Subwoofer Reviews

At Sound & Vision, we’re constantly looking for subwoofers that outperform the competition and rise to the top of their price class. Here’s our list of the best subwoofers you can buy with recommendations in three price categories: less than $1,000, $1,000 to $4,000, and $5,000 and up.

PRICE $4,300 (as reviewed)

AT A GLANCE
Plus
Soundstaging
Presence and immediacy
Tight bass (with subwoofer)
Minus
Top end a bit restrained
Limited subwoofer output
Pedestrian styling

THE VERDICT
It took some effort to get their best in my room, but these relatively affordable B&Ws ultimately came through with a big, immediate, and generous sound.

Bowers & Wilkins, aka B&W, has been in the loudspeaker game since the mid-1960s. I reviewed the company’s original 600 series for Stereophile Guide to Home Theater over six years ago, and I was impressed—even though I was listening to those speakers immediately after evaluating Revel’s high-end Ultima2 system. At less than 15 percent of the Revels’ price, the B&Ws couldn’t, of course, equal them. But they weren’t anywhere near embarrassed by the comparison. Now we have the 600 S2 models in house, ready to do battle. The Revels are no longer here, of course, so the 600 S2s will have to speak for themselves. We’re ready to see if they can.

PRICE $5,100

AT A GLANCE
Plus
Generous soundfield
Surprisingly strong bass
Gorgeous veneers
Minus
Expensive for small speakers

THE VERDICT
Dynaudio’s X14, part of the revised Excite line, earns its high-end price tag with sweet build quality and high performance, including a bottom end that is amazingly substantial for a small speaker.

The high end exists in the eye of the beholder. To some folks, a pair of mini-monitors selling for $1,500—or a 5.1-channel system at $5,100—may seem steeply priced. In fact, if you want lower-priced alternatives, you’ll find plenty among our Top Picks. But there always will be another kind of consumer who is fussy about what he or she brings into the living room. Vinyl-wrapped boxes won’t cut it; they want furniture-grade wood veneer. In the same discriminating spirit, the Danish manufacturer Dynaudio is equally fussy about materials, including drivers that the company designs and makes itself. In the recently overhauled Excite line, the result is a speaker that exceeds already high expectations in both appearance and sound. The X14 monitor and X24 center are my favorite kind of small speaker: the kind that sounds bigger than it looks.

PRICE Price: $5,850 (CM6 S2, $1,000 each; CM Centre 2 S2, $1,250 each; CM1 S2, $550 each; ASW10 CM S2, $1,500)

AT A GLANCE
Plus
Exceptional tonal balance
Superb sub/sat integration
Impressive bass extension from compact sub
Lovely design and finish

Minus
Expensive
No dipole/bipole surround option

THE VERDICT
Highly neutral and free of obvious coloration, invitingly listenable, and beautiful, the B&W CM S2s wear their substantial prices fairly.

B&W should need little introduction in these pages. The British loudspeaker-maker has been a force in serious audio repro practically since Noah’s flood (1965, actually), and here in the States have for two decades and more occupied an enviable market position straddling the highest of high-end to the almost-popularly-priced. So when a new generation of B&Ws take the stage, the audio world tends to pay attention, as we are doing here with the firm’s latest iteration of its next-most-affordable CM range. Named with typical British phlegm the CM S2, the new designs highlight a dozen or so interesting engineering refinements in driver, crossover, and cabinet designs (in particular a new “dual-dome” aluminum tweeter diaphragm claimed to push its resonance a half-octave or so higher, and thus extending its smooth reproducing range), but in typical B&W fashion show comparatively little in the way of visible changes.

PRICE $17,700

AT A GLANCE
Plus
Realistic, dynamic sound
Outstanding build quality
Carries on the fine M&K tradition
Minus
Expensive

THE VERDICT
M&K’s system is perfect for the movie lover and extremely capable for the discerning audiophile.

It was in February 2000 when I was in a hi-fi store looking at some new electronics and stumbled upon a salesman giving a speaker demonstration to a married couple. I decided to listen in to see if anything piqued my interest. The salesman went through a number of different speakers, and I didn’t hear anything remarkable until his last demo: M&K Sound S150s coupled with an MK350 subwoofer. I don’t recall the exact track he played, but my jaw dropped when I heard the sound emanating from the speakers. It was as if the entire wall came alive, and I couldn’t pinpoint which speakers were active. Much like the wand picking the wizard in Harry Potter, these speakers picked me, and I knew I’d have to own them.

Sadly, it took me three years to convince She Who Must Not Be Crossed to give her blessing, but I’ve been in audio bliss for over 10 years now with a trio of S150s across the front soundstage and four SS150s across the rear of my home theater.

PRICE $2,446

AT A GLANCE
Plus
Flat BMR in lieu of tweeter
Clear sonic window into the midrange
Unusual dual-mono/bipole surrounds
Affordable price
Minus
Boxy vinyl-wrap enclosures

THE VERDICT
Cambridge Audio’s Aero reinvents the two-way loudspeaker in midrange-friendly fashion with excellent performance and value.

What if you needed two throats to speak? Sounds a bit cumbersome, right? But that’s how a two-way loudspeaker usually treats the human voice. Its drivers divide the midrange frequencies where the voice resides into two parts, sending higher frequencies to the tweeter and lower frequencies to the woofer. While the crossover varies from speaker to speaker, the frequencies that handle the voice usually get split right in the region where human ears are most sensitive to vocal timbre.

Of course, good speaker designers routinely surmount this obstacle to natural vocal sound, either by carefully tweaking their two-way designs or by going to three-way designs that dedicate a separate driver to midrange reproduction. But the three-way approach adds two more crossover sections, potentially leading to other troubled areas of reproduction.

PRICE $1,999

AT A GLANCE
Plus
Décor-friendly form factor
Beautiful build quality
Surprisingly easy installation
Minus
Low output

THE VERDICT
The Habitat1 has a terrific industrial design that may work where a traditional sub won’t, but don’t expect miracles.

Almost every subwoofer on the market today is a boring, bulky black box, designed with hardly a thought about how the thing’s going to look in a living room. With its new Habitat1 subwoofer, REL joins the small group of manufacturers who’ve put serious thought into making their subwoofers blend in with room décor.