Tower Speaker Reviews

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Daniel Kumin  |  Aug 09, 2017  | 

Performance
Build Quality
Value
PRICE $1,995 pr (assembled); $1,295/ pr (kit)

AT A GLANCE
Plus
Remarkable, panel-speaker-like stereo imaging
Neutral tonal balance
Complete absence of “floor-bounce” thickening
Minus
Curtailed bass requires subwoofer support
Needs custom- or auto-equalization for best performance
Modest subwoofer localization

THE VERDICT
A genuine rarity—a truly distinct take on consumer loudspeaker design— Dayton Audio’s Epique CBT24 delivers exceptional performance with exceptional stereo imaging. Extremely unusual looks and the need for modest equalization and a subwoofer shouldn’t deter adventurous listeners.

And now for something completely different: Dayton Audio’s Epique CBT24.

What’s an Epique CBT24? A 24-driver, no-crossover, one-way tower loudspeaker that stands 5 feet tall yet is no more than 3.5 inches wide over its full, dramatically arched length. A tower speaker with a unique geometry, pedigree, visual aesthetic, and equally unique technical story (and even marketing plan).

Darryl Wilkinson  |  Jul 28, 2017  | 

Persona 3F Speaker System
Performance
Build Quality
Value

Persona SUB Subwoofer
Performance
Features
Build Quality
Value
PRICE $31,000 as reviewed

AT A GLANCE
Plus
Beryllium tweeter and midrange drivers
Hand-polished, high-gloss finish
Slender, curved cabinets
Minus
Expensive
Heavy

THE VERDICT
Paradigm set out to create the best, state-of-the-Paradigm-art speakers the company has ever produced, bringing together top-notch cabinet construction and finishing capabilities and advanced driver technologies in hopes of achieving something greater than the sum of its already great parts. They’ve succeeded.

Paradigm, the Canadian loudspeaker company founded in 1982, has a long and respectable history of building excellent-sounding, great-looking speakers at relatively affordable prices—not outrageously expensive but not stupidly cheap, either. Somewhere along the way, though, somebody at Paradigm accidentally said out loud at a company meeting: “What if cost were, well, not no object, but at least less of an object? What if we combined all our best technologies and maybe threw in a bit of new stuff, too? Just how awesome of a speaker could we make? We should try that someday.” And thus the company’s latest and greatest-ever series of speakers was born.

Daniel Kumin  |  Jun 16, 2017  | 

Signature S60 Speaker System
Performance
Build Quality
Value

PSW125 Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,600 as reviewed

AT A GLANCE
Plus
Excellent range and tonal balance
Dramatic looks
Good blend from unusually low-profile center
Minus
Sub doesn’t add much to the towers alone

THE VERDICT
With the Signature Series, Polk successfully practices its long-held ethos of delivering high performance at affordable cost in a new, smartly designed lineup.

Of the three or four speaker brands that pumped the vast majority of air throughout the hi-fi boom of the 1970s, only one—Polk Audio—is still doing what they’ve always done (design and make loudspeakers), where they’ve always done it (more or less), and with very much the same ethos (value/performance, with value in italics). OK, so Polks, like virtually all other mass-market speakers sold in the U.S. are now actually manufactured overseas. But they’re still conceived here according to the old Polk standards—industrially designed in San Diego out of the corporate headquarters and engineered in Polk’s original hometown in greater Baltimore.

Al Griffin  |  Apr 12, 2017  | 

ElectroMotion ESL X Speaker System
Performance
Build Quality
Value

Dynamo 1500X Subwoofer
Performance
Features
Build Quality
Value
PRICE $11,395 as reviewed

AT A GLANCE
Plus
Excellent performance with music and movies
Perfect Bass Kit for sub eases setup
Compact electrostatic center speaker
Minus
Some timbral shift between center channel and towers
Towers and center require AC power

THE VERDICT
MartinLogan’s ESL X tower speakers deliver delicacy and detail—along with serious dynamics when paired with the Dynamo 1500X subwoofer. A new, more compact electrostatic center speaker sweetens the deal.

