… this really is a piece of equipment that does not need to exist especially now.
I make that statement for three reasons:
1: Using analog equalization for room correction, even in its most benign state, is, for the most part, a fool’s errand. If, on the other hand, you are using this for EQing source material, it is of some use. It is, though, of limited use, because it is a fixed graphic equalizer, rather than a parametric EQ. Not useless, but not entirely useful.
2: A much better solution would be to use room correction and speaker correction as implemented in Dirac, etc. and then EQ the song as needed to give you the most pleasing sound. From experience, this usually means turning up the bass and treble. On occasion, it means a little bit of judicious EQing of the midrange. On those rare occasions, it’s usually taking down the area around 3 to 4 kHz by a few decibels. Obviously, this is designed for digiphobes which means that the phase distortion and noise that is added by this unit will be nothing compared to all the distortion & noise on the their vinyl LP’s.
3: If this particular piece of equipment appeals to you, you better buy it in the next year or so. I would not expect this to be around for long since it really is obsolete. It will be going the way of the dinosaurs sooner than later.