Bookshelf Speaker Reviews

PRICE $3,150 as reviewed

AT A GLANCE
Plus
Atmos add-ons
Coincident Uni-Q drivers
Sub has three placement EQ modes
Minus
Grilles not included
Not as dressy as other KEF products

THE VERDICT
KEF’s Q series combined with its new Kube subwoofer line brings the trademark Uni-Q driver array and a potent bottom end to a lower price point, with reliable performance and an Atmos add-on option.

One of the headlines I considered for this review was “What Becomes a Legend Most.” It’s a poignant song from Lou Reed’s New Sensations. Before that, it was an advertising slogan that sold mink coats in ads featuring Judy Garland, Lauren Bacall, and Marlene Dietrich, among others. Somehow, it fits KEF, the British speaker manufacturer responsible for numerous driver-related innovations, including the Uni-Q coincident array. KEF’s Muon and Blade towers have the fragrance of luxury about them.

Price: $6,800 At A Glance: Three-way with coaxial midrange/tweeter • Sub with dual side-firing drivers • Laser-like focus and well rounded

Kent, in the south of England, was best known for hop farming when Raymond Cooke left Wharfedale and founded KEF in 1961. The company was named after the industrial site on which it was founded: Kent Engineering & Foundry. KEF’s numerous distinguished alumni include Laurie Fincham, who now develops next-generation audio technologies for THX, and Andrew Jones, who designs world-beating loudspeakers at a variety of price points for Pioneer and TAD. KEF has earned a reputation for making both great speaker systems and great speaker drivers, some of which were instrumental in the legendary BBC-designed LS3/5A, which KEF and other manufacturers have marketed in various forms. Roving through a New York cocktail party celebrating KEF’s 50th anniversary last year, hobnobbing with the audio elite, I found that the drive units inspired as much nostalgia as the speakers in which they were used. (To read about KEF’s history in more detail—and in a handsome coffee-table book, no less—see KEF: 50 Years of Innovation in Sound by Ken Kessler and Dr. Andrew Watson.)

Having grown up with LPs, I fondly recall how a good jacket design could make me pick up an album, examine it thoughtfully, and struggle in vain to keep those crumpled bills in my teenage pockets. The 12-by-12-inch form factor made stars of Storm Thorgerson, who designed LP jackets for Pink Floyd; Keith Morris, who shot unforgettable portraits of Nick Drake; and Hipgnosis, the firm whose memorable designs fascinated Led Zeppelin fans. So don’t talk to me about downloads. Even compared with CDs, they offer a user experience that’s sterile and boring.

Price: $600 At A Glance: Six-inch-tall satellites with curved enclosures • Horn-loaded tweeters provide more output with less energy • Sub combines 8-inch woofer with back port

Blow Your Little Horn

There are stories we tell over and over again because they never lose their power to teach us something. For example, the story of “The Three Little Pigs” and the big bad wolf teaches us not to risk our survival on houses made of straw or sticks. If more people had taken this story to heart and made the right decisions on housing, the subprime mortgage debacle never would have happened.

Price: $1,050 At A Glance: Molded reinforced polymer enclosure • Vertically expanded Tractrix horn • Conventional sub

Compact satellite/subwoofer sets are often affordable, mate well with budget receivers, allow more speaker-placement width than soundbars, lend themselves to wall mounting—and best of all, they don’t hog the room, even if you place them on stands (which would usually produce the best sonic results). What Justice Anthony Kennedy’s swing vote is to the Supreme Court, the spouse acceptance factor is to loudspeaker genres, and the elegant compactness of a sat/sub set just may be the tiebreaker, the factor that makes the difference between having or not having a surround system. Sat/sub sets continue to be the most underrated product category in home theater.

Return of the bodacious woofer.

When I ran across the Klipsch RB-81—in the newly renovated Reference Series—I couldn't resist ordering a set. It's been years since I've reviewed a two-way design with a great big 8-inch woofer. The very concept brought on one of my increasingly frequent bouts of nostalgia.

PRICE $2,399 as reviewed

AT A GLANCE
Plus
Titanium-dome tweeters in 90x90 Tractrix horns
Tractrix-shaped rear ports
Wireless sub option
Minus
Sacrifices some warmth for analytic detail
Sub subdued

THE VERDICT
Klipsch’s Reference Premiere achieves high resolution at a low price, though it can be too revealing for some content.

Klipsch is built on concepts so fundamental that they have transcended changes in audio fashion and even ownership. Chief among them is the concept of horn-loading, promulgated by the legendary Paul W. Klipsch (1904–2002) and marketed by him, his family, and their successors. It enables reasonably priced speakers to play louder, and to many listeners sound clearer, with less power. Klipsch speakers also look like no one else’s, thanks to the tangerine/copper color of the woofers, another of the brand’s 20th-century traditions.