AT A GLANCE Plus
Installer setup over IP
Options for wide, narrow, and frameless grilles
Six-band parametric EQ Minus
Installation may be tricky for the uninitiated
THE VERDICT
Extensive tuning capabilities make for true high-end performance at an affordable price.
When it comes to architectural speakers, there are few companies I can think of that do things in a more focused, more insightful, and—most important when it comes to custom installations—more useful way than Triad. The company stands out in another way, too, in that most of Triad’s speakers are built to order in the U.S. (Portland, Oregon, to be specific) and are usually less than two weeks old by the time they arrive at the dealer’s warehouse door.
AT A GLANCE Plus
Stillbass anti-shake technology keeps vibration in the box and out of the wall
520-watt amplifier with DSP equalization
Outstanding build quality Minus
Flangeless grille looks less than elegant
Output drops off fast below 30 Hz
THE VERDICT
A solid, albeit pricey, choice for an in-wall sub.
Sunfire is no stranger to the small-box, high-output subwoofer concept, dating all the way back to 1996 with company founder Bob Carver’s original True Subwoofer—an 11.5-inch cube with one active driver and one passive radiator powered by a (claimed) 2,700-watt internal amplifier.
AT A GLANCE Plus
Totally invisible installation
Can be covered with paint, wallpaper, or select specialized wall treatments
Good value
250-watt amplifier with low-pass filter
Outstanding build quality
Minus
More involved installation due to drywall finishing
Soft bass compared with traditional subs
THE VERDICT
Not the first choice for sheer sonic impact, but if aesthetics absolutely demand that no subwoofer or grille be visible, the B30G will get the job done.
Stealth Acoustics’ B30G subwoofer system is unlike nearly any other you’ll ever hold in your hands—or install in your walls. While “invisible” speakers are not a new thing, they’re still uncommon or, for most people, totally unheard of. A speaker that’s an integral part of your wall, one that can be painted, covered with wallpaper, or even done up with special wall treatments is such a seductive idea that it’s a wonder it’s not wildly popular as an architectural speaker design.
Televisions, receivers, and speakers are important to the home theater experience, but the subwoofer is the only component that regularly gets pushed to its limits — or beyond. The laws of physics dictate that producing clean, powerful, deep bass requires drivers that displace lots of air, and amps powerful enough to push them.
When it released its Digital Drive subwoofers back in the mid-2000s, Velodyne got the jump on all of its competitors. The Digital Drive circuitry and software let you tweak a sub’s sound — manually or automatically — to perfection, and also provided several preset EQ modes to suit different types of material.
The cylindrical design of SVS’s PC12-NSD may appear eccentric, but it’s purely functional. The tube-shaped material makes it easy for SVS to create a good, stiff enclosure at low cost. It also minimizes the amount of floor space the sub occupies. While the 3-foot-high PC12-NSD is undeniably tall, its 16.6-inch-diameter form uses only a small amount of floor space.
The Power Sound Audio XV15’s sole concession to design is that, besides the stock satin-black finish, you can get the sub in your choice of five wood finishes for an extra $150. Otherwise, it’s a big, ugly box, standing 23 inches high and weighing 75 pounds. It packs a 15-inch woofer — the biggest of any sub in this test — powered by a BASH amp rated at 500 watts RMS, 1,000 watts peak.
A home theater enthusiast might look at Paradigm’s 13-inch-high Monitor SUB 10 and ask, “Why would I buy that when I can get a 15-inch sub for the same price?” Well, you wouldn’t buy it. Paradigm builds the SUB 10 for design-oriented buyers who want decent bass but don’t want a subwoofer that takes up a lot of floor space.
NHT was the first speaker company I ever wrote about, way back in 1989. The company has changed hands several times since then, but its current product offerings are strikingly similar to the originals. It still focuses on compact, well-engineered speakers with gloss-black finishes.
Ultra Speaker System Performance Build Quality Value
SB12-NSD Subwoofer Performance Features Build Quality Value
Price: $3,348 At A Glance: Distinctive enclosure shapes • Strong build quality • Satisfying, balanced sound
The debut of the SVS Ultra speaker line prompts me to reconsider a question that’s been lurking at the back of my mind for years: Is SVS one of the great American speaker brands?
