LATEST ADDITIONS

That’s right. Earphones made of brass—the same brass used to make trumpets to be specific. If you’re going to introduce a headphone in a market flooded with tens of thousands of models, you better be creative.

Owners of Mitsubishi LaserVue rear-projection TVs who experienced problems and paid to have work done may be entitled to a refund, according to the terms of a recently settled class-action lawsuit brought by consumers over picture problems that appeared after 8,000 to 10,000 hours of use.

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Q Is there an add-on processor, either available now or forthcoming, that will add Dolby Atmos decoding capability to an existing preamp/processor or receiver? —D. Lockett

Good things come to those who wait, as the saying goes. But when it comes to finally getting producer/engineer James Guthrie’s long-awaited 96kHz/24-bit mix of Roger Waters’ 1992 solo album Amused to Death in 5.1 on Blu-ray in hand, well… the word “good” isn’t quite good enough. “Great” is certainly a step up, but I’m going to have to go with a superlative along the lines of “stellar,” “outstanding,” and/or “stunning,” for Guthrie’s surround-sound treatment of Amused catapults an oft-overlooked entry in Waters’ storied canon of work into a new sonic stratosphere. Recently, Guthrie and I spent a fair amount of time going over his goals for bringing Amused into the surround universe and sharing his favorite moments from The Dark Side of the Moon and Wish You Were Here in 5.1, plus he reveals exclusively what Floyd-related project he’ll next tackle in 5.1. It’s a miracle — another miracle.