AT A GLANCE Plus
Built-in triamplification
Wireless link to sources
Musically versatile sound
Minus
16-bit transmission ceiling
THE VERDICT
The Dynaudio Xeo 6 active wireless speakers are a great-sounding way to unclutter a two-channel music system.
In the history of civil unrest, there has never been anything quite like the audio rebellion. People are using half-inch-thick A/V receiver manuals as tinder and then throwing their receivers onto the flames. Doghouse-sized stereo amps and preamps are being spray-painted in the dead of night with slogans like “Where’s the wireless?” Wrist-thick speaker cables lay coiled on curbs, next to garbage cans, where passing dogs do what comes naturally. Just the other day, I turned on the TV and saw a guy in a Dynaudio T-shirt giving a speech to an angry mob. “Burn your cables!” he shouted. “Sell your amp! Ditch everything that currently clogs up your system!”
Ready for a nice, new set of gleaming tower speakers? Here’s our Top 10 list of models costing between $1,400 and $3,000 a pair, complete with rationales for why each model made the cut.
AT A GLANCE Plus
Sleek tower design
Huge soundstage!
HVFR planar magnetic folded ribbon tweeter
Minus
Black is the only finish
THE VERDICT
At less than $2,000 per pair, the Triton continues the GoldenEar value tradition with superb sonics at an attainable price.
I’ve known quite a few speaker designers and owners of high-end companies, but GoldenEar Technology’s CEO and co-founder Sandy Gross is the only one who’s an avid art collector. He paints a little, too, but mostly expresses his creative side through the sound of his loudspeakers. Gross has developed a keen ear as a decades-long veteran in the speaker business, co-founding Polk Audio and later Definitive Technology. In 2010, he launched GoldenEar Technology at the CEDIA show in Atlanta, Georgia.
BeoLab 18 Speaker System Performance Build Quality Value
BeoLab 19 Subwoofer Performance Features Build Quality Value
PRICE $25,625 as reviewed
AT A GLANCE Plus
WiSA wireless multichannel audio technology
All processing and switching built into the TV
Motorized TV speakers and TV stand
Minus
No backlighting on remote control
Nothing else but the price
THE VERDICT
Although most of us can’t afford this system, those who can will be treated to an amazingly moving experience that no other system can provide—every time they turn it on.
Bang & Olufsen is unusual in the AV world. In fact, I could have stopped at “unusual.” I once heard a story about B&O that perfectly sums up what I’m talking about. It’s probably apocryphal, because the person I heard it from had heard it from someone else, but I’ll tell it anyway. Years ago, when B&O still made phones—corded, landline telephones—a guy from the U.S. asked one of the Danish engineers why the handsets had their unique shape, which made them almost impossible to cradle between your ear and shoulder so you could have a conversation and still use both hands. (Twenty-some years ago, that was the era’s version of “hands free.”)
The engineer’s answer was short and to the point: “Because we don’t talk on the phone that way here.” That sort of stubborn—some might say arrogant—confidence in the belief that their way is the right way is one of the core characteristics of Bang & Olufsen. When other AV companies are busy jumping on the latest technological bandwagon, B&O is off in the woods searching for truffles.
AT A GLANCE Plus
Awesome potential for clean loudness
Impressive tonal fidelity and finesse
No subwoofer required
Atmos!
Minus
Requires generous spacing and AC power
Connectivity is a bit
complex
THE VERDICT
A one-stop, state-of-the-surround loudspeaker solution, especially apt for any who prefer not to accommodate a subwoofer—with the bonus of being Dolby Atmos enabled.
Definitive Technology’s BP-8060ST has remained a highlight of the Baltimore-area maker’s lineup for several years—a dog’s age in the new-and-improved, series-II world of high-end loudspeakers. The longevity suggests that Definitive considers this slim “power tower” a fully evolved design, and indeed it’s hard to argue the point.
