Blu-ray Movie Reviews

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David Vaughn  |  Dec 22, 2014
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In the 1940s and ’50s, the South Pacific was the testing ground for nuclear weapons as the Cold War was beginning to heat up. But were there actually tests, or was there another reason? Could the super powers actually have been waging battle with some creature of unknown origin? What would Nature’s reaction be to all of the nuclear fallout in the region?
Chris Chiarella  |  Dec 22, 2014
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Yes, it’s been 30 years since the original Ghostbusters, the first movie to strike upon that irresistible balance of big laughs and big scares. The story is built around the ridiculously fun idea of professional trackers/capturers of wayward spirits, brought to life by the undeniable comedic talents of Bill Murray, Dan Aykroyd, and Harold Ramis. The Oscar-nominated special effects also helped Ghostbusters become the biggest box-office hit in a year full of blockbusters. Although young Mr. Murray’s effusive wiseassery dates the movie somewhat (much like the remarkable amount of smoking on display), watching it anew reminds us of his consummate ability to find often subtle ways to make every moment his own—and so many of his lines worth quoting.
Anthony Chiarella  |  Dec 18, 2014
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Chef Carl Casper (Jon Favreau) doesn’t understand social media. So, when he attacks L.A.’s most powerful restaurant critic (Oliver Platt) on Twitter, their war goes viral and sinks Casper’s career. Hoping to repair the crestfallen chef’s relationship with son Percy, his loving ex-wife (Sofia Vergara) drags him to Miami. There, he buys a food truck and embarks upon a cross-country foodie road trip, which becomes a journey of self-discovery. In addition to his starring role, Favreau wrote, directed, and co-produced Chef, which probably explains why so many top stars agreed to work for scale on this indie film. The result is an intimate, endearing movie, which, with Twitter and food trucks prominently featured, is also quite timely.
Brandon A. DuHamel  |  Dec 16, 2014
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Helmed again by James Bobin, Muppets Most Wanted lets us know from the beginning that it won’t be quite as good as the last Muppets film. Of course, they do it Muppet-style, with a big musical number announcing, “We’re doing a sequel—and everybody knows that the sequel’s never quite as good.” Sure, Muppets Most Wanted is their eighth theatrical film, but who’s counting?
Josef Krebs  |  Dec 10, 2014
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This powerful and moving story (screenplay by Larry Kramer, based on his own play), starts in 1981 with shy screenwriter Ned Weeks (Mark Ruffalo) only able to watch the summer bacchanal at Fire Island, New York—gay-male heaven—too unconfident to join in the revelries. It ends with a gay prom at Yale in 1984 where he’s found his confidence but is now too sad to dance. In between, what starts with the first warning cough from a buff-bodied, seemingly healthy man announcing the arrival of AIDS in the community leads to the spreading of a plague that fills the newly liberated gay men with fear. The mysterious disease is a complete unknown, with no one able to say how it spreads, how to treat it, or how to protect yourself beyond completely abstaining from sex.
Chris Chiarella  |  Dec 01, 2014
I don’t always watch my favorite movies and television series. But when I do, I prefer to watch them on Blu-ray. Thankfully, the studios have provided home theater enthusiasts—people who shop for them—with a bounty of exciting new sets, likely to elicit that elusive “Ooo…” as the ribbons and bows tumble to the floor. From film canons to entire classic TV series to the sort of inspired little tchotchkes that can be proudly displayed, these selections go beyond the ordinary, as gifts that will be enjoyed well beyond the holidays.
Chris Chiarella  |  Nov 25, 2014
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Peter Parker’s a recent high school graduate with an awesome girlfriend and—thanks to a bite from an experimental spider—has become the super-powered guardian angel of New York City, and quite the folk hero. But Pete’s good fortune seldom lasts, and the return of his boyhood chum Harry Osborn quickly takes a dark turn—or is that just the new villain Electro sucking all the juice out of the Big Apple?
Chris Chiarella  |  Nov 19, 2014
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I guess people really like to watch robots breaking stuff. Transformers: Age of Extinction was another worldwide hit for the franchise, repeating more of the same paranoid nonsense (and lame dialogue and unfunny jokes) as its three predecessors. This time, a couple of suits decide they can build and control their own Transformers, using technology stolen from the evil Decepticons. How do you think that works out? The human ally this time is an underdog inventor (Mark Wahlberg) with a cutie-patootie daughter, in a mildly disturbing riff on Beauty and the Beast.
