Tower Speaker Reviews

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Darryl Wilkinson  |  Jul 02, 2007  |  First Published: Jun 02, 2007  |  0 comments
Mythos the magnificent.

It's not often that I find something to complain about when it comes to Definitive Technology, but, lately, I have cause. Every year, during each of the two major consumer electronics trade shows, CES and CEDIA, I (and plenty of other journalists, dealers, and a few hangers-on who shouldn't have been let in to begin with) have made the traditional pilgrimage to the Def Tech booth. We go there, drawn like corn-bread muffins to butter, to hear the latest Def Tech incarnation, thanks to the genius of head honcho Sandy Gross and company. As you would expect, some of these speaker introductions have been more exciting than others—the unveiling of the first Mythos speakers being one of the extra-special highlights in recent memory. Regardless, the Definitive Technology booth never disappoints.

Gary Altunian  |  Jul 02, 2007  |  First Published: Jun 02, 2007  |  0 comments
American design meets German engineering.

Even a quick glance at the home theater section of your local consumer electronics retailer reveals an overabundance of A/V receivers. They're a staple component in home theater. After you sift through all the ubiquitous brands, you'll come across Sunfire. The company is the creation of the venerable Bob Carver, also founder of Phase Linear and Carver Corporation. In a previous audio life, I sold many Phase Linear 400 and 700 power amplifiers, which were among the most popular and affordable high-powered stereo amps during the 1970s. Bob Carver has consistently reinvented himself and refined his product offerings, and one of his latest creations is the Sunfire Theater Grand TGR-3 A/V receiver from the company's XT Series. It's a component that borrows many features from Sunfire's high-end processors and amplifiers. And its straightforward operation, proprietary features, and impressive sound quality might earn it a place among the best high-end receivers. The TGR-3 is a great example of meticulous American design, albeit of Chinese construction.

Daniel Kumin  |  Jul 01, 2007  |  0 comments
The flat-screen revolution has spawned a lot of dramatic and innovative loudspeakers, many of them different takes on the Definitive Technology Mythos - a family of sleek aluminum speakers that almost single-handedly reinvente
Mark Fleischmann  |  Jun 11, 2007  |  First Published: May 11, 2007  |  0 comments
API crosses the border.

This is a momentous time for Energy Speaker Systems. Until recently, Energy was one of several brands owned and operated by Audio Products International of Toronto, Canada. (The others included Mirage, Athena, and Spherex.) Now the API brands have been merged into Klipsch of Indianapolis, Indiana, creating a new fusion of Canadian design and American ownership. Energy has also moved their manufacturing to China, where they will have more control over parts, while achieving greater cost-effectiveness. John Tchilinguirian, the longtime lead designer for the brand, has moved on to independent consulting. That makes the Energy RC-70 towers, RC-LCR (serving as center), and RC-R surrounds partly a chapter from a previous tome and partly the first chapter in a new story.

Thomas J. Norton  |  Jun 10, 2007  |  57 comments

Omnidirectional speakers have an uneven history in the audio marketplace. They've always been few in number, but persist because a few designers believe in their unique capabilities. Whether or not you accept the validity of their theory of operation, they do offer a perspective on reproduced sound different than that provided by conventional, forward-radiating designs. Among other things, they almost invariably sound bigger and more spacious than their physical size suggests. For more on the background of omni speakers, go <A HREF=" http://www.ultimateavmag.com/images/newsletter/206uav.html ">here</A>.

Mark Fleischmann  |  Jun 04, 2007  |  First Published: May 04, 2007  |  0 comments
The natural high.

I drink green tea the way some people drink water. I make it in large batches, keep it in the fridge, and guzzle it all day. Such are the dimensions of this innocuous drug habit that I blend teas, often adding a pinch of Butterfly Sencha (with peach and sunflower petals) to a standard Sencha, creating something more subtle than the former and more interesting than the latter. (The Tea Squad may burst through the door to arrest me at any moment.) I do the same with surround equipment. This month, I've deliberately brought together a receiver brand that prides itself on neutrality with a speaker brand that obsesses about the purity and phase coherence of high frequencies. Marantz, meet Tannoy. Tannoy, meet Marantz. What will happen next?