683 S2 Speaker System Performance Build Quality Value
ASW 610XP Subwoofer Performance Features Build Quality Value
PRICE $4,300 (as reviewed)
AT A GLANCE Plus
Soundstaging
Presence and immediacy
Tight bass (with
subwoofer)
Minus
Top end a bit restrained
Limited subwoofer output
Pedestrian styling
THE VERDICT
It took some effort to get their best in my room, but these relatively affordable B&Ws ultimately came through with a big, immediate, and generous sound.
Bowers & Wilkins, aka B&W, has been in the loudspeaker game since the mid-1960s. I reviewed the company’s original 600 series for Stereophile Guide to Home Theater over six years ago, and I was impressed—even though I was listening to those speakers immediately after evaluating Revel’s high-end Ultima2 system. At less than 15 percent of the Revels’ price, the B&Ws couldn’t, of course, equal them. But they weren’t anywhere near embarrassed by the comparison. Now we have the 600 S2 models in house, ready to do battle. The Revels are no longer here, of course, so the 600 S2s will have to speak for themselves. We’re ready to see if they can.
AT A GLANCE Plus
1,200-watt Class D subwoofer amplifier
IR remote control for woofer level adjustments
No support grid behind grille cloth to block midrange/tweeter array
Minus
They’re pretty heavy
Remote control coverage too narrow to reach both speakers simultaneously
THE VERDICT
Def Tech’s updated flagship is an uncannily neutral, disappearing speaker and an amazing value.
It’s hard to believe that the original Definitive Technology Mythos ST was introduced seven years ago. At the time, the Mythos styling ethos—svelte, curved-back, extruded-aluminum cabinets—had already been around for a while, so the sleek, silvery design of the Mythos ST wasn’t a dramatic departure. Sure, it was the largest Mythos speaker to come out to that point, but what made it especially buzzworthy was that the ST was the first Mythos speaker to include a powered woofer section.
Monitor Audio Silver 10 Speaker System Performance Build Quality Value
Monitor Audio W-12 Subwoofer Performance Build Quality Value
PRICE $5,925 ($6,600 as shown in gloss black)
AT A GLANCE Plus
Crisp, open sound
Superb imaging
First-rate fit and finish
Minus
Two-way center channel
Limited subwoofer output
THE VERDICT
The center speaker suffers the usual off-axis quirks of a two-way design, and the small sub came up short for the deepest movie bass, but Monitor’s Silver series is a triumph, a treat to hear, and well worth seeking out for a serious audition.
Monitor Audio offers an exceptionally wide range of speakers, from the decidedly expensive (but not nosebleed high-end) to the modestly priced. In 2010, I reviewed the company’s relatively affordable Silver RX system. That line has now been completely redesigned, losing its RX moniker and morphing into the Silver series. Like the RXs before them, the Silvers were designed at Monitor’s U.K. headquarters and are built in a company-owned plant in China. For this review, we’ve selected the largest of the floorstanders, the Silver 10, along with the Silver Centre, the Silver W-12 subwoofer, and, instead of the Silver FX dedicated surround speakers, a pair of Silver 2s to serve the surround channels.
AT A GLANCE Plus
Three forward-firing active woofers with four side-firing passive radiators and a 1,600-watt amp
Remarkably open, balanced sound quality
Extremely dynamic
Minus
They’re really, really heavy
THE VERDICT
GoldenEar Technology’s Triton One is Sandy Gross’ magnum opus and provides an astounding performance-versus-price ratio.
It’s not an overstatement to say that Sandy Gross is a legend—a double legend, as a matter of fact, since he’s in two entirely different industries’ Halls of Fame. In high school, Gross was an award-winning racecar designer. With his best friend, Howie Ursaner, the Gold Dust Twins (as they were called) were a professional racing team that competed around the country. (At one point, Ursaner won a Corvette. Unfortunately, he wasn’t able to legally drive it—because he was only 14 years old.) That was during the late 1960s and early ’70s, a time generally considered to be the Golden Age of Racing—slot car racing, that is.
