Bookshelf Speaker Reviews

Studio 230 Speaker System
Performance
Build Quality
Value

Studio SUB 250P Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Efficient, high output
Vocal clarity and defined soundfield
Affordable price
Minus
Thin, accentuated top end
Best at low-to-moderate volumes

THE VERDICT
Although their bright voicing may not be for everyone, the JBL Studio 2 speakers combine high efficiency with excellent detail retrieval.

What if the solution to room-interaction problems resided in your loudspeakers? Wouldn’t that be a great alternative to the ills of receiver-based room correction systems? Those are some potentially interesting questions posed by JBL’s Studio 2 series.

For starters, who needs room correction anyway? Well, when it’s hard to catch the dialogue, and imaging smears all over the place, the room correction program in your A/V receiver can mitigate those problems (depending on the receiver and the room). But quite often, it also introduces new artifacts and errors. For my own part, in my own room, I find that many room correction systems thin out the overall tonal balance and induce fatigue. That’s why some audiophiles shun room correction and choose to live with the acoustic character of their room, for better or worse—usually both.

Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Phono, line, optical, Bluetooth inputs
Subwoofer output
Wide choice of colors
Minus
USB not PC-friendly

THE VERDICT
If you’re looking to plug your turntable directly into a good-looking and functional pair of speakers, the Kanto YU6 will make it work—and sound great.

Why shouldn’t life be simpler? If there’s one thing your studio apartment, dorm room, bedroom, or guest bedroom doesn’t need, it’s an audio rack with a tangle of cables. But going without music would be barbaric. So how simple do you need to get? If a bare-bones Bluetooth speaker isn’t enough, a pair of powered speakers might make more sense. You’d have a stereo soundstage without the fuss of an outboard amp and rack.

Crime in New York gets more and more bizarre. The other day, someone broke into my apartment and redesigned my speakers. I'm not sure if our local burglars are capable of this. No, the KEF KHT 3005 is clearly the product of an extraterrestrial mind. Who else would reimagine a loudspeaker as a glossy-black egg? Indeed, who else would reimagine a subwoofer as a giant, staring eye?

There's more than one way to skin a cat—as mine will quickly discover if he claws my armchair again—and surround sound needs skinning. I've lost count of the number of potential home theater buffs who have asked for my advice and then balked at the idea of running cables for surround speakers. Mount a flat panel to the wall or a projector to the ceiling? No problem. Run speaker cables to the back of the room? The thought makes them flinch—I can see it in their eyes even before they start equivocating—and the dark forces of stereo claim another soul.

Like so many British (and, for that matter, American) ür-audio brands, KEF — originally Kent Engineering & Foundry — had its roots in the post- WWII technology boom. In KEF’s case, it grew inside a Quonset hut on the grounds of the aforementioned foundry. A half-century down the road the Kentish maker is still there (in Kent, not in the metal shed!), still focused on its core competency (loudspeakers), and still producing wholly excellent designs.

Speakers
Performance
Build Quality
Value

Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Sweet, clean highs
Superb dialogue clarity
Detailed but not aggressive sound
Minus
Slightly limited treble diffusion
R3s make for pricey surrounds

THE VERDICT
With a sweet balance on music and potent, but not aggressive, manner with movies, KEF’s R-series system delivers all-around outstanding performance.

KEF'S R Series speakers have long occupied the middle range of the British manufacturer's offerings. While the previous R Series was starting to get a bit long in the tooth, I found the performance of those speakers to be superb, having reviewed the last generation R700 for Sound & Vision's sister publication Stereophile in 2014.