Father and son Miyazakis craft another touching tale, Helen Mirren shines as a capable cop, and all hell breaks loose in an offbeat World War II gorefest.
Game Boy Micro + Game Boy Video = The world's smallest movie player?
I've been intending for some time to write about at least one of the many developments on the Nintendo handheld gaming front, but what would be my Home Theater hook? The Game Boy Advance generation eventually offered Game Boy Advance Video, which provides playback of third-party content on little Nintendo flash memory cartridges, but these were typically just episodes of recent, kid-only fare from Nicktoons and Disney. And then DreamWorks surprised many folks, myself included, by licensing three of their animated feature films to Majesco Entertainment, the major player in GBA Video. So, I finally had my software, but what about hardware?
Yes, it’s been 30 years since the original Ghostbusters, the first movie to strike upon that irresistible balance of big laughs and big scares. The story is built around the ridiculously fun idea of professional trackers/capturers of wayward spirits, brought to life by the undeniable comedic talents of Bill Murray, Dan Aykroyd, and Harold Ramis. The Oscar-nominated special effects also helped Ghostbusters become the biggest box-office hit in a year full of blockbusters. Although young Mr. Murray’s effusive wiseassery dates the movie somewhat (much like the remarkable amount of smoking on display), watching it anew reminds us of his consummate ability to find often subtle ways to make every moment his own—and so many of his lines worth quoting.
Doing its part to make sure you never have to be without object-based audio, Dolby is dropping its newest format, Dolby Atmos Mobile. Like Dolby Atmos for the home and for the cinema, this portable version aims to render a more detailed, more lifelike soundfield from specially mixed/encoded software. Unlike the previous versions, Dolby Atmos Mobile does not require a specially wired theater, or newfangled or additional loudspeakers. Instead, it’s designed to work with any headphones. The technology relies on Head-Related Transfer Functions, taking advantage of the fixed positions of the stereo drivers left and right as they expand the soundtrack’s spatial information. For this reason, a wired or Bluetooth speaker cannot reproduce the Atmos Mobile effect.
Here’s a truth-pill for all of you single folk out there: Sometimes marriage can really suck. Don’t take my word for it, though; instead, spend some time with the Dunnes, Nick and Amy (Ben Affleck and Rosamund Pike). After a nigh-fairytale meeting and courtship, their seemingly idyllic life together develops cracks. The deterioration is expedited over the years by family troubles that lead to money troubles, and contempt and infidelity follow. For Amy, marriage is a daily humiliation. For Nick, it’s a trap, one from which he yearns to escape.
If not the first movie to expose the true inner workings of organized crime—in contrast to Coppola’s seminal, romanticized The Godfather—GoodFellas is arguably the most influential, and the most enduring. It is also one of Martin Scorsese’s most popular films, a near-perfect intersection of source material and cinematic execution. Nicholas Pileggi’s book Wiseguy: Life in a Mafia Family recounted bona-fide gangster Henry Hill’s rise from two-bit mob gopher to prolific felon, as well as his ultimate downfall, and the many escapades in between. Adapted with ample violence and profanity, GoodFellas (renamed to avoid confusion with contemporary TV series Wiseguy) is also incredibly funny, often darkly so, for a more deeply entertaining tale.
Comedy, romance and horror are on the menu for this edition, with a kinda-true sports opus, a very different sort of love story and one of the most underrated creature features you've never seen.
Comedy, romance and horror are on the menu for this edition, with a kinda-true sports opus, a very different sort of love story and one of the most underrated creature features you've never seen.
Gravity doesn’t waste a single second: After a brief text reminds us of how utterly dangerous space is, disaster strikes a shuttle crew in the midst of a Hubble telescope upgrade. With the help of veteran spaceman Matt Kowalski (the ever-affable George Clooney), scientist Ryan Stone (Sandra Bullock, ditching her blatant sass in favor of genuine emotion) must find a way to survive her first mission and return home alive somehow. But with one unfortunate twist after another, her ordeal is relentless.
If your crystal ball predicted that someday the writer/director of There's Something About Mary would take home an Academy Award for Best Picture, let's hope you bet big and didn't smash the thing. Peter Farrelly's Green Book is an emotional smorgasbord, one that would no doubt be appreciated by its ever-famished "hero," Tony Lip (Viggo Mortensen). He's a gleefully ignorant yet strangely lovable tough guy (what my people would call a cavone), albeit one who needs to learn a thing or two about race relations. Tony gets his chance when, on a hiatus from his job as a bouncer at The Copacabana, he's hired to chauffeur piano virtuoso Dr. Don Shirley (two-time Oscar-winner Mahershala Ali)—a black man—on a concert tour of the Deep South in 1962.