As a member of Generation X, I sometimes get paranoid about being target-marketed when I see a product name appended with an “X”—for instance, MartinLogan’s new ElectroMotion ESL X speaker. I, for one, would be an easy target: An eX-MartinLogan owner, I’m very familiar with the detailed, almost eerily present sound that the company’s hybrid electrostatic speakers deliver. Consider me a fan.

Al Griffin  |  Apr 04, 2017  | 

Performance
Build Quality
Value
PRICE $8,498/pair

AT A GLANCE
Plus
Powerful, full-range sound
Great looks
Easily driven by modest-power amps
Minus
Price may seem high to non-audiophile civilians
Large, space-dominating size

THE VERDICT
With the Triton Reference, GoldenEar Technology has delivered their finest loudspeaker yet. It looks great, sounds great, and represents an exceptional value in high-end audio.

When I reviewed GoldenEar Technology’s debut loudspeaker, the Triton Two, shortly after the company launched in 2010, co-founder/president/polymath Sandy Gross indicated that it would be the first of many to come. He wasn’t exaggerating. New entries arrived thereafter in quick succession, including powered towers, passive towers, soundbars, subwoofers, bookshelf models, and in-ceiling speakers. And in 2014, the company introduced the Triton One. Priced at $2,500 each or $5,000 for the pair, it represented the pinnacle of GoldenEar’s mission to combine high performance with high value.

Darryl Wilkinson  |  Mar 16, 2017  | 

Performance
Build Quality
Value
PRICE $48,000 as reviewed

AT A GLANCE
Plus
Audyssey MultEQ XT Pro room equalization
Variable-axis soft-dome tweeters on surrounds
All speakers are biamped or triamped
Minus
Expensive
Status LEDs on amplifier are bright and can’t be dimmed
Requires professional installation

THE VERDICT
When it comes to the evolution of loudspeakers, Phase Technology has an enviable pedigree filled with innovation. The company’s newest dARTS speaker/amp package is a spectacular achievement that mitigates the effects of room acoustics and creates a highly theatrical, intensely musical experience that’s extremely rare.

One day last summer, I found myself grumbling more than usual as I stood staring at 550 pounds of speakers and amps that Phase Technology had shipped to my house. (Actually, because the gravel road I live on is very unfriendly to tractor-trailers, I had to drive to the depot, load a couple of pallets of heavy boxes into two vehicles, drive home, and then unload it all.) The gear makes up the top-of-the-line version of the company’s new, second-generation dARTS system.

Thomas J. Norton  |  Mar 10, 2017  | 

Verus II Grand Speaker System
Performance
Build Quality
Value

Bravus II 12D Subwoofer
Performance
Features
Build Quality
Value
PRICE $5,005 as reviewed

AT A GLANCE
Plus
Tight, detailed bass
Excellent tonal balance
Spacious, cohesive soundstage
Minus
Sub has limitations in very large rooms
Narrow tower can be unstable on carpet

THE VERDICT
With modest but significant improvements to their flagship speaker line, Aperion Audio has again hit the jackpot in offering the sort of value that’s rare in today’s increasingly pricey audio marketplace.

Six years ago, I reviewed the first version of Aperion Audio’s then new Verus Grand speaker line. While this was a considerable step up from the internet-direct manufacturer’s previous, well-regarded budget-priced models, it still offered incredible value. As I concluded at the time: “If [the Verus Grand] impresses you as much as [it] impressed me, you’ll ultimately be a winner.”

Daniel Kumin  |  Dec 20, 2016  | 

Performance
Build Quality
Value
PRICE $1,177

AT A GLANCE
Plus
Neutral balance with fine imaging
Very good center-channel performance, integration
Superb value
Minus
Towers may require substantial tilt-back

THE VERDICT
Emotiva’s new passive loudspeakers combine serious audio design and refinement with sufficient construction and finish quality to establish unprecedented value.