AT A GLANCE Plus
Precise, lifelike imaging
Intimate vocal sound
Well-defined and satisfying bass
Minus
Midrange slightly constricted
THE VERDICT
One of the best sub-$5K speakers you can buy
Nobody wants to be stuck in the middle. Nobody wants the middle seat in the car or on the plane. Nobody wants to be the middle child, stuck between the more accomplished older sibling and the cuter baby. And hardly anyone wants “good for the money”; we want the best or the cheapest.
Performa3 F208 Speaker System
Performance Build Quality Value
B112 Subwoofer
Performance Features Ergonomics Value
PRICE $13,300 (with stands)
AT A GLANCE Plus
Superb overall performance
Impeccable fit and finish
Effective subwoofer EQ
Minus
Complex subwoofer EQ setup
THE VERDICT
While not inexpensive, the Performa3s can challenge anything out there on either music or movies, and likely come out in front.
Has it really been six years since I last reviewed a Revel speaker system? It has. That system, anchored at the front by the Ultima2 Studio2s, is still available—but combined with a five-star dinner for two, it will cost you around $40,000. Although I imagine its sales have met expectations, I suspect that system isn’t exactly flying out the doors at Fred’s High-Ende Audio Shoppe.
Triton Seven Speaker System
Performance Build Quality Value
ForceField 5 Subwoofer
Performance Features Ergonomics Value
PRICE 3,594
AT A GLANCE Plus
Deep bass extension from dual passive radiators
Remarkably full midrange
Rearward rake with non-parallel front and rear
baffles
Minus
You’ll need to find a new home for your current speakers
THE VERDICT
The Triton Sevens provide rock-solid high-end performance for a mid-fi price.
It begins with a fairy tale (of sorts). Once upon a time (say, around 2013), a little company named GoldenEar made three bears—no, sorry, three tower speakers. The first speaker was tall and big with a deep, deep voice. But it was too big and too expensive for a hungry little girl roaming the forest—no, I mean, for some of the people shopping through a forest of tower speakers at the A/V store. The second tower was shorter and a bit smaller. Its voice was deep, too, but not quite as much as the papa tower’s voice. Sadly, it was also too big to fit comfortably in some people’s rooms, and still too big for some of their budgets. Then GoldenEar made a third tower speaker, even shorter and less expensive, and this speaker was… Well, that’s what we’re here to find out, isn’t it?
Monitor 11 Speaker System Performance Build Quality Value
Monitor SUB 12 Subwoofer Performance Build Quality Value
PRICE $3,895 (updated 3/10/15)
AT A GLANCE Plus
Crisp, powerful bass
Superior speaker-to-speaker timbre match
Excellent value Minus
Slightly tipped-up highs
THE VERDICT
An immensely satisfying speaker system with both music and movies.
Canadian speaker manufacturer Paradigm makes a bewildering variety of loudspeakers. Its offerings top out at around $9,000 for a two-channel pair of Signature S8s—remarkably sensible considering the recent and alarming inflation in high-end audio prices. But while the speakers that make up the Paradigm’s Monitor Series 7, latest version of the company’s long-lived, bread-and-butter line, are far less expensive, they’re anything but an afterthought.
AT A GLANCE Plus
Crazy-affordable prices
Great cosmetics for the money Minus
Sounds a little unrefined
THE VERDICT
It’s not without flaws, but the $500/pair XL7F tower delivers a surprising value.
I actually did a double-take when I added up the price of Fluance’s XL7 speaker system. Two tower speakers for the price of a good pair of minimonitors. A center speaker for the price of a cheap Blu-ray player. A pair of minimonitors for the price of … well, an inexpensive pair of minimonitors. And the whole shebang for about what most Sound & Vision readers I know would spend for a decent subwoofer. Shipping’s free, too!
The seeds were planted at CES this past January in Las Vegas. I was ushered directly to the SSS, the Sweet Spot Seat (middle chair, second row) in GoldenEar Technology’s private suite at The Venetian. GoldenEar’s major audio domo, Sandy Gross, had been waiting patiently for my arrival so I could hear the company’s new speaker pair, the Triton Seven towers.