After watching The Great Beauty in a theater, I wanted to watch it again, not to catch details I’d missed (there weren’t many) but to relive the experience. I can’t remember a film that so raptly captures the flow of life, the “fleeting and sporadic flashes of beauty” beneath the “blah-blah-blah” of existence, as our protagonist, Jep Gambardella, reflects in his epiphany. Jep (played by the marvelous Toni Servillo) is the king of Rome’s high society, the author of a celebrated novel who hasn’t written one since because he can’t find “the great beauty.” But, at the end, he realizes that life is full of great beauty when mediated through art, and so begins his new novel, which, we realize, is the film we’ve just seen.
Patently rejecting the notion that brevity is the soul of wit, IaMMMMW is Hollywood’s first (and last?) “epic comedy,” clocking in at two hours and 24 minutes in its popular version. Just about every A-list comedy actor of the era is involved in this sprawling tale of some everyday folk who drop everything for an unplanned dash to find a deceased criminal’s buried loot.
When six-year-old Anna Dover and her neighbor disappear, father Keller (Hugh Jackman) tramples the law to find her. While Detective Loki (Jake Gyllenhaal) methodically investigates, the impatient Keller kidnaps his daughter’s alleged kidnapper and attempts to extract a confession through torture. Prisoners is a perfectly paced psycho-drama that engrosses and rewards its audience.
After securing victory in the Hunger Games the previous year by sticking the finger to President Snow by threatening suicide, Katniss and Peta must leave their homes and loved ones behind in order to embark on the Victory Tour through the districts. As they travel around the various locales, Katniss begins to sense a rebellion is afoot and believes she’s the unlikely inspiration for the movement. Still, Snow gets the last laugh by announcing a special 75th Hunger Games that will pit previous winners against each other in a winner-take-all showdown in a made-for-TV event that will be a winner in the ratings—take that, Everdeen!
Michael Mann’s feature film directing debut, this rough-hewn caper drama fairly throbs with energy, thanks in large part to the inspired use of a Tangerine Dream musical score. Criminal or not, Frank (James Caan) is pretty difficult to like, but he’s a total professional, so naturally the Chicago mob wants to own him. They underestimated Frank, however, and his rage erupts stylishly in this unrated director’s cut.
In 2009, one of the kings of quirky dramedy, Wes Anderson, managed to surprise us again with a star-studded, fully stop-motion-animated adaptation of Roald Dahl’s deliciously absurd Fantastic Mr. Fox. This laid-back bad boy has settled down with his wife and pup, but can a fox ever really change his nature?
In 2009’s Cloudy With a Chance of Meatballs, ace boy inventor Flint Lockwood had clearly bitten off more than he could chew with his latest invention, a device that produced food from water vapor. Dubbed the Flint Lockwood Diatonic Super Mutating Dynamic Food Replicator (or FLDSMDFR—pronounced “fldsmdefer”), it inundated his island home of Swallow Falls with a tsunami of edibles. Now the town has been evacuated, and Flint, his dad, his pals, and the rest of his fellow townsfolk have been moved to San Franjose, California, where Flint takes a job as a fledgling inventor at Live Corp.
Director Abdellatif Kechiche has crafted an engaging, truthful tale of unexpected and tempestuous romance between two young women. At three hours, it explores these characters and their relationship in extraordinary, almost excessive detail, so be warned. The graphic lovemaking scenes have garnered something of a reputation for Blue Is the Warmest Color, but they are in service to a powerful story of wild emotion. Despite dozens of international awards, including the top prize at Cannes, this one was hard to find in theaters here in the States, so this Blu-ray is especially welcome.
Fasten your seat belts for the fastest thrill ride of 2013! Ron Howard’s best film since A Beautiful Mind chronicles Formula One during the mid-’70s—the deadliest era for one of the world’s deadliest sports—and dramatizes the true story of champions James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Brühl), whose rivalry mirrored Frazier/Ali and Borg/McEnroe. Peter Morgan’s screenplay evenhandedly illuminates the destructive and empowering aspects of their competition. Hemsworth and Brühl channel two genius drivers with divergent personalities: Hunt, the cavalier, reckless playboy versus serious, disciplined Lauda, whose obsession with besting Hunt culminates in a crescendo of flames that nearly kills him.
Bearing the lofty Jackass mantle, this feature film eschews the basic format of the erstwhile MTV series, which bombarded viewers with a string of standalone stunts and running jokes performed by a brave troupe with a high tolerance for pain. Instead, Bad Grandpa emulates the Borat model, crafting a basic plot and characters as a scripted backdrop for multiple outrageous set pieces that unfold before unsuspecting bystanders.
For dedicated, respected, and talented actors, it’s still and will always be about the work—and taking it wherever you can find it. A Single Shot is a well-made, low-budget indie film that touts a superlative cast featuring Sam Rockwell, Jeffrey Wright, Kelly Reilly, Jason Isaacs, Ted Levine, and William H. Macy. With a pedigree like that, you’d think this film might have received a bigger push at the box office, but it was easily overlooked amidst the whirl of mainstream Hollywood entertainment.
High on the list of stars needing a good movie under their belt we would find the beleaguered Mr. Schwarzenegger. His box office clout was waning, then he spent many years away from show business to run California. At one point his most promising comeback vehicle seemed to be a bizarre "Governator" cartoon, and then it all came crashing down amid a horrible public scandal. But could he still hold his own on the big screen if he wanted to?
There are many reasons to enjoy RoboCop, still beloved (and now remade) after 27 years. If you don’t like the brilliantly executed action, there’s the biting statement about ’80s greed in America. If you don’t appreciate the scathing satire, there’s the poignant struggle of a good man trying to regain his identity.
12 Years a Slave is the true story of Solomon Northup (Chiwetel Ejiofor), a free black man kidnapped into slavery, the inhuman condition in which he languished for 12 years, enduring unimaginable sorrow and torment but ultimately making it out the other side, regaining his freedom. Director Steve McQueen is a fearless and unflinching filmmaker, and this film of Northup’s book is the most personal I’ve ever seen about slavery.
The American tradition of the spring break was invented to give hard-working college students a much-needed reprieve from their rigorous course studies and a means to blow off some steam in a reasonably safe environment. At what point then did it become a callow justification to take complete leave of your senses and shamelessly plunge headlong into a sexually hedonistic, drug-induced crime spree? Oh, well. You’re only young once, I guess.