Blu-ray Movie Reviews

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Shane Buettner  |  Mar 21, 2014  | 
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Rebel director Robert Altman was buried and resurrected countless times in his long career, beating the system and making vital films right up to his death in 2006. 1975’s Nashville was his high-water mark, a great film and the zenith of his 1970s glory years. A musical, a political drama, a romantic drama, a country music mockumentary, and a tragedy, Nashville defies description as a story.
Chris Chiarella  |  Mar 19, 2014  | 
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Neill Blomkamp’s follow-up to his justly acclaimed District 9 is Elysium, another social commentary set in a strangely relatable future. This time he contrasts the lives of the wealthy against those of the downtrodden, with all of Earth having become a decrepit, overcrowded hellhole. A former criminal (Matt Damon) is trying to stay on the straight and narrow, but when he becomes collateral damage of the rich getting richer, his only hope for survival is to infiltrate that utopian space station of the title.
Corey Gunnestad  |  Mar 12, 2014  | 
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In the opening scene, Apple Computer Company founder and CEO Steve Jobs enters a room filled with devoted employees like a rock star to thunderous applause. He is the undisputed master of the universe, and everyone knows it. But how did he get here? In the mid 1970s, the notion of a personal home computer was as realistic and practical as flying to the moon on a vacuum cleaner.
Chris Chiarella  |  Mar 05, 2014  | 
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Magnifying the crisis in midlife crisis, arrested adolescent Gary King (Simon Pegg) coaxes his better-adjusted childhood chums to revisit their hometown and reattempt the feat that conquered them 20 years earlier: drinking their way through all 12 pubs of Newton Haven’s Golden Mile. Last stop: The World’s End. The five friends soon realize that most of the citizenry—including two of their own—have been replaced by alien automatons (“blanks”) and that sleepy Newton Haven is the beachhead for world conquest.
Chris Chiarella  |  Feb 26, 2014  | 
An eclectic batch of classics—old and new—is the basis of four very different Ultimate Collector’s Editions from Warner. Festooning eminently rewatchable favorites with a thoughtful array of mementos, the 91-year-old studio is fueling our passions with individually numbered limited-edition sets perfect for the most devout film fanatic in your life—even if it’s you.
Josef Krebs  |  Feb 21, 2014  | 
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There’s not much gained by the contemporary setting to offset the oddness of having Shakespeare’s characters seem like a bunch of Wall Street stockbrokers speaking strange in the Hamptons as if in a Woody Allen comedy, but otherwise the Bard’s words flow well enough from the pretty mouths of the cast.

David Vaughn  |  Feb 20, 2014  | 
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It’s the summer of 1964 and Guy Patterson is back from the Army and working in his parents’ appliance store in downtown Erie, Pennsylvania. When the shop closes down for the night, Guy puts on his favorite jazz album and plays the drums to his heart’s content. Some old friends have started a band, and when their regular drummer breaks his arm, they come looking to Guy to fill in for a college talent show—which they win thanks to Guy’s decision to pick up the tempo in their breakout song. They end up getting a gig at a local pizza parlor and eventually catch the eye of a roving talent scout. Before they know it, their song is on the radio, they’re signed by Play-Tone records, and they’re off to California.

Shane Buettner  |  Feb 05, 2014  | 
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Widely credited as the first “slasher” movie, 1978’s Halloween is a horror trailblazer and a modern classic. It was a highly successful independent film prior to people knowing the term; and before Jason and Freddy could turn horror schlock into movie franchises (or vice versa), the genre’s way was paved by writer/director John Carpenter’s boogeyman, Michael Myers. The story is deceptively simple with fictional Haddonfield, Illinois, terrorized on two Halloween nights 15 years apart.
Fred Kaplan  |  Feb 05, 2014  | 
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Before Midnight is the unplanned Part 3 of what may turn out to be a lifetime series—one episode every nine years, so far—following the romance of Jesse and Céline. Before Sunrise (1995) had them, at 23, meeting on a train in Europe, getting off together in Vienna, walking and talking all day and night, and making love at dawn. Before Sunset (2004) found Jesse, author of a best-selling novel about that brief affair, running into Céline at a reading in Paris, resuming their walking and talking through the winding streets, and ending in her apartment on an ambiguous note: Will he catch his plane back to Chicago, returning to his wife and child, or stay with Céline, for whom he’s been pining all these years?
Shane Buettner  |  Dec 16, 2013  | 
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Based on director Joseph Kosinski’s (Tron: Legacy) unpublished graphic novel “treatment,” Oblivion plays like a patchwork quilt of samples from just about every popular science-fiction movie made since 2001: A Space Odyssey. While Kosinski’s graphic novel concept supposedly predates Pixar’s 2008 blockbuster Wall-E, the similarities aren’t at all subtle, especially with flying drones that look and act so much like EVE that I’m surprised Universal isn’t getting dinged for likeness royalties.
Chris Chiarella  |  Dec 13, 2013  | 
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By 1973, the marital arts genre was nothing new, but Bruce Lee took it to new heights with what would be his final completed film, Enter the Dragon. The movie gave a worldwide theatrical audience a glimpse of his genius as a true star and as an action hero second to none, performing feats that boggle the mind even in today’s jaded milieu of wire-enhanced stunts and computer-generated effects. Lee starred as, well, “Lee,” a gifted Shaolin martial artist recruited by British intelligence to compete in an exclusive tournament staged by the suspected opium lord, Mr. Han.
Corey Gunnestad  |  Dec 04, 2013  | 
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In the not-too-distant future, life on planet earth is perfect. World peace has finally been achieved. There is no more war, hunger, disease, or environmental disaster, and humans live in contented harmony with each other. Sounds pretty cool, no? So what’s the problem?
Shane Buettner  |  Dec 04, 2013  | 
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Director Steven Soderbergh’s latest firecracker of a movie, Side Effects, is really two distinct movies. As good as it is, it would have been even better if it had stuck with the first one. Side Effects begins as a harrowing look at a woman’s descent into a crushing clinical depression and finally full-blown psychosis.
Chris Chiarella  |  Nov 25, 2013  | 
It’s been 34 years since the world was introduced to Max Rockatansky, a good cop in a bad world. For reasons not explained in 1979’s Mad Max, society “a few years from now” is crumbling, and the law is losing the battle to keep it safe from violent gangs. When Max (a very young Mel Gibson) runs down a murderer with vengeful chums, his contented life is torn asunder, sending him off into the wasteland with a bleak, uncertain future.
Fred Kaplan  |  Nov 21, 2013  | 
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Silver Linings Playbook is the most oddly enticing rom-com in a long time. Think Billy Wilder filtered through Martin Scorsese, which isn’t a bad way to describe the flip sensibility and kinetic style of writer-director David O. Russell at his best (Three Kings and Flirting with Disaster, not I Heart Huckabees). It’s a movie about crazy people: self-destructive and socially oblivious in various ways to varying degrees, all of them finding a place in the sun through love, family, community, music, and sports.

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