It's Oscar time! And since no one on the Sound & Vision staff actually belongs to the Academy of Motion Picture Arts and Sciences (our applications keep getting kicked back to us), we're celebrating this past year's best pictures our own way -- by declaring which films actually have the best pictures . . . and sound!
It's Oscar time! And since no one on the Sound & Vision staff actually belongs to the Academy of Motion Picture Arts and Sciences (our applications keep getting kicked back to us), we're celebrating this past year's best pictures our own way - by declaring which films (and TV shows) actually have the best pictures . . . and sound!
She first caught our attention with her spectacular entrance as the goddess Venus on the half-shell in The Adventures of Baron Munchausen. She made even greater splashes as the virginal innocent in Dangerous Liaisons and, the following year, at age 19, playing the complex sexual sophisticate June in Henry & June.
The Social Network opens with a conversation between Mark Zuckerberg (Jesse Eisenberg) and his soon-to-be-ex-girlfriend (Rooney Mara), and it's the perfect setup for a movie about a certain form of Internet interaction.
Not so much The Da Vinci Code meets Se7en but more The Bourne Identity meets Run Lola Run, director David Fincher's scene-by-scene remake of the original 2009 Swedish adaptation of the first part of novelist Stieg Larsson's Millennium Trilogy is as if the original film had taken steroids. It's tight, tense, stylish, and very involving.
The arrival of a giant man-eating great white shark on the shores of a New England beach resort in 1975 and its cruise out of the universal unconsciousness and through the international zeitgeist from was a historical and game-changing event.
"After you get what you want you don't want what you wanted at all." A great sense of loss runs throughout Boardwalk Empire, the Terence Winter-created, Martin Scorsese-executive produced gangster series set in Atlantic City of the Roaring Twenties.
Reclusive billionaire scientist Harold Finch (Michael Emerson) has built a machine. It processes information from an omnipresent surveillance network he's created for the government - and is able, based on that info, to predict terrorist events.