Chris Chiarella  |  Nov 13, 2014
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Thawed in the modern day at the end of Captain America: The First Avenger and revealed to the world to be as brave as ever in The Avengers, World War II hero Cap (Chris Evans) is now working for S.H.I.E.L.D., the super-secret, super-powerful organization of good guys. But his Greatest Generation standards of right and wrong are often a square peg in the round hole of our post-9/11 world. Case in point, the launch of a new ultimate weapon calls into question the meaning of freedom, security, and whether one must be sacrificed to preserve the other.
David Vaughn  |  Nov 12, 2014
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Set sometime in the future in a world devastated by war, a group of human survivors has fortified the city of Chicago as their home base, and in order to keep the peace, they have separated the populace into five distinct groups based upon their personality traits. Candor is for those who seek the truth, Erudite is the intellectuals, Amity is for peace, Abnegation is for the selfless, and Dauntless is filled with thrill seekers who also serve as the security for the community. When Tris comes of age and must choose her “career,” her aptitude test shows her not fitting into one group. She is a Divergent (think square peg going into the round hole), and in the supposed utopian society, this causes problems—and all hell is going to break loose.
David Vaughn  |  Nov 05, 2014
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An alien being comes to Earth and assumes the form of a gorgeous and seductive young woman and proceeds to drive around Scotland in a cargo van trying to lure unsuspecting male victims back to her lair. Once there, she begins to strip onto an inky-black floor walking backwards into the room. Hypnotized by her beauty, the men strip as they slowly sink into a black pool of death so their bodies can be harvested for some unexplained nefarious purpose. As the film progresses, our alien vixen begins to change and wants to explore what being human is about and is introduced to an Earthly phenomenon known as karma.
Anthony Chiarella  |  Nov 04, 2014
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Legendary DEA agent John “Breacher” Wharton (Arnold Schwarzenegger) and his task force infiltrate a drug cartel and confiscate $10 million, which immediately disappears. Caught between suspicious Feds and vengeful drug lords, members of Arnold’s team start turning up dead…but who’s killing them? Schwarzenegger excels as both hero and anti-hero in one of the most complex and demanding roles of his career. David Ayer’s directorial style—war correspondent realism with a Michael Mann vibe—is highly flattering to both stars and subject matter.
Fred Kaplan  |  Oct 29, 2014
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Is Y Tu Mamá También (rough translation: So’s your mama) a wry and trenchant story about class, friendship, sexuality, and globalization in a rapidly changing Mexico—or is it a gussied-up piece of soft porn? Both, I think, but it’s all done so affably and naturally (the sociology, the politics, and the porn) that it comes off as a work of great charm and comedy and sadness. A gorgeous young married woman and two rambunctious teenage boys—best friends, one wealthy, one poor but aspiring—take off on a road trip to Mexico’s rural beaches.
Chris Chiarella  |  Oct 29, 2014
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Christopher Nolan’s Oscar-winning go-to cinematographer Wally Pfister makes his directorial debut with this fantastical tale of a 21st-century ghost in the machine. Dr. Will Caster (Johnny Depp) believes that mankind is on the verge of a new order of artificial intelligence. It involves “transcendence,” whereby the electrical impulses of the brain—the emotions, memories, and ideas that make up our consciousness—are uploaded into a supercomputer. And after Will is shot by a member of a radical neo-luddite group (no, seriously), that’s exactly what he does to himself, losing his physical form and becoming a being of pure software.
Chris Chiarella  |  Oct 22, 2014
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At its best, science fiction sparks the imagination, inspiring the question, “What if…?” And in the world of cinema, this enthusiasm gives way to conjecture, even debate: Remember the decades of geek chatter about the version of Blade Runner that might have been, eventually leading to Ridley Scott’s Final Cut? We come away from Frank Pavich’s remarkable documentary Jodorowsky’s Dune with that same excitement. The second half of that title is no doubt familiar, either as Frank Herbert’s seminal novel or as the much-reviled 1984 film by David Lynch that it eventually became. The first part, not so much: Chilean-born filmmaker Alejandro Jodorowsky is perhaps best known for the surreal Western El Topo, widely considered the first “midnight movie” for its offbeat appeal.

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