There’s been plenty of ink spilled, print and digital, in Sound & Vision and elsewhere, about Tennessee’s direct-to-consumer brand Emotiva and the disruptive pricing the company has brought to various audio categories. To date, this has been mostly focused on electronics, where power amps, preamps, pre/pros, and DACs have been offered up for surprisingly small sums that seem to belie their inherent engineering and build quality. Corner company founder Dan Laufman about how he does it, and he’ll enthusiastically share his prior life as an OEM for other audio brands (many of which you know well) and how he’s learned a few tricks about where and how to stretch raw material costs in the most meaningful ways.

Daniel Kumin  |  Sep 22, 2016  | 

Imagine X Speaker
Performance
Build Quality
Value

SubSeries 200 Sub
Performance
Features
Build Quality
Value
PRICE $3,443 as reviewed

AT A GLANCE
Plus
Brilliant octave-to-octave balance for musical playback
Exceptional center-channel timbral match
Effective and adaptable Atmos module design
Minus
Short towers may require tilt/angle manipulation
Limited subwoofer extension
A bit expensive relative to some recent debuts

THE VERDICT
Though it’s got some stiff competition at and even below its price, the Imagine X series trickles the magic of PSB’s near-perfect tonal balance down to a more attainable price while adding the option of object-based surround sound.

It’s a fact that good loudspeakers sound more alike than different. After all, they’re trying to accomplish the same task: reproduce the recording presented to their inputs with as little change, whether reduction or addition, as possible.

PSB speakers are good loudspeakers. Thus, thanks to the transitive property we all learned in middle school, one PSB model should sound very much like another PSB model, with allowances made for size, price, and range. It follows that PSB’s new mini-tower in their Imagine X series, the X1T, should sound like the full-sized and vastly more expensive Imagine T3 (Sound & Vision, September 2015, and soundandvision.com).

Daniel Kumin  |  Jul 27, 2016  | 

Performance
Build Quality
Value
PRICE $7,194 as reviewed

AT A GLANCE
Plus
Spacious bipole sound
Seriously full-range with powered bass section
Astounding dynamics
Minus
Big and demanding of floor space
Reflective bipolar reproduction may not suit every room, taste

THE VERDICT
A big speaker with a sound to match, Definitive Technology’s latest, Atmos-onboard, powered-tower flagship delivers the impressive imaging depth and breadth we expect from bipoles. Its response is as full-range, and its dynamic abilities as unfettered, as anything I’ve heard from a one-piece system.

Definitive Technology’s monolithic bipolar towers —which launched the brand in 1990—have been around in one form or another almost as long as that thing in 2001: A Space Odyssey. With the fourth generation bowing recently, the Baltimore-area manufacturer set us up with a full suite: BP9080x fronts, CS9080 center, a pair of smallerbut-still-huge BP9060 towers for surrounds, and the A90 elevation speakers (Dolby Atmos-enabled and compatible with DTS:X) to go on top of those surrounds; the marquee BP9080x fronts have the same elevation componentry to bounce height-channel signals off the ceiling built right into their top 5 inches.

Darryl Wilkinson  |  Jul 20, 2016  | 

Performance
Build Quality
Value
PRICE $1,499 ea

AT A GLANCE
Plus
2.5-way crossover
Excellent build quality
Amazing soundstage
Minus
Gloss finish needs careful handling

THE VERDICT
Paradigm achieves affordable high-end in the Prestige 75F towers thanks to a beautiful design with furniture-grade finish and reference-quality sound.

With its tall-and-narrow rectangular cabinet, front-mounted drivers, rear-firing port, and cloth grille, Paradigm’s Prestige 75F is the quintessential tower loudspeaker. Fans of new driver types, exotic cabinet designs, the rarest of rare-earth metals, and de rigueur built-in powered woofers might be tempted to pass by (especially when the grille is attached), much as I did figuratively when a pair of the towers arrived.

