LATEST ADDITIONS

Thomas J. Norton  |  Oct 18, 2012
2D Performance
3D Performance
Features
Ergonomics
Value
Price: $2,000 At A Glance: Wide, wide image on wide, wide movies • Outstanding detail and good color • Bright, punchy 3D • Minor issues need sorting out

It was just a year or so ago when I first noticed that most of the movies I looked forward to experiencing on my home theater projection system were ’Scope films—productions with an aspect ratio of 2.35:1 or 2.40:1. Comedies, documentaries, art-house fare, and virtually all HD broadcasts are mainly limited to 1.85:1, 1.78:1 (16:9), or 1.66:1 (European widescreen). Classic films, of course, are 4:3.

Brent Butterworth  |  Oct 17, 2012

As I said in Monday’s coverage of headphones and Wednesday’s coverage of speakers, Denver’s Rocky Mountain Audio Fest is the biggest, most exciting, and most important of the regional hi-fi shows that have sprung up all over the U.S. and Canada.

Chris Chiarella  |  Oct 17, 2012
Going back a few years, the arrival of high definition in general and Blu-ray specifically signaled a new era of entertainment. While home theater has long promised a movie-watching experience that we could enjoy in our pajamas—without getting arrested—the reign of the 1080p optical disc promised us DVD convenience combined with superior cinematic quality. Delivering on that promise wasn’t always so easy, however. Owing to a variety of variables, such as poor film storage, tight budgets, and the simple fact that some studios are more dedicated to the preservation of their libraries than others, many of the most anticipated Blu-ray debuts have been lackluster, frequently mere ports of existing standard-def masters.
Brent Butterworth  |  Oct 17, 2012

If you’re looking to hear the latest speakers, there’s no better place to go than Colorado’s Rocky Mountain Audio Fest. Last weekend’s show was packed with new speakers, ranging from bookshelf designs to huge towers, budget models to budget-busting models, and ordinary to exotic.

Michael Berk  |  Oct 17, 2012

We're not sure about you, but here at Sound+Vision we've been eagerly awaiting the arrival of V-Moda's M-100 since we first glimpsed it at the 2012 CES. It's been a long and interesting road for the company's latest full-sized, audiophile-friendly 'phone, with many changes stemming from the active input from the community of headphone enthusiasts at Head-Fi. And the Crossfade M-100 is finally here.

Mark Smotroff  |  Oct 16, 2012

We've learned about some cool surround discs coming out (we like to keep an eye on interesting sources such as the great UK magazine Record Collector).  We'll be looking for them soon so we can review them for you.  Included are:

Bob Ankosko  |  Oct 16, 2012
Chesky Records aims to re-create the experience of listening to live music from the best seat in the house with its new Binaural+ Series of high-resolution 24-bit/192-kilohertz recordings. Specially calibrated microphones implanted in the ear canals of a dummy head are used to capture a “stunningly accurate and realistic” 3D representation of the soundfield. With traditional binaural recordings, which have been around for decades, distinct left and right channels are recorded as they would be heard by a pair of human ears and played back through headphones—left channel to left ear, right channel to right ear—to create the illusion of a 360-degree soundstage.
Shane Buettner  |  Oct 16, 2012
Picture
Sound
Extras
Interactivity
1971’s Harold and Maude, a cult classic before there was such a thing, undoubtedly remains the weirdest rom-com of all times (classifying this movie as such has me laughing out loud as I type!). Harold (Bud Cort) is an odd young man who lives with his wealthy, high-society widow of a mother and gets his kicks (and much-needed attention) from elaborately acting out his own death. Over and over. While Harold’s mom’s ideas for straightening him out are to put him in the military or marry him off, another of Harold’s hobbies, attending strangers’ funerals, leads him to Maude (Ruth Gordon), a daring older woman and the freest spirit you’ve ever seen. She lives in a renovated boxcar, fights the system in her own inimitable ways, ruffles a lot of feathers, and steals a hell of a lot of cars. She’s a gas and is absolutely as obsessed with life as weird Harold is with death. They fall in love.
Daniel Kumin  |  Oct 16, 2012

Like so many British (and, for that matter, American) ür-audio brands, KEF — originally Kent Engineering & Foundry — had its roots in the post- WWII technology boom. In KEF’s case, it grew inside a Quonset hut on the grounds of the aforementioned foundry. A half-century down the road the Kentish maker is still there (in Kent, not in the metal shed!), still focused on its core competency (loudspeakers), and still producing wholly excellent designs.

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