Subtitle it The Ballad of Never-Easy Rider. Produced by Cameron Crowe, David Crosby: Remember My Name is a self-actualized love letter to one of rock's most significant rollercoaster-ride careers. Croz's admitted goal for the film's wished-for postscript is some level of interactive redemption with his chief collaborators of years past—i.e., Stephen Stills, Graham Nash, and Neil Young—all of whom he doesn't speak with to this day. (Why? As he readily admits, the combination of anger and adrenaline always turn him into "instant asshole.")
If you love going to concerts but are tired of paying exorbitant ticket prices (if you can even get them) or settling for cheaper seats in the nose-bleed section, MelodyVR is building a library of alternate reality “concert going” options you might find appealing.
Q I’m using the built-in apps on my Sony XBR-55X850C TV for video streaming. The set’s optical digital audio output is connected to an older Denon AVR-4306 receiver. My problem is that I only get Dolby Digital 5.1 sound from the TV’s Netflix app; no other app (HBO Now/Go, Sony Crackle, Hulu, or Disney+) provides DD 5.1. My local AV shop suggested using another streaming device or upgrading to a high-quality optical cable. Any advice or suggestions? —Ken Ashlock, Colorado Springs, CO
Yamaha is offering discounts on a couple of AV receivers and one of its home theater systems in the run-up to the 2020 NCAA Division 12 Men’s Basketball Tournament (a.k.a. March Madness), which kicks off March 19th.
AT A GLANCE Plus
Solid performance
Flexible 4-, 2-, or 3-channel setup
Five-year warranty
Minus
Intrusive rear-panel lighting
THE VERDICT
The Avalon G4 may be designed for upgrading systems to the new immersive audio formats, but it's also a fine performer that's flexible enough to satisfy other configurations.
Four may be an even number, but a four-channel amplifier like AudioControl's Avalon G4 might seem like an odd duck to some. With Dolby Atmos and other immersive audio formats becoming more common in the custom install market (where AudioControl, which manufactures products at its Seattle facility, has a heavy presence), however, upgrade-anxious customers will obviously need four additional amp channels to complement the company's existing 5- and 7-channel designs.
Ready to up the ante on your AV investment and take your theater or music setup to the next level? Trade that puny boom box for a subwoofer built to deliver deep, palpable bass that reminds you you’re alive and tricks you into thinking for a moment you’re circling the track in a Shelby Cobra while watching Ford v Ferrari? The editors of Sound & Vision have singled out five outstanding yet reasonably priced subwoofers you must consider if your answer is “yes.” All made our coveted 2019 Top Picks of the Year list and are presented here in ascending price order.
When I was a lad I served a turn as a Hi-Fi looker with no bucks to burn…
With apologies to Gilbert & Sullivan, I’d venture that more than a few veteran audiophiles began that way. Back in the day every city of medium to large size had at least one hi-fi shop. Big cities had dozens....I’m not sure exactly when it happened, but by the mid ‘90s there were far fewer shops than before...
There’s no denying the lure of powerful, deep, visceral bass. How it pulls you into the action. How it scares the living hell out of you. How it makes music real. We were so intrigued by the beastly 6-foot-tall SMSG50 super subwoofer designed and built by Germany’s Ascendo Immersive Audio that we had to dig deeper. We wanted to know what it takes to design and build a subwoofer of this caliber — one capable of producing peak levels up to 140 dB and deliver 105 dB of sound pressure at 5 Hz. Is a subwoofer that weighs 441 pounds and uses a single 50-inch (!) driver to plumb the infrasonic depths really better than a model of more manageable size with maybe a few 18-inch drivers? We caught up with Geoffrey Heinzel, partner and director of international sales and marketing for Ascendo, to learn more about this modern marvel.