Josef Krebs

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Josef Krebs  |  May 21, 2013
When her husband, Martin (Channing Tatum) gets out of stint in prison for insider trading, Emily Taylor (Rooney Mara) falls into a deep depression and attempts suicide leading to her being put on an experimental new medication that has complicated side effects - such as stabbing your husband while you're sleep walking.
Josef Krebs  |  May 28, 2013

Cleopatra

For its 50th anniversary - along with the hoopla of a Cannes Film Festival re-release, a limited theatrical engagement in more than 200 theaters, and Richard Burton's posthumously receiving a star on the Hollywood Walk of Fame next to Elizabeth Taylor's - Cleopatra has been newly digitally restored in a 243-minute original theatrical cut.

Josef Krebs  |  Jun 04, 2013

A Good Day to Die Hard

The latest chapter of the popular, 25-year-old franchise is a Die Hard film with subtitles. But, fear not, ardent fans, it's just for a scene or two at the start and that's as arty as it gets. The rest of the film is standard slam-bam, big-boom, non-stop adrenaline-filled, Yippie-Kai-Yay thrill seeking.

Josef Krebs  |  Jun 11, 2013

Wild Strawberries

In this much-beloved 1957 masterpiece from the great film artist Ingmar Bergman (The Seventh Seal, Persona,Smiles of a Summer Night), Professor Isak Borg - memorably played by veteran director Victor Sjöström (The Phantom Carriage, He Who Gets Slapped, The Wind) - is a selfish and somewhat cruel, yet old-world charm

Josef Krebs  |  Jun 18, 2013

Lifeforce

With a great sci-fi/horror pedigree - directed by Tobe Hooper (The Texas Chain Saw Massacre, Salem's Lot, Poltergeist), screenplay co-written by Dan O'Bannon (Alien, Total Recall, and Dark Star) and Don Jakoby from the 1976 novel The Space Vampires by Colin Wilson, special effects supervised by Oscar-winner John Dy

Josef Krebs  |  Jun 25, 2013

Help!

The title song, Help!, kicks in beautifully - thrillingly - with snaredrums somewhere in the room up left, vocals in center, lead guitar in the surrounds - glorious. Whenever the film launches into one of its seven classic numbers (only seven?) in 5.1 channels the band leaps into the room filling the soundstage and bringing everything to life.

Josef Krebs  |  Jul 02, 2013

The Producers

When on-the-skids Broadway theatrical hustler Max Bialystock (Zero Mostel) has his financial books examined by timid, nervous nebbish accountant Leo Bloom (Gene Wilder), the casual conversation that ensues persuades each of them that by producing a really, really dreadful play in order to ensure a massive flop, they can make more money than if they had a hit.

Josef Krebs  |  Jul 09, 2013

The Life of Oharu

The Life of Oharu (Saikaku ichidai onna, 1952), from director Kenji Mizoguchi (Ugetsu, Sansho the Bailiff, A Geisha), tells of a 50-year-old prostitute no longer able to attract men looking back on her tragic life.

Josef Krebs  |  Jul 16, 2013

42

42 is so schmaltzy, clean-cut, clean-living, and well brought up that it makes sentimental 1940s-made baseball biopics with Jimmy Stewart (The Stratton Story) or Gary Cooper (The Pride of the Yankees) seem positively cynical and bawdy in comparison.

Josef Krebs  |  Jul 31, 2013

G.I. Joe: Retaliation

As if the 2009 blockbuster G.I. Joe: The Rise of Cobra didn't have impressive enough earnings in grossing $302 million worldwide box office, its follow-up, G.I. Joe: Retaliation, surpassed it with a $320 million take (aided by the surcharges this time for a 3D viewing). At this rate, if G.I.

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