Tom Norton  |  Apr 08, 2016  | 

Performance
Build Quality
Value
PRICE $13,080 as reviewed

AT A GLANCE
Plus
Open, airy highs
Clean, tight bass
Big, generous soundstage
Minus
Setup takes patience for best results
Treble can be unforgiving

THE VERDICT
Careful trial and error with placement, and perhaps the addition of a good subwoofer for movies with crushing bass will be needed for getting the best out of the DALI Rubicons. But the best this system offers is compelling.

DALI (Danish Audiophile Loudspeaker Industries) isn’t new to this country, but it’s relatively new as overseas loudspeaker manufacturers go. The somewhat new Rubicon range sits near the top of the company’s U.S. product offerings, topped only by the Epicon series, which it is said to most closely share technology.

Michael Trei  |  Feb 25, 2016  | 

T50 Speaker System
Performance
Build Quality
Value
PSW108 Subwoofer
Performance
Features
Ergonomics
Value
PRICE $690 as reviewed

AT A GLANCE
Plus
Big sound, small price
Efficient and easy to drive
Proper surround sound at a soundbar price
Minus
Black vinyl is the only finish

THE VERDICT
Polk’s T50 system is all about value with a capital V— delivering a real 5.1 experience including a powered subwoofer and floorstanding tower speakers at a soundbar price.

“What this country needs is a really good five-cent cigar.”—Thomas R. Marshall

American vice presidents aren’t usually remembered for much, but Woodrow Wilson’s VP Thomas R. Marshall will always be remembered for saying that America needed good cheap cigars. If you figure in a hundred years of inflation, Marshall’s five-cent cigar would still be well under a buck today, so clearly he was a man who wanted real value for the money. With that in mind, I reckon that if Marshall were alive today, he would be a huge fan of the Polk T Series speaker system.

Darryl Wilkinson  |  Feb 10, 2016  | 

Performance
Build Quality
Value
PRICE $7,750 as reviewed

AT A GLANCE
Plus
New DSP for low-frequency tuning
Totally redesigned midrange drivers
Balanced crossover with polypropylene capacitors
Minus
Bright blue power LED on back of tower

THE VERDICT
With the hindsight of four years of product development, GoldenEar reboots their very first speaker with updated drivers, crossover, and low-frequency DSP—to quite stellar results.

Unfortunately, the first GoldenEar Technology Triton Two loudspeaker I ever saw didn’t work. It wasn’t the result of shoddy workmanship, chintzy materials, or some brutal, shipping-induced internal hemorrhage of crossovers and cables. Truth be told, the speaker wasn’t technically a Triton Two because, at the time (in early January during CES 2010), GoldenEar Technology didn’t officially exist. The tall, dark tower standing silently in front of me was a cosmetic mock-up of what would become the Triton Two— GoldenEar’s first speaker. In other words, this mute monolith, wrapped in black fabric, was merely a hollow shell of its future towerful self.

Daniel Kumin  |  Dec 23, 2015  | 

Debut F5 Speaker System
Performance
Build Quality
Value

S10EQ Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,470 as reviewed

AT A GLANCE
Plus
Superb sonics, neutral tonal balance
Decently finished, simple look
Unapproachable value
Minus
Some off-axis center-channel tonal shift
Audible thump on sub’s auto turn-off

THE VERDICT
Elac’s Debut series reintroduces a near-forgotten brand with a design by a well-known name—Andrew Jones—and a value/performance factor to be reckoned with.

As longtime S&V readers have doubtless come to understand, I believe that cheap, as Gordon Gekko definitely did not say, is good. Any $10,000 pair of loudspeakers makes me vaguely uneasy, while a $50,000 pair leaves me ready to join the Che Guevara Brigade and start lining up oligarchs. So the arrival of a new family of cheap—err, high-value—serious loudspeakers from Elac U.S., designed by tech’lebrity engineer Andrew Jones, caused a certain amount of excitement hereabouts. (For more on Elac and Jones, see “Man on a Mission”.)

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