Thomas J. Norton  |  May 27, 2007  |  0 comments

Before you get d&#233;j&#224; vu all over again, I'll beat you to it and note right up front that we reviewed an <A
HREF="http://ultimateavmag.com/speakersystems/1205aperion/
">Aperion Audio Intimus 633-T</A> system back in December 2005. But the Intimus 633-T ($499/ea.) has been redesigned, and Aperion chose not to change the model number. The parenthetical "II" in the heading of this article, which will be carried through the rest of the review to avoid confusion, is strictly my invention. You won't find it in any of Aperion's promotional material. The system reviewed here also includes the Aperion 634-VAC ($495) center channel speaker, which <I>is</I> entirely new.

Michael Fremer  |  May 13, 2007  |  0 comments

Once upon a time loudspeakers were large, floor standing affairs, especially those designed to produce deep bass. Then came the acoustic suspension revolution and "bookshelf" loudspeakers were born, most of which ended up on stands in homes where sound quality counts. Many manufacturers specialized in one or the other, but a few offered both.

Daniel Kumin  |  May 04, 2007  |  0 comments
Denmark may be best known for savory hams, sexy design, and bipolar royal heirs, but it's also a land of loudspeakers.
Steve Guttenberg  |  Apr 23, 2007  |  First Published: Mar 23, 2007  |  0 comments
Together again for the first time.

As I unboxed this month's Spotlight System, I flashed on the innovative histories of Marantz and Snell Acoustics. Saul B. Marantz was a bona fide American audio pioneer in the 1950s and 1960s. His company's electronics not only sounded amazing, they were drop-dead gorgeous. Maybe that's why Marantz's early designs regularly sell on eBay for more than their original prices. Peter Snell was one of the brightest speaker designers to emerge in the mid-1970s. Back in the day, I owned a pair of his first speakers, the Type A, and had many conversations with Peter about music. In those simpler times, Saul Marantz and Peter Snell could launch their companies armed with not much more than a driving passion to produce great audio gear—and the inspired engineering to make the dream real. Best of all, both companies still adhere to their founders' perfectionistic traditions.

Thomas J. Norton  |  Apr 01, 2007  |  0 comments

We haven't spent a lot of review time here at <I>Ultimate AV</I> on two major trends in speaker design. One of them is euphemistically referred to in the industry as "architectural speakers." That is, speakers designed to be mounted either in or on a wall. The other, an outgrowth of the on-wall category, is the tall, slender column speaker that takes up little floor space.

Mark Fleischmann  |  Mar 22, 2007  |  First Published: Feb 22, 2007  |  0 comments
Tubular chic meets comforting conformism.

KEF's KHT5005.2 speaker system and Onkyo's TX-SR674 surround receiver are an odd couple. The KEF speakers are slim, tubular, and chic, the latest thing in décor-friendly sub/sat sets. And the Onkyo receiver? It couldn't be more conventional, conservative, even conformist. It's a plain black box with a very good features set for the price. But could it be that the two complement one another? Could this, in fact, turn into a long-term relationship?

Fred Manteghian  |  Mar 17, 2007  |  0 comments

I've been reviewing speakers for a long time. I'm not saying my ears are any better than yours, but they're trained. Give me that much credit. I can wax rhapsodic paragraphs ad nauseam on why the latest multi-thousand dollar speaker can bring you closer to your music and movies. If you can afford them, great! But if you can't, it's not the end of the line. A more than decent system can be built around five mid-priced speakers, like the Polk LSi-9 ($500/ea), plus a good sub. But <i>really</i> inexpensive speakers? Well, that's always been a big challenge &ndash; until now that is.

Daniel Kumin  |  Feb 06, 2007  |  0 comments

Ah, la belle France! Les vins! Les fromages! La cuisine! Les ... high-end loudspeakers?

Steven Stone  |  Jan 06, 2007  |  0 comments

When I say, "horn loudspeaker," what do you think of first? Most longtime audiophiles immediately visualize big corner-mounted Klipsch K-Horns or Altec Lansing "Voice of the Theater" speakers. Although horn-mounted technology is not as common today as it was during the golden age of mono in the '40's and '50's, it still exists. The Triad InRoom Platinum speaker system ($29,850 as tested), for example, is very much here and now.

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