Canada’s Classé built its first amplifier way back in 1980 and has been perfecting the art ever since, adding preamp/processors and other components along the way. In 2001, the company became a part of the vaunted B&W Group—a meeting of minds that made perfect sense given their shared dedication to uncompromised audio fidelity and design elegance. The Classé story continues with the introduction of the Sigma Series, which includes the $5,000 7.1-channel Sigma SSP surround preamp/processor and the companion AMP5 power amp, also $5,000. (As it turns out, naming products is not one of the company’s strong suits, but I digress.)
Q I’m planning on buying an Epson 5030UB projector. My sofa will be 14.5 feet from the screen. The room has controllable dimmers, and there will be some room light when I watch games. What screen size and type would you recommend? — Lou Gutierrez / via e-mail
The numbers don't lie. One look at sales figures will verify that Apple and Samsung rule the world of high-end smartphones. Every new phone is eagerly anticipated, and phone companies compete for first dibs on new models. Apple and Samsung - when it comes to smartphones, those are the names you think of. Sony - not so much. That is truly unfortunate, because in some ways, Sony is making far better phones.
Son of a corrupt Russian general, suspected Chechen terrorist Issa Karpov (Grigoriy Dobrygin) illegally sneaks into Hamburg and, with the help of his lawyer (Rachel McAdams), seeks to recover his father’s ill-gotten fortune from banker Tommy Brue (Willem Dafoe). American counterterrorism spies led by Martha Sullivan (Robin Wright) plan to seize him, but German intelligence agent Günther Bachmann (Philip Seymour Hoffman) and his team have other ideas, hoping to use Karpov’s inheritance to help catch a prominent Muslim who, Bachmann believes, is secretly funneling money to terrorists. Inspired acting and insightful direction flatter John le Carré’s espionage thriller.
In this family affair—both in subject and moviemaking— Zach Braff directs and stars while co-writing and co-producing with his brother Adam. Together they’ve created a gently comic, small, oddball drama that, like Braff’s Garden State, often feels lightweight and silly but somehow manages to deal profoundly with the biggest questions and challenges of people’s lives in a resonating and moving manner. The family is that of Aidan Bloom, an immature, 35-year-old, out-of-work L.A. actor trying to live his passionate dream while holding his family together. The crisis comes to a head when he must remove his two children from their school because Aidan’s unforgivingly judgmental, sarcastically (and funnily) scathing father Gabe (Mandy Patinkin)—who was staking the kids’ education so long as it was in a Yeshiva school—needs the money for experimental cancer treatment, forcing Aidan to half-assedly home-teach his kids.
AT A GLANCE Plus
The best noise-canceler, period!
Headphones can play after batteries are drained
Light and very comfortable
Minus
Sound quality isn’t stellar
THE VERDICT
The QC25 widens Bose's significant lead in noise-canceling technology, though it trails some other competitive headphones on sound quality.
The QuietComfort 25 (QC25) is the latest model to join Bose’s massively popular noise-canceling headphone lineup; it replaces the QuietComfort 15, the best noise-canceling headphone I’ve heard, till now.
Onkyo today announced it is bringing its e-onkyo hi-resolution music download service to the U.S. The service, which has been operating in Japan since 2005, will operate under the “onkyo music” name and provide download access to hundreds of thousands of 24-bit/44.1kHz to 192kHz high-res tracks and millions of 16-bit CD-quality FLAC files, according to the company.
When I left for college, my parents gave me a little personal safety alarm: a small black box about the size of a deck of cards with a pull cord that unleashed a squelching 140 dB siren. I tested it out at home. The din was horrifying. But to be honest, walking around by myself at night, I can’t say that knowing a potential attack could be made noisier really made me feel any safer. Plus, it was kinda bulky to have in my hands at the ready at all times. It’s no wonder then, that tech companies have since flooded the market with all sorts of personal, alarms, alerts, and trackers that are tinier and more wearable than ever.
BeoLab 18 Speaker System Performance Build Quality Value
BeoLab 19 Subwoofer Performance Features Build Quality Value
PRICE $25,625 as reviewed
AT A GLANCE Plus
WiSA wireless multichannel audio technology
All processing and switching built into the TV
Motorized TV speakers and TV stand
Minus
No backlighting on remote control
Nothing else but the price
THE VERDICT
Although most of us can’t afford this system, those who can will be treated to an amazingly moving experience that no other system can provide—every time they turn it on.
Bang & Olufsen is unusual in the AV world. In fact, I could have stopped at “unusual.” I once heard a story about B&O that perfectly sums up what I’m talking about. It’s probably apocryphal, because the person I heard it from had heard it from someone else, but I’ll tell it anyway. Years ago, when B&O still made phones—corded, landline telephones—a guy from the U.S. asked one of the Danish engineers why the handsets had their unique shape, which made them almost impossible to cradle between your ear and shoulder so you could have a conversation and still use both hands. (Twenty-some years ago, that was the era’s version of “hands free.”)
The engineer’s answer was short and to the point: “Because we don’t talk on the phone that way here.” That sort of stubborn—some might say arrogant—confidence in the belief that their way is the right way is one of the core characteristics of Bang & Olufsen. When other AV companies are busy jumping on the latest technological bandwagon, B&O is off in the woods searching for truffles.
First there was mono. Then there was stereo. And then things got complicated. Surround sound has been a restless medium ever since it first snuck into movie theaters and home theaters. Encoding methods and formats have proliferated but standards have been elusive. Where multiplexes are concerned, that doesn't affect the consumer much. Most moviegoers are content to leave the technical details to the theater owners (except our readers, of course). But at home, where consumers are investing their own money in the home theater experience, many would like to have a fixed idea of what surround sound is at heart, something as close as possible to a stable minimum standard. And until now that standard has been 5.1. But in the dawning age of Dolby Atmos, is 5.1 obsolete?