pair XL7F tower delivers a surprising value.

I actually did a double-take when I added up the price of Fluance’s XL7 speaker system. Two tower speakers for the price of a good pair of minimonitors. A center speaker for the price of a cheap Blu-ray player. A pair of minimonitors for the price of … well, an inexpensive pair of minimonitors. And the whole shebang for about what most Sound & Vision readers I know would spend for a decent subwoofer. Shipping’s free, too!

Price: $10,580 (standard finish, updated 3/10/15)
At A Glance: Folded-planar magnetic tweeters • Treble and bass trim switches • Biwire and biamp capable

Every company has its genesis story, be it the back of a napkin or something more grandiose. Apple, of course, is famous for starting out in Steve Jobs’s parents’ garage. Lutron’s backstory isn’t quite as well known, but its unassuming beginnings were in the bedroom founder Joel Spira and his wife intended to use as their first child’s nursery. (“Sorry, kid, you’ll have to sleep on the couch. Daddy’s got a solid-state dimmer to invent.”) Similar to Apple, Legacy Audio’s birthplace was in a garage; but this garage was far from Cupertino. Instead, it was located in the midst of the cornfield-filled upper Midwest where, according to Legacy, Bill Dudleston and “a stubborn Dutch craftsman,” Jacob Albright, built the company’s first speaker, the Legacy-1, in 1983. Thirty years later, though, what the heck does any of this have to do with Legacy Audio’s loudspeakers today? Really, who gives a flying flip about two dudes, a garage, cornfields, and some woodworking equipment? (Hmm…cornfields. Wasn’t there a movie about that? “If you build it, they will listen.”)

Price: $9,400 At A Glance: Sweet, clean highs • Big, generous soundstage • Flawless fit and finish

If you’ve been passionate about audio for more than a few years, or can name five loudspeaker companies with names that don’t rhyme with rose and begin with a B, you’ve certainly heard of KEF. In the late 1980s, KEF introduced a new concentric driver that placed the tweeter in the throat of the midrange cone. Dubbed Uni-Q, the design has been continually refined for over 20 years and remains the centerpiece of most KEF loudspeakers.

KEF today is part of a Hong Kong conglomerate...

Price: $4,550 (updated 3/10/15)
At A Glance: Folded Motion tweeters • Dual 6.5-inch aluminum cone woofers • Custom five-way bi-wire tool-less binding posts

A couple of years ago, I took a tour of the Ben & Jerry’s ice cream factory in Waterbury, Vermont. Whilst there, I heard the tour guide refer to Ben & Jerry’s ice cream as super-premium. I was intrigued because: 1) I’m thinking about using it as a nickname for myself; 2) I’d never heard the term used in reference to ice cream before; and 3) I wondered if there were additional levels of premium-ness. (Ultra-super premium? Super-duper premium? Maximum-ultra-super-duper premium?) I was disappointed to discover that, although the FDA sets standards for the use of nutrient descriptors. Less air and more butter fat promotes higher premium-ness—all the way up, I assume, to the heart-valve-clogging, airless, 100-percent pure, frozen-block-of-butter-fat variety.

In the case of loudspeakers, it’s the opposite. More air and less fat—no one likes tubby bass—results in super-smooth, premium sound.

Price: $7,140 (updated 3/10/15)
At A Glance: Independent ported chambers for each woofer • Dual five-way gold-plated binding posts for biwiring or biamping • Five-way transitional design

Paul Barton is a nutcase. Oh, sure, he’s soft-spoken, ultra-smart, and intensely passionate about sound. (In the late 1960s, 11-year-old Barton started building speakers with his dad in their workshop because other speakers “didn’t sound natural.”) But that’s just a cover. I don’t know how else to explain the fact that Mr. Barton (the “P” and “B” of PSB Speakers—with his wife, Sue, providing the “S”) has spent so much of his life locked away in the anechoic chamber and testing/listening labs of Canada’s federally funded National Research Council (NRC) in Ottawa, Ontario. In fact, according to PSB, although folks from other speaker companies (such as Paradigm, Energy, Mirage, Snell, and Aperion, to name a few) have traipsed through the NRC’s Acoustics and Signal Processing Department’s doors, since the late 1970s, Barton “has spent far longer in the chamber and lab than any other speaker designer.” So rather than skiing, hunting, fishing, playing hockey, and/or drinking beer all day like real Canadians do, Barton chose to play in an anechoic chamber. As I said, he’s a nutcase.