Chris Chiarella

Doing its part to make sure you never have to be without object-based audio, Dolby is dropping its newest format, Dolby Atmos Mobile. Like Dolby Atmos for the home and for the cinema, this portable version aims to render a more detailed, more lifelike soundfield from specially mixed/encoded software. Unlike the previous versions, Dolby Atmos Mobile does not require a specially wired theater, or newfangled or additional loudspeakers. Instead, it’s designed to work with any headphones. The technology relies on Head-Related Transfer Functions, taking advantage of the fixed positions of the stereo drivers left and right as they expand the soundtrack’s spatial information. For this reason, a wired or Bluetooth speaker cannot reproduce the Atmos Mobile effect.

If not the first movie to expose the true inner workings of organized crime—in contrast to Coppola’s seminal, romanticized The Godfather—GoodFellas is arguably the most influential, and the most enduring. It is also one of Martin Scorsese’s most popular films, a near-perfect intersection of source material and cinematic execution. Nicholas Pileggi’s book Wiseguy: Life in a Mafia Family recounted bona-fide gangster Henry Hill’s rise from two-bit mob gopher to prolific felon, as well as his ultimate downfall, and the many escapades in between. Adapted with ample violence and profanity, GoodFellas (renamed to avoid confusion with contemporary TV series Wiseguy) is also incredibly funny, often darkly so, for a more deeply entertaining tale.

Comedy, romance and horror are on the menu for this edition, with a kinda-true sports opus, a very different sort of love story and one of the most underrated creature features you've never seen.

If your crystal ball predicted that someday the writer/director of There's Something About Mary would take home an Academy Award for Best Picture, let's hope you bet big and didn't smash the thing. Peter Farrelly's Green Book is an emotional smorgasbord, one that would no doubt be appreciated by its ever-famished "hero," Tony Lip (Viggo Mortensen). He's a gleefully ignorant yet strangely lovable tough guy (what my people would call a cavone), albeit one who needs to learn a thing or two about race relations. Tony gets his chance when, on a hiatus from his job as a bouncer at The Copacabana, he's hired to chauffeur piano virtuoso Dr. Don Shirley (two-time Oscar-winner Mahershala Ali)—a black man—on a concert tour of the Deep South in 1962.