Subwoofer Performance Features Build Quality Value
PRICE $2,900 (as tested)
AT A GLANCE Plus
Lively and dynamic sound
Optimized for movies
Outstanding value for money
Minus
Awkward form factor
Drab cosmetic
THE VERDICT
By combining the benefits of both THX certification and Dolby Atmos, this superb high-value home theater speaker package from Monoprice knocks it out of the park.
What's in a name? If visions of $10 HDMI and iPhone Lightning cables pop into your head when you hear the name Monoprice, you should know that the company introduced the premium Monolith brand a few years back to move beyond its image as an online peddler of low-cost cables. Think of Monolith as being a bit like Genesis is to Hyundai: a fresh name free of the parent brand's bargain basement associations.
If, that is, you consider the new Clarity HD Multimedia Speakers from MonsterCable (yes, the ex$pensive-wire people) to be "desktop audio." I do – they're flanking my 20-inch monitor as I write this, and while it's true that they rather crowd the work-top, they sound sweet enough in doing so that I'm willing to overlook their bulk.
It was 40 years ago today (well, just about) that Sgt. Pepper taught the band to play. What a year 1967 was! It was also the year of Are You Experienced by Jimi Hendrix, Disraeli Gears by Cream, Piper at the Gates of Dawn by Pink Floyd, Surrealistic Pillow by the Jefferson Airplane, The Doors by the Doors, and that album with the banana on the cover by the Velvet Underground. A scan of Rolling Stone magazine’s “40 Essential Albums of 1967” also turns up Moby Grape, the Hollies, James Brown, Big Brother and the Holding Company, Arlo Guthrie, the Beach Boys, Tim Buckley, the Kinks—please, a sustained round of applause for the Kinks—Van Morrison, Dionne Warwick, Buffalo Springfield, the Moody Blues, Love, the 13th Floor Elevators, and (a previously undiscovered gap in my listening life) the Serpent Power. Thank God I wasn’t into drugs then. Look at what I would have missed.
Price: $2,134 At A Glance: Extensive experience with aluminum driver diaphragms • Sub notch filter surgically removes bass bloat • Unusual bullet-shaped speaker terminals
Take Aim at Bass Bloat
Mordaunt-Short’s Aviano is a new speaker line from a British company that’s been making high-performance speakers since 1967. Since then, we’ve seen the rise of Japanese-made mass-market A/V receivers, the advent of surround sound for home theater, and lots of new speaker categories from sat/sub sets to soundbars to in-walls. On these tumultuous seas, Mordaunt-Short remains seaworthy by concentrating on the fundamentals of performance and, more recently, value.
I've just ignored Morel's Nova system for more than a month. Occasionally a man of letters gets busy. An editor called: Have you got time for another assignment? Sure. A few more called: Can you get this, this, and this done in two weeks? Take the money and run, I always say. My column was due. My other column was due. I was putting the finishing touches on two books at the same time—please buy them both, they're very good—attacking printouts with a red pen to get myself away from the computer.
SoundSpot MT-3 Speaker System Performance Features Value
SUB-8X Subwoofer Performance Features Build Quality Value
PRICE $3,000
as reviewed
AT A GLANCE Plus
1mm-thick steel sphere
Concentric drivers
Superb imaging, soundfield
Minus
Predictably modest bass
Satellites pricey
THE VERDICT
Morel’s MT-3 Music Theatre combines steel truncated-sphere enclosures, concentric drivers, and a unique grille pattern to create a visually striking and high-performing compact sat/sub set.
The advent of Dolby Atmos casts a shadow over existing 5.1- and 7.1-channel surround systems. Some home theater buffs want the new technology and want it now, while others may decide not to go all in. In between are those wondering whether to leave the door open for Atmos. And that brings us to the Morel MT-3 satellite/subwoofer set. The 5.1-channel configuration reviewed here does not support Atmos; at least, these satellites lack the up-firing drivers that constitute an “Atmos-enabled” speaker system. However, their base provides for wall-, ceiling-, or tabletop positioning with no additional hardware, and surface-mounting an extra pair (or two) of satellites on a ceiling would indeed bring this speaker system into Atmos territory with a 5.1.2 (or, better yet, 5.1.4) configuration.