As a company founded in Ohio and initially operated out of a garage, SVS has all the right narrative elements of a great speaker brand. The company has built a reputation for making brilliantly unorthodox subwoofers and pretty good speakers—versus the scads of respectable brands that put most of their brilliance into speakers and treat subs as an afterthought. In the past few years, the story has added a few new chapters, with new heavy-hitter personnel in management and product design and a manufacturing move from Ohio to (where else?) China.
On Monday, when I reviewed the NXG NX-BAS-500 subwoofer, I recallled a time 20+ years ago when the only companies that made really good subwoofers were M&K and Velodyne. The "K" in M&K stood for Kreisel-Ken Kreisel, to be specific.
I can remember when there were only two companies, M&K and Velodyne, that made good subwoofers. Thanks to the explosion in Chinese manufacturing, there are now so many companies making subwoofers-and so many making good ones-that it's impossible even to be aware of them all, much less have hands-on experience with all their products.
SW-100 Subwoofer Performance Features Build Quality Value
Price: $1,050 At A Glance: Molded reinforced polymer enclosure • Vertically expanded Tractrix horn • Conventional sub
Compact satellite/subwoofer sets are often affordable, mate well with budget receivers, allow more speaker-placement width than soundbars, lend themselves to wall mounting—and best of all, they don’t hog the room, even if you place them on stands (which would usually produce the best sonic results). What Justice Anthony Kennedy’s swing vote is to the Supreme Court, the spouse acceptance factor is to loudspeaker genres, and the elegant compactness of a sat/sub set just may be the tiebreaker, the factor that makes the difference between having or not having a surround system. Sat/sub sets continue to be the most underrated product category in home theater.
Metro Subwoofer Performance Features Build Quality Value
Price: $10,580 (standard finish, updated 3/10/15)
At A Glance: Folded-planar magnetic tweeters • Treble and bass trim switches • Biwire and biamp capable
Every company has its genesis story, be it the back of a napkin or something more grandiose. Apple, of course, is famous for starting out in Steve Jobs’s parents’ garage. Lutron’s backstory isn’t quite as well known, but its unassuming beginnings were in the bedroom founder Joel Spira and his wife intended to use as their first child’s nursery. (“Sorry, kid, you’ll have to sleep on the couch. Daddy’s got a solid-state dimmer to invent.”) Similar to Apple, Legacy Audio’s birthplace was in a garage; but this garage was far from Cupertino. Instead, it was located in the midst of the cornfield-filled upper Midwest where, according to Legacy, Bill Dudleston and “a stubborn Dutch craftsman,” Jacob Albright, built the company’s first speaker, the Legacy-1, in 1983. Thirty years later, though, what the heck does any of this have to do with Legacy Audio’s loudspeakers today? Really, who gives a flying flip about two dudes, a garage, cornfields, and some woodworking equipment? (Hmm…cornfields. Wasn’t there a movie about that? “If you build it, they will listen.”)
Epic Midi 125 Speaker System Performance Build Quality Value
EP125 v3 Subwoofer Performance Features Build Quality Value
Price: $1,786 (updated 1/28/15) At A Glance: Distinctive cabinet shapes • Revealing voicing • Sold factory direct
Merriam-Webster.com defines a cabal as “the artifices and intrigues of a group of persons secretly united in a plot (as to overturn a government),” or “a group engaged in such artifices and intrigues.” For the past 30 years, Axiom Audio has been part of a Canadian cabal of loudspeaker manufacturers secretly united in a plot to overturn bad sound—ironically, with government support. The Ontario-based company is one of several brands that sprouted from Ottawa’s National Research Council facilities where Axiom founder and president Ian Colquhoun learned the art and science of speaker design under the legendary Dr. Floyd Toole.
Why do we say “secretly united”? Axiom is one of those well-kept secrets of the audio world, and that’s partly our fault. The company has been designing and manufacturing its products in Canada, right under our North American noses, yet this is the first review we’ve done on an Axiom product in about 20 years, despite the accolades the brand has attracted in the interim. So we’re playing catch-up with this review of Axiom’s Epic Midi 125 5.1-channel speaker package, which includes two monitors and a center in the front, dedicated diffuse surrounds, and a subwoofer. Let’s just say the secret is out.