David Chesky's name is practically synonymous with audiophile recording and the quest for a purer, more natural sound. Instead of close-miking instruments, recording them on multiple tracks, adding reverb, and mixing it all down, he records in great-sounding spaces in pristine stereo.
Yamaha RX-V473 A/V Receiver Audio Performance Video Performance Features Ergonomics Value Yamaha RX-V573 A/V Receiver Audio Performance Video Performance Features Ergonomics Value
Price: $450 (RX-V473); $550 (RX-V573) At A Glance (both models): Really fantastic sound quality for the price • Apple AirPlay, DLNA, Internet radio, and app control • Lean on streaming and other features
Conventional wisdom amongst us A/V geeks who put audio performance above all else is that there’s no such thing as a good $500 A/V receiver anymore. At least not from the big, well-known manufacturers whose wares you’d find at the typical electronics store. This mythical beast did exist before the dark days, before the Features Wars, but given that even a mid-priced offering these days is expected to sport all sorts of streaming audio and video goodies, something had to give. And sound quality has traditionally been that something.
So it’s something of a novelty for me to be sitting here with not one, but two good $500-ish receivers from Yamaha. The company’s RX-V473 and RX-V573 look identical from the front and both fall within $50 of that target price point—the former fifty bucks down, the latter fifty bucks up.
Here's what this blog is not going to be: a diatribe about how much I hate CES and, more specifically, the city of Las Vegas. Oh, I'll give that desert hellhole one or two well-deserved kicks, but you're probably not interested in my self-indulgent whining, so I'll keep that part brief. A reader who has never attended CES, but has heard about it for years, would be more interested in what it's like to actually go, to be there, to have the experience. So I'll give you a taste of that instead. CES veterans will want to skip this blog entirely. This is for the newbies, OK?
At a recent press preview, I got to play through about 20 minutes of the upcoming PS3 game TheLast of Us. It’s a survival-horror type game, set in a post-apocalyptic world destroyed by a plague that creates don’t-call-them-zombies. Ok, they’re not zombies, but that’s the idea here. You’re alive, they’re not(really) and you don’t want to get eaten. Seems rational.
Winter is my favorite season, when all the past year’s new flat-panel TVs have been reviewed and I can switch my attention to projectors. This season was particularly bountiful, as I was able to score three of the best projectors on the market for review. Sony’s VPL-HW50ES, plus an Epson and a JVC, all arrived on my doorstep within a few days of one another. Not too shabby, that. Time for a roundup.
Directed by noir great Robert Aldrich, 1962’s What Ever Happened to Baby Jane? was a shocker in its day, from the lurid subject matter to the monumental uniting of two of the silver screen’s greatest actresses (and fiercest rivals), Joan Crawford and Bette Davis, each in her mid-fifties then. It’s a twisted tale of two once-famous, now codependent sisters: Davis’ Jane was famous in childhood as Baby Jane Hudson, while Crawford’s Blanche went on to greater stardom in Hollywood before being hit by a car, presumably driven by jealous Jane, and crippled.
To most people, a high-end in-ear monitor costing hundreds of dollars doesn't look much different from the $10 IEMs you buy at Walgreens. But usually, the difference is huge. Perfect example: the $199 Klipsch Image X7i.
To most people, a high-end in-ear monitor costing hundreds of dollars doesn’t look much different from the $10 IEMs you buy at Walgreens. But usually, the difference is huge. Perfect example: the $199 Klipsch Image X7i.
Flight, as directed by Robert Zemeckis (Cast Away, Forrest Gump, Back to the Future trilogy), states loudly and firmly the message that the ordinary working man - and woman - doesn't stand a chance against the system and the pressures of modern life. The only choices they have to help them cope are booze and drugs or religion.