Price: $2,199 At A Glance: Spherical steel sats and rounded fiberglass sub • Attractive aesthetics, high construction quality • Outstanding sound quality
Life is full of strange synchronicities. Around the time my friends in the country were posting pictures of their spring mushroom harvests on Facebook, I just happened to be setting up Morel’s SoundSpot Music Theatre 2 Ultra, a 5.1-channel satellite/subwoofer set based on the adorably spherical SP-2 sat and PSW10 sub. Would Morels in my system sound as good as morels taste on pizza? In omelets or pasta? With steak or veal? With asparagus? In wine or cream sauces? In gravy?
The Marimba ($349/pr) is the first speaker ever offered under the Music Hall brand, known for affordable turntables and audiophile electronics. Clearly, the sound was the focus; the Marimba's black ash vinyl wrap finish won't win any design awards. The 1-inch silk-dome tweeter and 5.25-inch, polypropylene-cone woofer are mounted in a rear-ported, 11-inch-high cabinet.
Price: $1,294 At A Glance: World-beating satellite with gloss enclosure • Matched drivers in satellite and center • Tall, slender sub with boundary compensation
Starting from Zero
Loudspeakers somehow have a more intimate relationship with their listeners than other audio components. They interact directly with the senses, causing changes in air pressure that the human body perceives—in this case, mainly through the ears and diaphragm. Listening to a system at reference level with a true subwoofer is a full-body experience that will induce physiological changes in the audience. So perhaps it’s fitting that whereas we buy HDTVs and A/V receivers from relatively few manufacturers, the speaker industry supports a couple dozen fairly well-known companies, even more lesser-knowns, and countless unknowns. Some people even build speakers in their basements as a hobby. NHT is one of the more pedigreed names. Unlike a lot of others, it has not only survived five changes in ownership, but it’s done so with one of its two founders in attendance.
Price: $879 (for updated SuperZero 2.1 system) At A Glance: SuperZero 2.0 updates popular mini-monitor • Voiced to be more relaxed and forgiving • Sub packs 8-inch driver into 11-inch enclosure
Feel-Good Sensation
Consider the mini-monitor. It’s smaller than a monitor and bigger than a satellite.
If the mini-monitor in question is the NHT SuperZero 2.0, it doesn’t have much bass and therefore needs to be mated with a subwoofer. But in the surround arena, where subs are standard equipment, bass-shyness is not so much a weakness as a characteristic.
We A/V mavens tend to sneer a little (okay, a lot) at those who choose sleek, on-wall aesthetics over all-out audio chops (damn the cost in looks, livability, or length of marriage).
One of my favorite wines is Riesling—German Riesling from the Mosel-Saar-Ruwer region. The grape is a noble specimen dating from 1435. NHT is like that hardy grape, which thrives in cool climates and stony ground. You'd expect a company that has changed hands repeatedly since its founding in 1986 to lose its identity, buffeted by the demands and indifference of successive owners. Instead, NHT has gone from strength to strength, entering their latest relationship with the Vinci Group of Colorado with a credible product lineup that represents several extended trains of thought, as well as a few new ones.
One thing you can't say about speaker designers and manufacturers is that they haven't been busy over the last 10 to 15 years making drastic changes to the standard speaker form. There may have never been another period like it in the annals of speakerdom. What you can debate, however, is what the driving force for all of this change has been. It strikes me that a good portion of it has been aesthetically and ergonomically motivated, and far less of it has been geared toward making speakers sound better. Now don't get me wrong—I'm not here to trash flat panels, in-walls, wireless speakers, or anything else. Some of these designs can sound very good, despite their inherent compromises, and they are getting better as they mature. They all have their purposes, and many of them have well served people who may not otherwise be interested in speakers outside of those in their televisions, or those folks who aren't willing to give up floor space to accommodate speakers. But special congratulations must be given to those speaker makers who, either through new technologies and designs or not, are actively trying to improve the sound quality of such designs. This quest is as important now as it has ever been.
Most people would agree that the real goal of any audio system is an illusion of transport - the musicians to the listening room, the listener to the recording space, or both to another place entirely. I'll tell you right now that NHT's long-awaited Xd speaker system, though not without its flaws, is one of those rare products that lives up to this promise.
Most of us are familiar with the old saying that children should be seen and not heard. How might we apply similar thinking to loudspeakers? Just the word loudspeaker suggests something that needs to be heard clearly.